Buscar
El número de resultados a mostrar por página
Resultados de la búsqueda
- Descripción:
- Satellite imagery locating temples in the Baroli group of temples.
- Palabra clave:
- Temples of India, Ghateshwar Temple, Vishnu, Shiva, Rawatbhata, Sadashiva Temple, Jodhpur Circle, Rajasthan, Vamana Temple, Baroli, Chittorgarh, Mahishasuramardini Temple, 10th - 11th Century CE, Pratihara, Temple, Ganesha, Nagara temple architecture, Architecture, and Archaeological Survey of India (ASI)
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Chittorgarh
- Fecha de Subida:
- 03-06-2024
- Fecha Modificada:
- 03-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- Front view of the Shiva Temple (Temple 1), Baroli group of temples.
- Palabra clave:
- Temples of India, Ghateshwar Temple, Vishnu, Shiva, Rawatbhata, Sadashiva Temple, Jodhpur Circle, Rajasthan, Vamana Temple, Baroli, Architecture, Mahishasuramardini Temple, 10th - 11th Century CE, Pratihara, Temple, Ganesha, Nagara temple architecture, Chittorgarh, and Archaeological Survey of India (ASI)
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Chittorgarh
- Fecha de Subida:
- 03-06-2024
- Fecha Modificada:
- 03-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- The Shikhara (superstructure) of the Adinatha Temple is built in the Nagara style, albeit an abbreviated one. The mulshringa of the shikhara has a pratyangas or prati shikharas emanating from it. These are complemented by miniature shikharas at the base of the main shikhara. The shikhara is painted in white and the ornamentation details are defined with gold paint. The base of the cardinal faces of the shikhara has deep empty niches, similar to the shikhara of the Bhandasar Temple.
- Palabra clave:
- Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain
- Creador:
- Temples of India Project Team
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- The Adinatha or Rishabnatha Temple in the Bhandasar Temple Complex. It is a subsidiary shrine situated to the south of the complex. It is relatively smaller in size than the Bhandasar Temple. The temple is not austere in treatment. It is a simple structure with planned walls and one entrance facing the east.
- Palabra clave:
- Bada Bazaar, 16th century CE, Bikaner, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Rao Lunkaran, and Raos of Bikaner
- Creador:
- Temples of India Project
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- This painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) depicts the 23rd Jain Tirthankara, Parshvanath, standing on a multi-headed naga (serpant), with the hood crown positioned above the head of the lord. A naga couple in anthropomorphic form stands flanking the Tirthankara and bows down to him. Parshvanath wears a crown and is adorned with jewellery. There are two gandharvas (celestial beings) in the sky above him. The inscription reads, ‘Parasnath Shvami.’
- Palabra clave:
- Bada Bazaar, 16th century CE, Rao Lunkaran, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Raos of Bikaner
- Creador:
- Temples of India Project
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- The thirteenth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode from Jinadatta Suri's life that took place in Ajmer. Once, an ominous stroke of lightning in the evening threatened the fellow monks and followers of Dada Jin Dutt Suri while they were performing pratikraman with him. Dada Jin Dutt Suri captured the lightning under his alms bowl and instructed everyone to continue with the pratikraman without fear. Lightning is shown as yellow strokes in the sky that the acharya (those who impart knowledge) collected in the bowl. Jinadatta Suri is shown sitting on a mat. The inscription reads, ‘shri jinadatta suri ji Bijali dabi.’
- Palabra clave:
- Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Rathore Dynasty, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Tirthankara, and Jain
- Creador:
- Temples of India Project
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- The ninth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is difficult to decipher. It appears to depict a sleeping couple, with a snake near the leg of the man. Outside the haveli (mansion) which houses this couple, there is an armed figure that looks like a soldier or guard in uniform.
- Palabra clave:
- Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain
- Creador:
- Temples of India Project Team
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- The Mahakal Temple mandapa (pillared hall) has a depiction of dikapalas (deities for cardinal directions). Kuber is one of them who is portrayed with four arms. He holds a money bag in his upper hand, a kamandalu (water pot) in his lower left hand, and a gada (mace) in his lower right hand. At the base of the niche, Kubera’s Mount Airavat is carved.
- Palabra clave:
- Bijolia Group of Temples, Nagara Style of Architecture, Mahakal Temple, Hazareshwar Temple, Bhilwara, Architecture, 11th to 13th century CE, Temple, Early Medieval, Rajasthan, Undeshwar Temple, Mandakini Kund, and Archaeological Survey of India (ASI)
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- The details of the vedibandha (basal mouldings) of the southern garbhagriha (sanctum sanctorum) of the Mahakal Temple show that it consists of khura (hoof), kapotapalika (cyma recta), kumbha (pot), and kalasha (pitcher) mouldings. The stambhas (buttresses) filling the space between bhadras (central offset) of the jangha (wall) is also ornamented.
- Palabra clave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Mahakal Temple, Rajasthan, and Undeshwar Temple
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descripción:
- The mandapa (pillared hall) leads to the antarala (vestibule or antechamber), a shallow passage distinguished by pillars along its sides. From there, one proceeds to the garbhagriha (sanctum sanctorum) of the Undeshwar Temple, featuring a meticulously carved doorframe. This doorframe exhibits a multi-shakha (vertical band or architrave) design, with each shakha adorned with various floral patterns, naga (serpant) figures and stambha (buttress). At the lower part of the doorframe, there are four female figures, two of whom hold kalashas (pitchers) while the other two hold chauris (fly whisks). Following them are four-armed dvarapalas (door guardians), each depicted with their respective attributes. Lastly, there is a figure of Kubera holding a money bag. Above the lalatabimba (lintels) on the doorframe's entablature, Nataraja is positioned at the center, flanked by seated goddesses, with Brahma and Vishnu depicted at the ends.
- Palabra clave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image