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- Descrizione:
- Floor plan of the Sadashiva Temple, Temple 5 in the Baroli group of temples.
- Parola chiave:
- Temples of India, Rawatbhata, Sadashiva Temple, Mahishasuramardini Temple, Archaeological Survey of India (ASI), 10th - 11th Century CE, Ghateshwar Temple, Chittorgarh, Pratihara, Architecture, Ganesha, Shiva, Jodhpur Circle, Baroli, Rajasthan, Temple, Vishnu, Vamana Temple, and Nagara temple architecture
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Ar Deepak Gahlowt and his team
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Chittorgarh
- Data caricata:
- 18-07-2024
- Data modificata:
- 18-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Floor plan of the Vamana Temple, Temple 4 in the Baroli group of temples.
- Parola chiave:
- Temples of India, Ghateshwar Temple, Vishnu, Shiva, Ganesha, Sadashiva Temple, Jodhpur Circle, Rajasthan, Vamana Temple, Baroli, Architecture, Archaeological Survey of India (ASI), 10th - 11th Century CE, Pratihara, Temple, Nagara temple architecture, Rawatbhata, Chittorgarh, and Mahishasuramardini Temple
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Ar Deepak Gahlowt and his team
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Chittorgarh
- Data caricata:
- 18-07-2024
- Data modificata:
- 18-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Floor plan of the rangamandapa or Shringar Chawri of the Ghateshwar Temple, in the Baroli group of temples.
- Parola chiave:
- Temples of India, Ghateshwar Temple, Vishnu, Shiva, Ganesha, Sadashiva Temple, Jodhpur Circle, Rajasthan, Vamana Temple, Baroli, Chittorgarh, Archaeological Survey of India (ASI), 10th - 11th Century CE, Pratihara, Rawatbhata, Nagara temple architecture, Temple, Architecture, and Mahishasuramardini Temple
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Ar Deepak Gahlowt and his team
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Chittorgarh
- Data caricata:
- 18-07-2024
- Data modificata:
- 19-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Floor plan of the Mahishasuramardini Temple, Temple 6 in the Baroli group of temples.
- Parola chiave:
- Temples of India, Ghateshwar Temple, Vishnu, Shiva, Rawatbhata, Sadashiva Temple, Jodhpur Circle, Rajasthan, Vamana Temple, Baroli, Architecture, Archaeological Survey of India (ASI), 10th - 11th Century CE, Pratihara, Temple, Ganesha, Nagara temple architecture, Chittorgarh, and Mahishasuramardini Temple
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Ar Deepak Gahlowt and his team
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Chittorgarh
- Data caricata:
- 18-07-2024
- Data modificata:
- 18-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Floor plan of the Ghateshwar Temple, Temple 7 in the Baroli group of temples.
- Parola chiave:
- Jodhpur Circle, Rawatbhata, Sadashiva Temple, Mahishasuramardini Temple, Archaeological Survey of India (ASI), Temple, Ghateshwar Temple, Chittorgarh, Pratihara, Vamana Temple, Ganesha, Shiva, Temples of India, Baroli, Rajasthan, 10th - 11th Century CE, Vishnu, Nagara temple architecture, and Architecture
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Ar Deepak Gahlowt and his team
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Chittorgarh
- Data caricata:
- 18-07-2024
- Data modificata:
- 19-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- One of the ascetics is adorned with a sacred rudraksha mala and a rudraksha armband. The rudraksha (dried stones or seeds of the Elaeocarpus ganitrus associated with Shiva iconography) holds special significance as the sacred symbol of Lord Shiva. It means ‘tears of Shiva.’ According to a legend, once when Shiva was performing penance, tears shed from his eyes and he fell to the ground. Eventually, these transformed into seeds that sprouted into a tree. Thus, this visual depiction of a Shaiva ascetic forms a profound association between the devotee and their lord.
- Parola chiave:
- Temples of India, 12th century CE, Jaipur Circle, Archaeological Survey of India (ASI), Shiva, Temple, Bhilwara, Rajasthan, Architecture, Bijolia, Archaeological Survey of India (ASI), Khadirpur, Kaner-ki-Putli Temple, and Bhumija Temple Style
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 03-07-2024
- Data modificata:
- 03-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- In an alternative portrayal of the ascetic, he is depicted standing, facing slightly to his left. He has a jatabhara (matted hairdo) atop his head and a lengthy moustache. The features of his face have eroded, but two notable ones are his elongated earlobes and the rudraksha (dried stones or seeds of the Elaeocarpus ganitrus associated with Shiva iconography) armband. One of his hands clasps a pot while his fingers are delicately positioned atop it. Notably, his phallus is exposed in this depiction.
- Parola chiave:
- Temples of India, 12th century CE, Jaipur Circle, Archaeological Survey of India (ASI), Shiva, Temple, Bhilwara, Rajasthan, Architecture, Bhumija Temple Style, Archaeological Survey of India (ASI), Khadirpur, Kaner-ki-Putli Temple, and Bijolia
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 03-07-2024
- Data modificata:
- 03-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- On the northern wall, there is a depiction of a surasundari (celestial damsel) an elaborate hairdo, fashioned into a bun. She stands tall and slender, bedecked with substantial jewellery. One of her hands is fractured, while the other rests near her exposed reproductive organ. It is worth noticing that both ascetic and surasundari are shown with their revealed genitalia, they both represent different natures and stand for opposite symbolism.
- Parola chiave:
- Temples of India, 12th century CE, Bijolia, Archaeological Survey of India (ASI), Rajasthan, Bhumija Temple Style, Kaner-ki-Putli Temple, Bhilwara, Architecture, Shiva, Temple, Khadirpur, and Jaipur Circle, Archaeological Survey of India (ASI)
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 03-07-2024
- Data modificata:
- 03-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- The portrayal of this surasundari (celestial damsel), on the northern wall, encapsulates the nurturing essence of femininity. Standing gracefully, she cradles a baby in her arms, although the faces of both mother and child are obscured. The mother has a voluptuous figure adorned with elaborate ornaments. The child is depicted holding her breast, symbolizing the bond of maternal care and sustenance.
- Parola chiave:
- Temples of India, 12th century CE, Jaipur Circle, Archaeological Survey of India (ASI), Kaner-ki-Putli Temple, Temple, Bhilwara, Rajasthan, Architecture, Bhumija Temple Style, Archaeological Survey of India (ASI), Khadirpur, Shiva, and Bijolia
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 03-07-2024
- Data modificata:
- 03-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- The surasundari (celestial damsel), presently faceless, stands gracefully with her voluptuous body adorned with exquisite ornaments, on the eastern wall of the garbhagriha (sanctum sanctorum. Although her right hand is raised and damaged, she holds a fine scarf in her left hand near her belly, wrapping it around her arms. Her lower body is veiled by a fine translucent garment. A small creature is depicted moving upward on her left leg. The surasundari vividly embodies sensual beauty, in stark contrast to the tranquil and composed posture of the ascetic. There is a kalasha (water pot) placed at the bottom near her feet with foliage, symbolizing abundance and growth as does the female body.
- Parola chiave:
- Temples of India, 12th century CE, Jaipur Circle, Archaeological Survey of India (ASI), Kaner-ki-Putli Temple, Temple, Bhilwara, Rajasthan, Architecture, Bhumija Temple Style, Archaeological Survey of India (ASI), Khadirpur, Shiva, and Bijolia
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Bhilwara
- Data caricata:
- 03-07-2024
- Data modificata:
- 03-07-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
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