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- Descrição:
- Six-armed female deity holding a trident, sword in her right; shield, munda in her left hand, rest is not clear. The leg is pressing on his hump, pressing the demon down. The decapitated head is shown fallen down. The lion chomps at the bull/demon's hip. It is stylistically similar to the multiple Durga Mahishasuramardini images recovered from the Harshatmata temple.
- Palavra-chave:
- Rajasthan, Temple, Gurjara-Pratihara, Shakhambari Chahamanas, Architecture, Harshatmata, and Abhaneri
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 09-04-2024
- Data modificada:
- 16-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Musicians, dancers, and harp players are present on the central section of the lintel. The right section has a depiction of Kubera with a female attendant serving wine; the left section has a seated Durga in a padmasana position on a lotus with eight hands holding a bow, kamandala (pitcher), sword, shield, and rosary. Other details are unclear. There are two addorsed lions present beneath the lotus. There are also two attendants present. Picture Courtesy: Hawa Mahal Museum
- Palavra-chave:
- Abhaneri, Architecture, Harshatmata, Rajasthan, Gurjara-Pratihara, Temple, and Shakhambari Chahamanas
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
943. Saptamatrika Panel
- Descrição:
- The panel is divided into two sections, displaying the matrikas, each identifiable by their vahanas (mounts) in the following order: Maheshvari, Vaishnavi, Vinadhara Shiva, Varahi, and Kaumari. The section on the left features Aindri (or Indrani) and Chamunda. Shiva, positioned in the centre, holds a veena in his lower two hands and a trident and snake in his upper two hands. Picture Courtesy: Albert Hall Museum, Jaipur
- Palavra-chave:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
944. Hara-Gauri Lintel
- Descrição:
- It is a trishakha (three vertical bands or branches) lintel having a nagashakha (serpent branch), inner patravalli (foliage pattern), and a mithunashakha (amorous couple branch) at the top, with the central figure of Shiva-Parvati in alingana (embrace), interspersed by kirtimukhas (face of glory). Two standing mithuna (amorous couple) figures are present at the end of the lintel. Picture Courtesy: National Museum, New Delhi
- Palavra-chave:
- Abhaneri, Architecture, Harshatmata, Rajasthan, Gurjara-Pratihara, Temple, and Shakhambari Chahamanas
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
945. Chamunda
- Descrição:
- An eight-armed Goddess stands on a lotus and naravahana (human corpse). Her form appears emaciated with sagging breasts and a sunken stomach. She has her mouth open and is pointing her little finger towards it with her left hand. She holds a trident in her right hand and a khappar (skull bowl) and naramunda (severed head) spear in the left hand. The remaining hands are broken. To her right, a lion-headed female (perhaps Narasimhi) and gana (attendant) is depicted, while on her left, a dog is seen licking the blood off the naramunda. A beaded halo is present behind her head. The gana and the naravahana exchange looks, with the gana holding his foot.
- Palavra-chave:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
946. Kshemankari
- Descrição:
- An eight-armed deity is depicted standing in samabhanga (upright posture) on a lotus beneath which are two addorsed lions. The deity holds a shield in the upper left hand; the remaining hands are broken. A halo is present behind her head. A female attendant stands on the right. Stylistically similar to those seen at Ambika Temple in Jagat (dated 10th century CE).
- Palavra-chave:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Couples invoking shringara rasa (associated with romance, love, and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. The central figures are wearing heavy jewellery, elaborate headgear, and garments, indicating they are a royal couple. The central male figure is seated on a raised circular seat in the lalitasana pose, firing an arrow from a bow. Standing on his left are two female figures (faces defaced), looking toward him. The female on his immediate left is holding a flower in her right hand. The female to his far left is holding a floral scroll. The female figure on his right is damaged. A bunch of mangoes hang above them. Mangoes are symbols of kama or sexual desire. Therefore, it could possibly be a depiction of Kamadeva (Hindu God of erotic love, pleasure, and desire) and the females may be apsaras (celestial nymphs) or his consort, Goddess Rati.
- Palavra-chave:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The adhisthana has depictions of various Hindu gods and goddesses framed within elaborately carved panels. This panel depicts Lord Vishnu seated on his mount, Garuda. Lord Vishnu (Aniruddha) is depicted as chaturbahu (with four hands). In his rear right hand, he is carrying the gada (mace), named Kaumodaki, and in his rear left hand, the chakra (discus) named Sudarshana, while the front two hands are broken. A pair of vidhyadharas (knowledge bearers) are seen flying on the top corners, showering floral garlands. Two male attendants (seated) and two female attendants (standing) are flanking Vishnu on either side. The faces, feet, and hands of the figures are broken and their attributes are not clear.
- Palavra-chave:
- Abhaneri, Architecture, Harshatmata, Rajasthan, Gurjara-Pratihara, Temple, and Shakhambari Chahamanas
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The adhisthana has depictions of various Hindu gods and goddesses framed within elaborately carved panels. This panel has a central male figure holding a hala (plough) and large hooded nagas (serpents). The panel has a central male figure seated in the lalitasana posture on a circular throne. The figure has four arms and is holding a hala (plough) in his upper left hand. Hala is associated with Samkarshana, more popularly known as Balarama, the brother of Sri Krishna. Balarama is considered an avatar of Sesha, the coiled serpent mount on which Lord Vishnu lies. This might explain the presence of hooded nagas appearing over the attendants. Balarama’s lower left-hand rests on the waist of a female figure, likely his consort Revati. Two female figures are flanking the couple, likely attendants. The female figure on the left has a watering pot in her hand. The faces, feet, and hands of the figures are broken and their attributes are not clear.
- Palavra-chave:
- Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The adhisthana has depictions of various Hindu gods and goddesses framed within elaborately carved panels. This panel depicts Pradyumna. While Meister identifies the sculpture as Varuna, the God of oceans and the dikpala of the west direction, Packert-Atherton identifies him as Pradyumna, one of the Vrishni cult deities of the Pancharatra sect. Pradyumna is seated in the lalitasana posture on his mount, the mythical sea creature called makara. He holds a bow in his left hand and is surrounded by four female attendants. Two attendants in the foreground are seated on circular seats and two in the background are standing. The seated lady on the left is holding an arrow. The seated lady on the right has long braided hair. The faces, feet, and hands of the figures are broken and their attributes are not clear.
- Palavra-chave:
- Abhaneri, Architecture, Harshatmata, Rajasthan, Gurjara-Pratihara, Temple, and Shakhambari Chahamanas
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 29-03-2024
- Data modificada:
- 02-04-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image