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- Descrizione:
- The four-armed Agni is depicted with a shruka (sacrificial ladle) and a pustaka (book) in his upper hands. His lower right-hand makes a varada hasta (boon-giving gesture), while his lower left hand holds a kamandalu (water pot). He is adorned with a jatamukuta (crown of matted hair), a moustache, and a long, intricately knotted beard, He is bejewelled and accompanied by his mount, the ram.
- Parola chiave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Mahakal Temple, Temple, and Undeshwar Temple
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 20-06-2024
- Data modificata:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
212. Four-armed Indra
- Descrizione:
- Indra, the God of heaven, is depicted with four arms. In his upper right hand, he holds a vajra (thunderbolt), and in his upper left hand, an ankusha (goad). His lower right-hand makes a varada hasta (boon-giving gesture) and holds a rosary, while his lower left hand carries a kamandalu (water pot). Crowned, Indra is accompanied by his mount, the elephant.
- Parola chiave:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Nagara Style of Architecture, Temple, and Undeshwar Temple
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 20-06-2024
- Data modificata:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- The figure installed in the bhadra (central offset) niche of the lateral wall of the garbhagriha (sanctum sanctorum) is particularly noteworthy. This unidentified deity is depicted as if it is moving through the air, with one leg raised backward. Although many of the deity’s multiple arms are broken, the intact hands display a shankha (conch shell) and a chakra (discus) in the front right and left hands, an unidentified object in the middle left hand, and a pushpa (flower) in the upper right hand.
- Parola chiave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Bijolia Group of Temples, Hazareshwar Temple, and Nagara Style of Architecture
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 20-06-2024
- Data modificata:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- The bhadra (central offset) on the rear wall of the garbhagriha (sanctum sanctorum) is installed with the figure of Brahma. Despite significant damage, the deity is depicted seated on a pedestal, with three faces and four arms. While his upper arms are broken, he holds a kamandalu (water pot) in his lower left hand and makes a varada hasta (boon-giving gesture) with his lower right hand. He is adorned with a jatamukuta (crown of matted hair), a moustache, and a beard.
- Parola chiave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Mahakal Temple, Rajasthan, and Architecture
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 20-06-2024
- Data modificata:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- The bhadraratha (central projection) features a seated Vishnu, intricately carved with four arms. Crowned, Vishnu holds a gada (mace) and a chakra (discus) in his upper hands. His lower right-hand holds an akshamala (rosary) while also making a varada hasta (boon-giving gesture). Although his lower left hand is broken, Vishnu is adorned with large circular earrings, a broad beaded necklace, a breast band, a girdle, bangles, and anklets.
- Parola chiave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Nagara Style of Architecture, Mahakal Temple, and Bijolia Group of Temples
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 20-06-2024
- Data modificata:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Vayu (one of the deities of the cardinal directions) is depicted with four arms, each holding his respective attributes. Crowned, Vayu is accompanied by his vahana (mount), the antelope, positioned at his feet. In his upper hands, he holds a dhvaja (flag), while his lower left-hand grasps a kamandalu (water pot). His lower right-hand holds a rosary and also makes a varada hasta (boon-giving gesture).
- Parola chiave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Nagara Style of Architecture, Mahakal Temple, and Bijolia Group of Temples
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 20-06-2024
- Data modificata:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Kubera, the God of wealth, is depicted as four-armed, accompanied by his vahana (mount), the elephant. Crowned and bejewelled, Kubera holds a money bag in his upper hand, a gada (mace) in his lower right hand and a kamandalu (water pot) in his lower left hand.
- Parola chiave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Nagara Style of Architecture, Mahakal Temple, and Bijolia Group of Temples
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 20-06-2024
- Data modificata:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Dikapalas (gods of cardinal directions) are also depicted on the walls of the antarala (vestibule or antechamber) of the Sitaleshwar Temple. One of the dikapalas is Varuna, depicted alongside his vahana (mount) Makara (crocodile-like sea creature). The ocean god is portrayed with two arms, holding a noose in his right hand and a water pitcher in his left.
- Parola chiave:
- Chandravati Temples, Sitaleshwar Temple, Archaeological Survey of India (ASI), Temple, Kalika Devi or Navdurga Temple, Chandrabhaga River, Archaeological Survey of India (ASI), Jaipur Circle, Built Heritage, Architecture, Jhalrapatan, Nagara Temple Style, Chandramoleshwar Mahadeva Temple, Shiva, Temples of India, 7th century to 10th century CE, Rajasthan, Vishnu, and Jhalawar
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Jhalawar
- Data caricata:
- 19-06-2024
- Data modificata:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- A depiction of Lakulisa, a preceptor of the doctrine of the Pashupata tradition of Shaivism, is found inside a niche on the lalatabimba (lintel). Seated in padmasana (lotus pedestal pose), he holds a danda (staff) and phala (fruit) and wears a yajnopavita (sacred thread).
- Parola chiave:
- Chandravati Temples, Sitaleshwar Temple, Archaeological Survey of India (ASI), Rajasthan, Vishnu, Chandrabhaga River, Archaeological Survey of India (ASI), Jaipur Circle, Built Heritage, Jhalawar, Jhalrapatan, Nagara Temple Style, Chandramoleshwar Mahadeva Temple, Shiva, Temples of India, 7th century to 10th century CE, Temple, Kalika Devi or Navdurga Temple, and Architecture
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Jhalawar
- Data caricata:
- 19-06-2024
- Data modificata:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- The antarala (vestibule or antechamber) of Shiva Temple 1 is completely plain and simple. There are two niches on the lateral sides. The antarala leads to the garbhagriha (sanctum sanctorum). The door of the garbhagriha is plain, and there is no figure on the lalatabimba (lintel).
- Parola chiave:
- Temples of India, Jhalrapatan, Vishnu, Shiva, Temple, Rajasthan, Chandravati Temples, Built Heritage, Nagara Temple Style, Chandrabhaga River, Chandramoleshwar Mahadeva Temple, 7th century to 10th century CE, Jhalawar, Kalika Devi or Navdurga Temple, Sitaleshwar Temple, Architecture, Archaeological Survey of India (ASI), and Archaeological Survey of India (ASI), Jaipur Circle
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Jhalawar
- Data caricata:
- 19-06-2024
- Data modificata:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image