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Bijolia Group of Temples
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- Descrição:
- A syncretic representation adorns the kakshasana (seat backs) niche in the form of Ardhanareshwar, embodying the divine union of Shiva and Uma. Shiva’s right half and Uma’s left half seamlessly blend into a single divine form, symbolizing the inseparable nature of masculine and feminine energies. While the figure originally had four arms, only the upper two remain intact. Shiva’s side wields a pointed weapon, signifying his power, while Uma’s side holds a pushpa (flower), representing her nurturing aspect. At the bottom, Nandi, Shiva’s mount, accompanies his side, while Uma’s side features a kalasha (pitcher) adorned with verdant vegetation, symbolizing fertility and abundance. It is significant because both the syncretic images of Harihara and Uma-Maheshvara connect Vishnu and Uma with vegetal growth, symbolizing prakriti (nature), while Shiva represents purusha (essence).
- Palavra-chave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Mahakal Temple, Temple, and Undeshwar Temple
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Ishana is depicted with four arms, holding a trishula (trident) and sarpa (snake) in his upper hand. He is holding a kamandalu (water pot) and varadaksha in his lower hands. He wears a jatamukuta (crown of matter hair) and is adorned with jewels. At the bottom right, his mount, the bull, is carved.
- Palavra-chave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Mahakal Temple, Rajasthan, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Bhairava is portrayed dancing, his four arms moving in a divine rhythm. Notably, Bhairava wears unique footwear with a distinct heel. His left foot, adorned with a sandal, rests firmly on the ground, while his right foot is raised inward, adding dynamism to his celestial dance. In his upper hands, Bhairava holds a damru (drum) and a bowl. His lower left hand holds a severed human head, while his lower right hand grasps an object resembling a musala (pestle). His appearance is marked by a highly raised hairstyle, a moustache, and a flowing beard.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Bijolia Group of Temples, Mahakal Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- A figure of Nirutti stands prominently with a noticeable phallus, symbolizing his association with fertility and vitality. In his hands, Nirutti holds a damru (drum), a khetaka (shield), and a musala (pestle). At the bottom left, a broken animal is depicted. Nirutti’s distinctive high-raised hairdo adds to his unique presence, while his adorned appearance with jewels and a long garland underscores his divine status.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Varuna is depicted alongside his vahana (mount), the makara (crocodile-like mythological sea creature). In his upper right hand, he holds a pasha (noose), symbolizing his control over the cosmic forces. In his upper left hand, he holds a pushpa (flower), representing his connection to the natural world. His lower left-hand holds a kamandalu (water pot), signifying purity and sustenance, while his lower right hand extends in varada hasta (boon-giving gesture).
- Palavra-chave:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Nagara Style of Architecture, Rajasthan, and Undeshwar Temple
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Harihara is depicted as a synthesis of Shiva and Vishnu. In this form, Shiva occupies the right half, adorned with a jatamukuta (crown of matted hair), while Vishnu occupies the left half, crowned with a kiritamukuta (a cylindrical crown associated with Vaishnava iconography). In his upper right hand, Harihara wields a trishula (trident), symbolizing Shiva’s power, while his lower left arm holds a shankha (conch), symbolizing Vishnu’s presence. Nandi, Shiva’s mount, is carved at the bottom right, and a kalasha (pitcher) adorned with vegetal motifs is depicted at the bottom left, symbolizing abundance.
- Palavra-chave:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Nagara Style of Architecture, Temple, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Narasimha is carved on the external wall of the mandapa (pillared hall), though time has weathered its intricate details. This depiction portrays the fourth incarnation of Vishnu, showcasing his formidable aspect with a lion’s visage atop a human form. Despite the erosion of many arms, Narasimha’s attributes are intact. In his upper hands, he holds a chakra (discus) and a shankha (conch shell), symbols of cosmic order and divine sound. His frontal hands are depicted in the act of subduing an asura (demon), although the figure is heavily damaged. He is adorned with jewels and a long garland. Additionally, a figure resembling Varaha is carved at the bottom left.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Bijolia Group of Temples, Hazareshwar Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Kartikeya is depicted on the external walls of the mandapa (pillared hall). Though most of his arms are fragmented, he holds a kamandalu (water pot) in his intact hand, symbolizing purity and divinity. He is identifiable by his vahana (mount), the mayura (peacock), depicted below him.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Bijolia Group of Temples, Mahakal Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Shiva is depicted in a dance posture. Standing in the urdhvajanu (upraised knee) pose, Shiva is depicted with multiple arms, each embodying cosmic significance. In his upper hands, he holds a multi-hooded sarpa (serpent) and a damru (drum), symbolizing creation and destruction in the cosmic dance of life. His right and left middle arms are damaged, but some are intact. His lower left hand forms the gajahasta (elephant trunk) gesture. In the lower right corner, a drummer is depicted, accompanying Shiva’s celestial dance with the beats of a drum. Meanwhile, at the opposite corner, Shiva’s mount, Nandi, is depicted in a seated posture.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Vayu is depicted standing with a gentle smile. His four arms bear testament to his celestial nature. In his upper hands, he grasps a staff, symbolizing authority and guidance. His lower hands cradle a kamandalu (water pot) and extend in varadaksha (boon-giving gesture with a rosary). At the base, his vahana (mount), the antelope, is depicted in graceful motion, adding to the dynamic energy of the scene.
- Palavra-chave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Mahakal Temple, Rajasthan, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image