The rangamandapa (an open type of pillared hall used for ceremonial rituals) consists of a large number of heavy, ornately carved pillars that support the ceiling. The mandapa (pillared hall) has small projections and kakshasana (seat backs) on all four sides. The east and west sides of the mandapa are open, allowing entry. A pediment at the base of the pyramidal roof is filled with the figures of gods and goddesses.
The pediment of the rangamandapa’s (open type of pillared hall) shikhara (superstructure) depicts other gods, including Surya and Vishnu. A standing figure of Surya and Vishnu can be seen on the pediment. A bejewelled Surya holds fully bloomed flowers in his two arms. The four-armed Vishnu is holding his respective weapons with one of his hands in varadahasta (boon-giving gesture) in which he holds an akshamala (rosary). Both deities are flanked by female figures.
The shikhara (superstructure) of the garbhagriha (sanctum sanctorum) is carved in the latina (mono-spired) style with navabhumis (nine tiers). The shikhara is intricately carved with the jala of chaitya arches. A dhvajadharaka (flag bearer), a structure to hold the dhavja (flag), is also depicted at the top, on the rear side of the shikhara.
The jangha (wall) of the Shiva Temple (Temple 3) features plain pilasters projecting out of the surface, while the top portion is adorned with an ardhapadma (half-lotus motif) enclosed by a garland loop. Above the jangha, a varandika (moulded parapet) is placed, which features the antarapatta (recesses between mouldings) between two kapotapalikas (cyma recta moulding). Above the varandikas, miniature shikharas (spires) are placed which creates the anekandaka shikhara (multispired superstructure).
The remains of a foundation of another temple have been discovered within the complex. The temple that once occupied this space consisted of a garbhagriha (sanctum sanctorum) and an antarala (vestibule). Currently, there is a Shiva linga placed on the floor of the garbhagriha.
The shikhara (superstructure) of the Sheshashayi Vishnu Temple is in a dilapidated state. One part of it features a miniature balcony with three female figures. One of the female figures is shown holding a mirror and combing her hair.
The temple has a vedibandha (basal mouldings) and a plain, unornamented jangha (wall) which is of the tri-anga (three planes of an offset) type. The shikhara (superstructure) of the temple has completely vanished, leaving only a flat roof above the garbhagriha (sanctum sanctorum).
Vamana is depicted as a dwarf with a potbelly in the Vamana Temple. He had four arms which are all broken presently. He is heavily bejewelled and wears a long vanamala (forest flowers garland). He is accompanied by six attendants who can be seen at the bottom. There are two more figures on his sides, near his arms. Notably, miniature niches at the top of the sculpture house representations of the Hindu trinity; Brahma, Vishnu, and Mahesha.
Temple 8 in the Baroli group of temples is a small temple dedicated to Ganesha and faces south. The temple has a garbhagriha (sanctum sanctorum) and a small kapili. The shikhara (superstructure) of the temple has collapsed.
The male figure on one of the pillars of the torana (ornamental gateway) depicts a standing male figure standing with folded hands near his chest. This figure is likely a deity as he wears a crown and heavy jewellery and has a mark on his chest commonly found on Jaina deities. His charming visage features raised eyebrows, a mustache, and a beard.