In one corner of the rear or eastern wall of the garbhagriha (sanctum sanctorum), there is a depiction of Indra but his face and right arms have been damaged. In his upper left hand, he holds an ankusha (bullhook), while in his lower left hand, he is holding a kamandalu (water carrier or pot). The deity is accompanied by an animal. Despite the broken face, a closer examination of the animal's leg and foot confirms it to be an elephant—his mount Airavata.
The southeast profile of the Kaner-ki-Putli Temple exhibits the elevation with the vedibandha (basal mouldings) and jangha (wall). The latter displays the projected and recessed sections, embellished with figurative decorations. The shikhara (superstructure), however dilapidated, is of the Bhumija style.
The kutastambhas (vertical rows of miniature shikharas or spires) on the surviving sections of the shikhara (superstructure) have square-shaped stambhas (pillars) with decorative motifs. Positioned above these stambhas are the kutas (miniature shikharas), with the lower ones featuring intricately carved chaitya arch (dormer window) jala, while the upper ones remain plain. These kutastambhas are distinctive elements of the Bhumija shikhara.
On the northern wall of the garbhagriha (sanctum sanctorum), there is a finely carved depiction of a surasundari (celestial damsel). She wears an intricate bun as her hairstyle and stands tall and slender, adorned with jewellery. One of her hands is damaged, while the other rests on her thigh. Alongside her, there is a portrayal of an ascetic on the same wall. He stands slightly turned to his left, sporting a jatabhara (braided hairdo) on his head and a lengthy moustache. Although erosion has obscured the features of his face, the elongated earlobes and a rudraksha (dried stones or seeds of Elaeocarpus ganitrus) armband are noticeable. One of his hands grasps a pot, and the other delicately positions fingers atop it. Notably, his phallus is exposed in this depiction. It is worth observing that both the ascetic and the surasundari are depicted nude, symbolizing different natures and representing opposing symbolism of mundane and spiritual.
At the corner of the northern wall of the garbhagriha (sanctum sanctorum), there is a depiction of Kubera. The damaged depiction portrays Kubera wearing a karand mukuta (tiered crown) and other ornaments. In his lower left hand, he holds a kamandalu (water carrier or pot), and in his upper left hand, he clutches a money bag extending behind his head. It is worth noting that in this representation, Kubera is not accompanied by his vahana (mount). Instead, a pot is placed at the bottom of the niche, symbolizing wealth and prosperity.
The second shakha (vertical band) of the doorframe of the garbhagriha (sanctum sanctorum) is carved with naga (serpent) figures. These nagas are depicted with human faces and bodies, each adorned with three hoods over their heads, all shown with hands folded in reverence.
On the rear (eastern) wall of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple, one can observe an empty central niche, surrounded by the dikapalas (deities of the cardinal directions), Indra and Ishana in graceful poses, along with Shaiva ascetics and the surasundari (celestial damsels) standing in elegant poses.
The shikhara (superstructure) of the Kaner-ki-Pulti Temple is severely damaged. While the lower part remains intact, the upper section has completely collapsed. A detailed examination of the shikhara reveals that it is of the Bhumija style, featuring latas (central offsets) in the cardinal directions. Between these latas, rows of kutas (miniature shikharas) are arranged. The central offset is plain at its base and adorned with a decorated pediment above. The remaining portion of the lata is intricately carved with chaitya arch (dormer window) jala. The spaces between the latas are filled with two rows of kutastambhas (vertical rows of miniature shikharas).
A four-armed bharavahaka (load bearer) is depicted on the left pilaster of the antarala (vestibule or antechamber) of the Kaner-ki-Putli Temple. It is shown bearing the weight of the roof with its upper hands while using its lower hands to play the cymbals.
The garbhagriha (sanctum sanctorum) is a small square chamber with entirely plain walls from the inside. It housed a stone Shiva linga (aniconic representation of Shiva). One of the sides of the garbhagriha has a stone slab designed for placing worship-related objects, while the opposite side is equipped with a pranala (water drainage).