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- Beschreibung:
- The details of the rear or eastern wall of the garbhagriha (sanctum sanctorum) illustrate the contrast between the ascetic and the surasundari (celestial damsel). The ascetic (on the left) is characterized by a substantial jatabhara (braided hairdo) atop his head, a lengthy beard, and a moustache. His elongated earlobes signify the mahapurusha lakshana (markers of a great individual). His bare upper body is adorned with a broad yajnopavita (sacred thread), with a langot (loincloth) covering his lower body. Despite the apparent damage and raised position of his right hand, his left-hand holds an unidentified object. The damaged surasundari figure, on his right, stands gracefully with a voluptuous body adorned with exquisite ornaments. Though her raised right hand is damaged, she holds a fine scarf in her left hand near her belly, draping it around her arms. Her lower body is covered by a translucent garment so delicate that her body underneath is visible. A small creature is depicted climbing her left leg. In stark contrast to the tranquil and composed posture of the ascetic, the surasundari vividly embodies sensual beauty. Notably, there is a kalasha (pitcher) placed at the bottom near her feet, surrounded by foliage symbolizing abundance and growth, mirroring the symbolism of the female body.
- Stichwort:
- Temples of India, 12th century CE, Bijolia, Archaeological Survey of India (ASI), Rajasthan, Khadirpur, Kaner-ki-Putli Temple, Bhilwara, Architecture, Shiva, Temple, Bhumija Temple Style, and Jaipur Circle, Archaeological Survey of India (ASI)
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- The depiction of Shiva on the left side dvarashakha (vertical band) of the garbhagriha (sanctum sanctorum) in the Kaner-ki-Putli Temple is depicted with four arms. He holds a trishula (trident) and damru (hourglass-shaped drum) in his upper hands. In the lower left hand, he holds a beejapurak (fruit), while his lower right hand is in the varada hasta (boon-granting) gesture. He wears a jatamukuta (a crown of matted hair) adorned with a crescent moon at the centre. Seated at the bottom right is a depiction of Nandi.
- Stichwort:
- Temples of India, 12th century CE, Jaipur Circle, Archaeological Survey of India (ASI), Shiva, Temple, Bhilwara, Rajasthan, Architecture, Bhumija Temple Style, Archaeological Survey of India (ASI), Khadirpur, Kaner-ki-Putli Temple, and Bijolia
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Vishnu is positioned at the far left end of the uttaranga (entablature) above the lintel of the garbhagriha (sanctum sanctorum). He is depicted holding a gada (mace), a shankha (conch shell), and a chakra (discus). One of his lower hands is gesturing the varadahasta (boon-giving gesture). He is adorned with a kiritamukuta (a cylindrical crown associated with Vaishnava iconography) and various pieces of jewellery.
- Stichwort:
- Temples of India, 12th century CE, Bijolia, Archaeological Survey of India (ASI), Rajasthan, Bhumija Temple Style, Kaner-ki-Putli Temple, Bhilwara, Architecture, Jaipur Circle, Archaeological Survey of India (ASI), Temple, Khadirpur, and Shiva
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- In a niche on the southern wall, of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple, a male figure is depicted. Unfortunately, the figure is damaged, with the head entirely missing. Both upper arms are broken, while the figure holds a kamandalu (water carrier or pot) in the left hand and makes a varadahasta (boon-giving gesture) with the right hand. At the base of the niche, a broken ram-like animal with horns is visible. Based on the vahana (mount), attributes, and gestures, this figure can be recognized as Agni (one of the deities of cardinal directions). Adjacent to Agni, there is a male figure that stands out from the others. This figure features curly, raised hair and a beard, but unfortunately, the face has been eroded. The upper body is bare and adorned with jewellery, while the lower body is covered by a distinctive triangular loin cloth. An antaravastra (inner garment) is visible beneath the loin cloth. The figure is draped with a scarf wrapped around the arms, and although the broken object held in his two hands is now incomplete, the visible middle part resembles a stick. Notably, this figure is unique because of the distinctive dressing style and footwear, suggesting him to be a foreigner.
