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- Descrição:
- The doorframe of the garbhagriha (sanctum sanctorum) has two floral shakhas (vertical bands or branches), a central dominant stambha shakha (pillar-shaped branch) with a purnaghata kalasha (vase and foliage), and an outer shakha adorned with vyalas (composite mythical creatures) arranged in a vertical chain.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 21-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The exterior wall of the garbhagriha (sanctum sanctorum) of the Hazareshwar Temple presents a blend of bhadras (central projections) and stambhas (pillars), creating a captivating visual tapestry. The bhadras, intricately carved on the cardinal directions, serve as focal points of the structure’s architectural elegance, while the stambhas fill the spaces in between.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Bijolia Group of Temples, Hazareshwar Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The frontal face of the shikhara (superstructure) reveals the placement of two half spires flanking the main spire. At the base of the spire, a surasenaka (pediment made of chaitya dormer) adorns the structure, while a sculpture depicts a simha (lion) pouncing upon an elephant, adding a touch of regal splendour to the architectural composition.
- Palavra-chave:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Nagara Style of Architecture, Rajasthan, and Undeshwar Temple
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Nataraja dances to the rhythm of celestial drummers. He is poised in the urdhvajanu posture, his left foot firmly grounded while his right leg is raised and folded inward. He is depicted with multiple arms adorned with various weapons and attributes. In his upper hands, Nataraja holds a sarpa (snake), a damaru (drum), and a pointed weapon, possibly a shula (spear) or a trishula (trident), symbolizing his mastery over cosmic forces. His frontal right hand is raised near his face in a gesture epitomizing the essence of his divine dance. Despite his broken left hand, Nataraja’s pose continues as he extends his front left hand in the gajahasta gesture, reminiscent of an elephant’s trunk. He is adorned with a jatamukuta (crown of matted hair) and ornaments, including circular earrings, broad necklaces, bangles, and anklets. His lower body is draped in a translucent dhoti with a sash hanging between his legs. Two drummers are carved at the bottom on both sides, adding a touch of celestial rhythm to this tableau.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The inner pilaster of the mandapa (pillared hall) is engraved with Nagari letters spelling ‘Achintyadhvaja Jogi’.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Bijolia Group of Temples, Mahakal Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Chamunda, with twelve arms and standing atop a human body, is depicted on the bhadra (central projection) of the antarala (vestibule) of the Hazareshwar Temple. Her visage is characterized by skeletal features, dried saggy breasts, and a sunken belly adorned with a scorpion. She is draped in a triangular loin cloth and wears a jatamukuta (crown of matted hair) with a skull motif. Rounded earrings adorn her large earlobes, and serpents coil around her neck and ankles. In her right hand, she holds a trishula (trident), damaru (drum), arrow, a broken staff, and a ghanta (bell). Her left hands clasp a sarpa (snake) and a broken weapon. She holds a bowl in front. Below her, a seated human figure is depicted, drinking blood trickling from a severed head into a bowl.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Seated on a pedestal, Vishnu is depicted on the bhadra (central projection) of the rear wall of the garbhagriha (sanctum sanctorum). He possesses four arms and carries his divine attributes: a gada (mace) and a chakra (discus) in his upper hands, and a shankha (conch shell) in his lower left hand. His lower right hand extends in the varada hasta (boon-giving gesture), bestowing blessings to devotees. Vishnu is adorned with a kiritamukuta (cylindrical crown associated with Vaishnava iconography) upon his head, complemented by large earrings. A broad necklace rests on his chest, while a heavy girdle accentuates his waist. His wrists are adorned with bangles, and his feet with anklets.
- Palavra-chave:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Nagara Style of Architecture, Rajasthan, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- One of the surasenakas (pediment made of chaitya dormer) features a sculpture capturing the divine dance of Shiva. From the rear, Shiva’s upper body twists towards the front, conveying dynamic movement and cosmic rhythm. Though some of his arms are now broken, remnants of divine attributes are visible, including a damaru (drum) symbolizing the rhythm of creation, and other sacred objects. One of his arms extends in the gajahasta gesture, resembling an elephant trunk. He has a jatamukuta (crown of matted hair), a moustache, and a beard, and he is surrounded by celestial gandharvas (celestial musicians). This sculpture captures the timeless essence of Shiva’s cosmic dance, embodying the eternal flow of creation, preservation, and destruction.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The lalatabimba (central portion on the door lintel) of the garbhagriha (sanctum sanctorum) doorframe features a seated figure of Lakulisa, while the panel above depicts four-armed male deities, each seated and holding their respective attributes.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Bijolia Group of Temples, Mahakal Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Adorning the lateral side of the antarala’s (vestibule) shikhara (superstructure), Brahmani is depicted seated upon a pedestal, and with four arms, each bearing attributes. In her upper right hand, she holds a shruka (sacrificial ladle) and her upper left-hand holds a pustaka (sacred text). Her lower left-hand holds a phala (fruit), signifying abundance and nourishment, while her lower right hand is held in the varada hasta gesture, adorned with an akshamala (rosary).
- Palavra-chave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Mahakal Temple, Temple, and Undeshwar Temple
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 21-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image