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1931. Chamunda
- La description:
- An eight-armed Goddess stands on a lotus and naravahana (human corpse). Her form appears emaciated with sagging breasts and a sunken stomach. She has her mouth open and is pointing her little finger towards it with her left hand. She holds a trident in her right hand and a khappar (skull bowl) and naramunda (severed head) spear in the left hand. The remaining hands are broken. To her right, a lion-headed female (perhaps Narasimhi) and gana (attendant) is depicted, while on her left, a dog is seen licking the blood off the naramunda. A beaded halo is present behind her head. The gana and the naravahana exchange looks, with the gana holding his foot.
- Mot-clé:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 29-03-2024
- Date modifiée:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
1932. Kshemankari
- La description:
- An eight-armed deity is depicted standing in samabhanga (upright posture) on a lotus beneath which are two addorsed lions. The deity holds a shield in the upper left hand; the remaining hands are broken. A halo is present behind her head. A female attendant stands on the right. Stylistically similar to those seen at Ambika Temple in Jagat (dated 10th century CE).
- Mot-clé:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 29-03-2024
- Date modifiée:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Couples invoking shringara rasa (associated with romance, love, and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. The central figures are wearing heavy jewellery, elaborate headgear, and garments, indicating they are a royal couple. The central male figure is seated on a raised circular seat in the lalitasana pose, firing an arrow from a bow. Standing on his left are two female figures (faces defaced), looking toward him. The female on his immediate left is holding a flower in her right hand. The female to his far left is holding a floral scroll. The female figure on his right is damaged. A bunch of mangoes hang above them. Mangoes are symbols of kama or sexual desire. Therefore, it could possibly be a depiction of Kamadeva (Hindu God of erotic love, pleasure, and desire) and the females may be apsaras (celestial nymphs) or his consort, Goddess Rati.
- Mot-clé:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 29-03-2024
- Date modifiée:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- The adhisthana has depictions of various Hindu gods and goddesses framed within elaborately carved panels. This panel depicts Lord Vishnu seated on his mount, Garuda. Lord Vishnu (Aniruddha) is depicted as chaturbahu (with four hands). In his rear right hand, he is carrying the gada (mace), named Kaumodaki, and in his rear left hand, the chakra (discus) named Sudarshana, while the front two hands are broken. A pair of vidhyadharas (knowledge bearers) are seen flying on the top corners, showering floral garlands. Two male attendants (seated) and two female attendants (standing) are flanking Vishnu on either side. The faces, feet, and hands of the figures are broken and their attributes are not clear.
- Mot-clé:
- Abhaneri, Architecture, Harshatmata, Rajasthan, Gurjara-Pratihara, Temple, and Shakhambari Chahamanas
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 29-03-2024
- Date modifiée:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- The adhisthana has depictions of various Hindu gods and goddesses framed within elaborately carved panels. This panel has a central male figure holding a hala (plough) and large hooded nagas (serpents). The panel has a central male figure seated in the lalitasana posture on a circular throne. The figure has four arms and is holding a hala (plough) in his upper left hand. Hala is associated with Samkarshana, more popularly known as Balarama, the brother of Sri Krishna. Balarama is considered an avatar of Sesha, the coiled serpent mount on which Lord Vishnu lies. This might explain the presence of hooded nagas appearing over the attendants. Balarama’s lower left-hand rests on the waist of a female figure, likely his consort Revati. Two female figures are flanking the couple, likely attendants. The female figure on the left has a watering pot in her hand. The faces, feet, and hands of the figures are broken and their attributes are not clear.
