Index Catalog // Jio Institute Repository

111. Floor plan of Lomas Rishi cave in Barabar

Descrição:: As early as the third century BC, caves like the Lomas Rishi and Sudama were excavated, modeled after the simple dwellings of ascetics.
Palavra-chave:: Aihole, Bhitargaon, Lomas Rishi, Early Chalukyas, Sanchi, Pattadakal, Nachna, Imperial Guptas, M.S. Mate, Temple, Chaluykas of Badami, Ramtek, Badami, Mahakut, Michael W. Meister, Architecture, Dashavatara Temple, Kanganhalli, Temples of India, Temple 17 at SanchiKanganhalli, Deogarh, Parvati Temple, Kondivate, Vakatakas, Hoysala, and Udayagiri
O Criador:: Temples of India Project Team
Contribuinte:: Dr Pushkar Sohoni
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: India
Data carregada:: 26-06-2024
Data modificada:: 26-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

112. Cave 1 at Udayagiri

Descrição:: This transition is vividly illustrated in Cave 1 at Udayagiri, where the sanctum is excavated from living rock, while the porch in front is constructed with dressed masonry.
Palavra-chave:: Temples of India, Bhitargaon, Lomas Rishi, Early Chalukyas, Sanchi, Pattadakal, Temple 17 at SanchiKanganhalli, Parvati Temple, M.S. Mate, Temple, Chaluykas of Badami, Ramtek, Vakatakas, Mahakut, Michael W. Meister, Architecture, Dashavatara Temple, Kanganhalli, Aihole, Nachna, Imperial Guptas, Deogarh, Kondivate, Badami, Hoysala, and Udayagiri
O Criador:: Temples of India Project Team
Contribuinte:: Dr Pushkar Sohoni
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: India
Data carregada:: 26-06-2024
Data modificada:: 26-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

113. Varahavtar panel in Cave 5 at Udayagiri

Descrição:: Cave 5, in particular, features a complex iconographic program aimed at legitimizing the royal patron as the conduit between humanity and the divine, represented by Vishnu in his boar form, while the cosmic waters threatening the human world fill the ground. Image courtesy: Wikimedia Commons
Palavra-chave:: Temples of India, Michael W. Meister, Lomas Rishi, Hoysala, Imperial Guptas, Kanganhalli, Badami, Temple, Deogarh, Sanchi, Bhitargaon, Udayagiri, Architecture, Temple 17 at SanchiKanganhalli, Kondivate, Chaluykas of Badami, Mahakut, Aihole, Ramtek, Parvati Temple, M.S. Mate, Dashavatara Temple, Early Chalukyas, Nachna, Vakatakas, and Pattadakal
O Criador:: Temples of India Project Team
Contribuinte:: Dr Pushkar Sohoni
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: India
Data carregada:: 26-06-2024
Data modificada:: 27-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

114. Temple 17 at Sanchi

Descrição:: One of the earliest freestanding temples is Temple 17 at Sanchi, constructed around 400 CE. Image courtesy: Wikimedia Commons
Palavra-chave:: Temples of India, Michael W. Meister, Lomas Rishi, Hoysala, Ramtek, Kanganhalli, Badami, Temple, Deogarh, Sanchi, Bhitargaon, Early Chalukyas, Architecture, Temple 17 at SanchiKanganhalli, Kondivate, Pattadakal, Mahakut, Aihole, Imperial Guptas, Parvati Temple, M.S. Mate, Dashavatara Temple, Udayagiri, Nachna, Vakatakas, and Chaluykas of Badami
O Criador:: Temples of India Project Team
Contribuinte:: Dr Pushkar Sohoni
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: India
Data carregada:: 26-06-2024
Data modificada:: 27-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

115. Use of brick in the temple of Bhitargaon

Descrição:: This interpretation could explain the use of brick in the temple of Bhitargaon, built in the 5th century, a period when one of the symbolic connotations of a temple consciously included the idea of an altar. Image courtesy: Wikimedia Commons
Palavra-chave:: Temples of India, Michael W. Meister, Aihole, Hoysala, Ramtek, Parvati Temple, Badami, Temple, Deogarh, Sanchi, Bhitargaon, Early Chalukyas, Architecture, Temple 17 at SanchiKanganhalli, Nachna, Chaluykas of Badami, Mahakut, Lomas Rishi, Imperial Guptas, Kanganhalli, M.S. Mate, Dashavatara Temple, Udayagiri, Kondivate, Vakatakas, and Pattadakal
O Criador:: Temples of India Project Team
Contribuinte:: Dr Pushkar Sohoni
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: India
Data carregada:: 26-06-2024
Data modificada:: 27-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

116. Stupa in Cave 10 at Kondivate

Descrição:: The worship of the living ascetic, a tradition deeply rooted in Indian culture, influenced early temple architecture. Cave 10 at Kondivate, where the Buddha is represented by a stupa, and housed inside a likeness of a hut in stone.
Palavra-chave:: Temples of India, Michael W. Meister, Aihole, Hoysala, Ramtek, M.S. Mate, Badami, Dashavatara Temple, Deogarh, Sanchi, Bhitargaon, Early Chalukyas, Architecture, Temple 17 at SanchiKanganhalli, Kondivate, Vakatakas, Mahakut, Lomas Rishi, Imperial Guptas, Parvati Temple, Kanganhalli, Temple, Udayagiri, Nachna, Chaluykas of Badami, and Pattadakal
O Criador:: Temples of India Project Team
Contribuinte:: Dr Pushkar Sohoni
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: India
Data carregada:: 26-06-2024
Data modificada:: 26-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

