The rear view (northwest) of the Vishnu and Shiva temples behind the Sitaleshwar Temple shows that the temples are in disrepair. The ornately carved base mouldings of both temples are intact but the jangha (wall) and shikhara (superstructure) of both temples are severely damaged.
The portrayal of animals and birds on the pillars of the Sitaleshwar Temple is remarkable. The half-medallion decoration on one of the pillars captures the image of a tranquil and innocent lion, sitting and relaxing.
The lalatabimba (lintel) on the garbhagriha (sanctum sanctorum) entrance of the Shiva Temple (Shiva Temple 2) features a seated Lakulisa within a small niche. Lakulisa is depicted in padmasana (lotus pedestal pose) with two arms, holding a phala (fruit) and a danda (staff). On either side, Gandharva (celestial musicians) couples are illustrated holding garlands. The uttaranga (top horizontal band of the architrave) of the temple showcases depictions of Matrikas, Veerabhadra, along with Ganesha and Brahma.
Within the Chandrabhaga temple complex, there stands an ancient Banyan tree that is revered by devotees along with the Shiva lingas (aniconic representations of Shiva) on the premises. Since banyan trees are believed to be wish-fulfilling and are associated with fertility in Hindu mythology, married couples worship these trees in hopes of bearing children.
The lower section of the garbhagriha (sanctum sanctorum) entrance of the Vishnu Temple displays the river goddesses, Ganga and Yamuna, succeeded by a chauri (fly whisk) bearer, and then the Vaishnava dvarapalas (door guardians). These four-armed dvarapalas are depicted holding a gada (mace), a shankha (conch shell), a chakra (discus), and one of their hands are positioned in abhayahasta (a hand pose indicating reassurance or protection from fear). They are adorned with a karand mukuta (tiered crown), long garlands, and elaborate jewelry.
The rear view of Shiva Temple 1 showcases the vedibandha (basal mouldings), incorporating the khura (hoof), the kumbha (pot), the kalasha (a pitcher), and the kapotapalika (cyma recta). The kumbha has intermittent niches housing sculptures of females, couples, and dwarfs. Above the moulding, the jangha (wall) exhibits central projected niches flanked by slightly narrower projected niches.
The Chandrabhaga temple complex has two temples, a Vishnu Temple (left) and a Shiva Temple (right), situated on their respective platforms behind the Sitaleshwar Temple. Both temples presently consist only of the garbhagriha (sanctum sanctorum), which can be accessed by a set of steps.
At the rear of Shiva Temple 1, depictions of surasundaris (celestial damsels) adorn the walls of the garbhagriha (sanctum sanctorum). They are presented standing gracefully, holding a flower stalk in one hand and grasping the edge of the scarf with the other. The rhythmic composition is achieved through the flexed postures, flowing scarves, and curved flower stalks.
The external walls of the antarala (vestibule or antechamber) of the Sitaleshwar Temple are decorated with beautiful sculptures of deities. On the rear (west) wall, Lord Vishnu is depicted seated on a pedestal in lalitasana (the royal position or position of royal ease). He is presented with four arms, carrying a gada (mace), a chakra (discus), and a shankha (conch shell). His front right hand is posed in abhayahasta (hand pose indicating reassurance or protection from fear). He is depicted wearing a crown with a halo around his head.
The antarala (vestibule or antechamber) of the Sitaleshwar Temple provides access to the garbhagriha (sanctum sanctorum) through an intricate panchashakha (five vertical bands) entrance. These shakhas or vertical bands display floral patterns and foliage. The lower sections depict images of Shiva on both sides along with representations of river goddesses, Ganga and Yamuna.