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- Beschreibung:
- Sculptural panel depicting a couple (likely royal, based on their size and posture) seated on a circular throne and surrounded by female attendants. The scene depicts the couple admiring each other, in a moment of shringar rasa (romantic love). The central figure of the man is seated in the lalitasana posture. He is caressing his partner’s chin with his left hand while holding a flower in his right hand, offering it to her. The lady is resting her right hand on the left thigh of the man and her head is tilted upwards, as he looks into her face. One of the female attendants is seated on the right thigh of the central male figure.
- Stichwort:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 08-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. In this plaque, a human figure (acrobat/dancer) is doing an acrobatic/dance pose that merges with a creeper motif. Ardha padma (half lotus) and kalpa lata (creeper) motifs are carved on the rest of the plaque surface. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
- Stichwort:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 07-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. This plaque features two birds, likely hamsas (swans), with their necks entwined. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
- Stichwort:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 07-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Broken fragments and debris from the original temple assembled on the north face of the adhisthana. The carving features a kinnari holding a purna ghata (a symbol of abundance, prosperity, and fertility). The upper body of the kinnari is depicted with a female human figure and the lower body consists of a bird which forms a floral motif at the rear.
- Stichwort:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 08-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Sculptural panel depicting a couple (likely royal, based on their size and posture) seated on a circular throne and surrounded by female attendants. The scene depicts the couple admiring each other, in a moment of shringar rasa (romantic love). The central figure of the man is seated in the lalitasana posture. He is caressing his partner’s chin with his left hand while holding a flower in his right hand, offering it to her. The lady is resting her right hand on the left thigh of the man and her head is tilted upwards, as he looks into her face. One of the female attendants is seated on the right thigh of the central male figure.
- Stichwort:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 08-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- The east-facing steps on the adhisthana have a chandrashila (moonstone) on the third step. The chandrashila (moonstone) is a hemispherical stone in the shape of the moon and is often placed at the entrance of Hindu temples and is designed to resemble a lotus flower.
- Stichwort:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 08-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. Seen here is a floriated makara with its neck stretched around the medallion and the rear part integrated with flowing creeper motifs. The rest of the plaque is decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
- Stichwort:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 07-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Damaged fragments of amalaka, now kept along the south boundary wall with other broken fragments recovered from the debris of the original temple. The amalaka is a ribbed disk-shaped stone, symbolic of the lotus and placed on the highest point of the shikhara (spire). The amalaka is crowned by a kalasam (sacred pot). Several amalakas have been recovered at the site.
- Stichwort:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 07-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. For example, the plaque (on the left) has a depiction of simha (lion) vyala, integrated with creeper motifs that fill the rest of the medallion. The plaque, on the right, features the ashtadal kamal (lotus with eight petals). The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
- Stichwort:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 07-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. The plaque here features the ashtadal kamal (lotus with eight petals). The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
- Stichwort:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Abhaneri
- Datum hochgeladen:
- 05-03-2024
- Datum geändert:
- 07-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image