- Mot-clé:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 29-03-2024
- Date modifiée:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- The adhisthana has depictions of various Hindu gods and goddesses framed within elaborately carved panels. This panel depicts Pradyumna. While Meister identifies the sculpture as Varuna, the God of oceans and the dikpala of the west direction, Packert-Atherton identifies him as Pradyumna, one of the Vrishni cult deities of the Pancharatra sect. Pradyumna is seated in the lalitasana posture on his mount, the mythical sea creature called makara. He holds a bow in his left hand and is surrounded by four female attendants. Two attendants in the foreground are seated on circular seats and two in the background are standing. The seated lady on the left is holding an arrow. The seated lady on the right has long braided hair. The faces, feet, and hands of the figures are broken and their attributes are not clear.
- Mot-clé:
- Abhaneri, Architecture, Harshatmata, Rajasthan, Gurjara-Pratihara, Temple, and Shakhambari Chahamanas
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 29-03-2024
- Date modifiée:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- The 140-year-old Club of St. Anthony is a Goan club associated with Deussua village in South Goa district. These Goan clubs are called kudds (or coors), which provide affordable accommodation to migrants from Goa staying and working in Mumbai. Located close to Dockyard station on P. D’Mello Road, the Club of St. Anthony is among the few remaining kudds in Mumbai, most having closed due to a lack of patronage and occupancy.
- Mot-clé:
- Club of St Anthony, Koliwada, East Indian Community, Mumbai Archive Project, Mazagaon, Matharpacady, Goan Kudd, Mumbai, Koli Community, Dockyard Road, Gloria Church, Nawab Ayaz, and Kaka Baptista
- Créateur:
- Mumbai Archive Project Team
- Donateur:
- Ayan Ghosh and Ankita Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Mazagaon
- Date de téléchargement:
- 21-03-2024
- Date modifiée:
- 22-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- The Koli community were mainly involved in fishing, though some Kolis were also cultivators. Typically, the Koli women take care of drying and selling fish, while the Koli men are engaged in fishing and distributing the day’s catch. Fish markets are dominated by Koli women, who handle the business operations.
- Mot-clé:
- Club of St Anthony, Dockyard Road, East Indian Community, Mumbai Archive Project, Mazagaon, Matharpacady, Goan Kudd, Mumbai, Koli Community, Koliwada, Gloria Church, Nawab Ayaz, and Kaka Baptista
- Créateur:
- Mumbai Archive Project Team
- Donateur:
- Ayan Ghosh and Ankita Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Mazagaon
- Date de téléchargement:
- 21-03-2024
- Date modifiée:
- 22-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Adjoining the docks, Mazagaon Koliwada is among the oldest Koli settlements in Mumbai, though nothing much of the historical village has survived in modern times. It is home to diverse communities, including Parsis, Muslims, East Indian Catholics, Jews, and others, who have lived here for generations. Mazagaon is dotted with architectural landmarks and heritage buildings, which reflect its cosmopolitan social fabric.
- Mot-clé:
- Goan Kudd, Gloria Church, Koli Community, Koliwada, Nawab Ayaz, East Indian Community, Mumbai, Kaka Baptista, Mazagaon, Club of St Anthony, Mumbai Archive Project, Matharpacady, and Dockyard Road
- Créateur:
- Mumbai Archive Project Team
- Donateur:
- Ayan Ghosh and Ankita Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Mazagaon
- Date de téléchargement:
- 21-03-2024
- Date modifiée:
- 22-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Shenaaz's tiny room at Bob Bungalow is where she feeds the local cats. Many cats live in Mazagon, where they patrol the fish markets and serve as useful pest deterrents. The residents look after the cats even if they are not domesticated. They become close friends with the locals and are regarded as family.
- Mot-clé:
- Goan Kudd, Gloria Church, Koli Community, Koliwada, Nawab Ayaz, East Indian Community, Mumbai, Kaka Baptista, Mazagaon, Club of St Anthony, Mumbai Archive Project, Matharpacady, and Dockyard Road
- Créateur:
- Mumbai Archive Project Team
- Donateur:
- Ayan Ghosh and Ankita Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Mazagaon
- Date de téléchargement:
- 21-03-2024
- Date modifiée:
- 22-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image