The organizing committees each have their own music band. These bands, playing saxophones, trumpets, drums, cymbals, and various other musical instruments, accompany the procession as it makes its way through Versova Koliwada.
Flowers and floral garlands are used to decorate the carriages carrying coconuts and are featured in various puja rituals. Flowers, along with coconuts, are also offered to the sea.
As the rising flames engulf the effigy, prayers are made to Haul Mata, seeking forgiveness for past misgivings and invoking blessings for new beginnings. It is believed that the smoke rising from the burning effigy removes negative forces from the neighbourhood.
The tree trunk is seen as a manifestation of Holika, who possessed a boon making her immune to fire. Holika’s brother, Hiranyakashipu, had a son named Prahlad, who had unwavering bhakti (devotion) towards Lord Vishnu. In an attempt to kill Prahlad, Hiranyakashipu instructed Holika to sit on a burning pyre with Prahlad on her lap. However, due to Prahlad’s devotion to Lord Vishnu, he was saved from the flames while Holika was burned to ashes. This event symbolizes the victory of good over evil and is commemorated as Holika dahan.
Married women in the family adorn Holika with all the visual markers of a married woman. This includes items of solah shringar, which comprise 16 pieces of jewellery and accessories that complete the traditional look of a Hindu bride, placed on the effigy.
Women take out a procession, carrying earthen pots on their heads. They circle the effigy five times before breaking the pots in the fire. This tradition traces back to a time when ceremonial fires were carried in earthen pots.
Before starting any ritual, married women in the family bathe and dress in new Nauvari sarees (a nine-yard saree worn by Koli women). They then clasp their ears as a gesture of seeking forgiveness from Holika for any past transgressions.