117. Udayagiri near Sanchi

Descrição:: Udayagiri, a site near Sanchi, contains some of the rock-cut caves excavated in the early 5th century CE during the reign of the Guptas.
Palavra-chave:: Temples of India, Michael W. Meister, Aihole, Hoysala, Ramtek, Parvati Temple, Badami, Dashavatara Temple, Deogarh, Sanchi, Bhitargaon, Early Chalukyas, Architecture, Temple 17 at SanchiKanganhalli, Kondivate, Pattadakal, Mahakut, Lomas Rishi, Imperial Guptas, Kanganhalli, M.S. Mate, Temple, Udayagiri, Nachna, Vakatakas, and Chaluykas of Badami
O Criador:: Temples of India Project Team
Contribuinte:: Dr Pushkar Sohoni
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: India
Data carregada:: 26-06-2024
Data modificada:: 26-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

118. Depiction of Dikpalas on the walls of the Antarala

Descrição:: Dikapalas (gods of cardinal directions) are also depicted on the walls of the antarala (vestibule or antechamber) of the Sitaleshwar Temple. One of the dikapalas is Varuna, depicted alongside his vahana (mount) Makara (crocodile-like sea creature). The ocean god is portrayed with two arms, holding a noose in his right hand and a water pitcher in his left.
Palavra-chave:: Chandravati Temples, Sitaleshwar Temple, Archaeological Survey of India (ASI), Temple, Kalika Devi or Navdurga Temple, Chandrabhaga River, Archaeological Survey of India (ASI), Jaipur Circle, Built Heritage, Architecture, Jhalrapatan, Nagara Temple Style, Chandramoleshwar Mahadeva Temple, Shiva, Temples of India, 7th century to 10th century CE, Rajasthan, Vishnu, and Jhalawar
O Criador:: Temples of India Project Team
Contribuinte:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Jhalawar
Data carregada:: 19-06-2024
Data modificada:: 19-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

119. Depiction of Lakulisa inside a niche on the Lalatabimba

Descrição:: A depiction of Lakulisa, a preceptor of the doctrine of the Pashupata tradition of Shaivism, is found inside a niche on the lalatabimba (lintel). Seated in padmasana (lotus pedestal pose), he holds a danda (staff) and phala (fruit) and wears a yajnopavita (sacred thread).
Palavra-chave:: Chandravati Temples, Sitaleshwar Temple, Archaeological Survey of India (ASI), Rajasthan, Vishnu, Chandrabhaga River, Archaeological Survey of India (ASI), Jaipur Circle, Built Heritage, Jhalawar, Jhalrapatan, Nagara Temple Style, Chandramoleshwar Mahadeva Temple, Shiva, Temples of India, 7th century to 10th century CE, Temple, Kalika Devi or Navdurga Temple, and Architecture
O Criador:: Temples of India Project Team
Contribuinte:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Jhalawar
Data carregada:: 19-06-2024
Data modificada:: 19-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

120. Antarala of the Shiva Temple 1

Descrição:: The antarala (vestibule or antechamber) of Shiva Temple 1 is completely plain and simple. There are two niches on the lateral sides. The antarala leads to the garbhagriha (sanctum sanctorum). The door of the garbhagriha is plain, and there is no figure on the lalatabimba (lintel).
Palavra-chave:: Temples of India, Jhalrapatan, Vishnu, Shiva, Temple, Rajasthan, Chandravati Temples, Built Heritage, Nagara Temple Style, Chandrabhaga River, Chandramoleshwar Mahadeva Temple, 7th century to 10th century CE, Jhalawar, Kalika Devi or Navdurga Temple, Sitaleshwar Temple, Architecture, Archaeological Survey of India (ASI), and Archaeological Survey of India (ASI), Jaipur Circle
O Criador:: Temples of India Project Team
Contribuinte:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Jhalawar
Data carregada:: 19-06-2024
Data modificada:: 19-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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111. Floor plan of Lomas Rishi cave in Barabar

112. Cave 1 at Udayagiri

113. Varahavtar panel in Cave 5 at Udayagiri

114. Temple 17 at Sanchi

115. Use of brick in the temple of Bhitargaon

116. Stupa in Cave 10 at Kondivate

117. Udayagiri near Sanchi

118. Depiction of Dikpalas on the walls of the Antarala

119. Depiction of Lakulisa inside a niche on the Lalatabimba

120. Antarala of the Shiva Temple 1

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111. Floor plan of Lomas Rishi cave in Barabar

112. Cave 1 at Udayagiri

113. Varahavtar panel in Cave 5 at Udayagiri

114. Temple 17 at Sanchi

115. Use of brick in the temple of Bhitargaon

116. Stupa in Cave 10 at Kondivate

117. Udayagiri near Sanchi

118. Depiction of Dikpalas on the walls of the Antarala

119. Depiction of Lakulisa inside a niche on the Lalatabimba

120. Antarala of the Shiva Temple 1

Filtre sua busca