- Stichwort:
- Temples of India, 12th century CE, Jaipur Circle, Archaeological Survey of India (ASI), Kaner-ki-Putli Temple, Temple, Bhilwara, Rajasthan, Architecture, Bhumija Temple Style, Archaeological Survey of India (ASI), Khadirpur, Shiva, and Bijolia
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- The middle section of the saptashakha (seven vertical bands or architraves) of the garbhagriha (sanctum sanctorum) has five different patterns. The first, third, and fifth branches are decorated with floral designs. The second branch features carvings of nagas (serpents) arranged vertically, while the fourth branch, known as the stambha shakha, is a hexagonal pillar that transitions into a faceted shape before becoming circular. The sixth branch is adorned with sinuous floral patterns, while the final branch is also carved with a floral band.
- Stichwort:
- Temples of India, 12th century CE, Bijolia, Archaeological Survey of India (ASI), Rajasthan, Bhumija Temple Style, Kaner-ki-Putli Temple, Bhilwara, Architecture, Jaipur Circle, Archaeological Survey of India (ASI), Temple, Khadirpur, and Shiva
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- Above the lintel of the garbhagriha (sanctum sanctorum) there is an uttaranga (entablature) depicting divine figures. In the centre, there is a depiction of Nataraja with Brahma positioned on the far right and Vishnu on the far left. Between Shiva and Brahma, there is a depiction of Ganesha, and another (unidentifiable) deity is situated between Shiva and Vishnu. These figures are accompanied by female chauri (fly whisk) bearers on either side.
- Stichwort:
- Temples of India, 12th century CE, Jaipur Circle, Archaeological Survey of India (ASI), Kaner-ki-Putli Temple, Temple, Bhilwara, Rajasthan, Architecture, Bijolia, Archaeological Survey of India (ASI), Khadirpur, Shiva, and Bhumija Temple Style
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- The jangha (wall) of the Kaner-ki-Putli Temple has central offsets flanked by projections and recesses. The niches of the central offsets on all three sides of the garbhagriha (sanctum sanctorum) are presently empty. These niches may have originally been adorned with depictions of deities. The remaining projected and recessed sections are intricately carved with depictions of minor deities, including dikapalas (deities of cardinal directions), Shaiva ascetics, and female figures.
- Stichwort:
- Temples of India, 12th century CE, Bijolia, Archaeological Survey of India (ASI), Rajasthan, Khadirpur, Kaner-ki-Putli Temple, Bhilwara, Architecture, Jaipur Circle, Archaeological Survey of India (ASI), Temple, Bhumija Temple Style, and Shiva
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- On the left of the uttaranga (entablature) above the lintel of the garbhagriha (sanctum sanctorum), Brahma is depicted with three faces and four arms. His upper hands carry a shruka (a sacrificial spoon) and a pustaka (manuscript), while his lower hands hold a kamandalu (water carrier or pot) and display varadaksha (a hand held in the boon-giving gesture, with a rosary in it).
- Stichwort:
- Temples of India, 12th century CE, Bijolia, Archaeological Survey of India (ASI), Temple, Khadirpur, Kaner-ki-Putli Temple, Bhilwara, Architecture, Jaipur Circle, Archaeological Survey of India (ASI), Rajasthan, Bhumija Temple Style, and Shiva
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 19-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- The pilaster on the left side of the antarala (vestibule or antechamber) of the Kaner-ki-Putli Temple depicts a standing ascetic with folded hands. He has thick, matted hair locks, a long beard, and a mustache. His upper body is bare, while his lower body is clad in a langot (loincloth).
- Stichwort:
- Temples of India, 12th century CE, Jaipur Circle, Archaeological Survey of India (ASI), Kaner-ki-Putli Temple, Temple, Bhilwara, Rajasthan, Architecture, Bhumija Temple Style, Archaeological Survey of India (ASI), Khadirpur, Shiva, and Bijolia
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 18-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Beschreibung:
- The antarala (vestibule or antechamber) of the Kaner-ki-Putli Temple leads to its garbhagriha (sanctum sanctorum), which features an intricately decorated multi-shakha (vertical bands or architraves) doorframe. It is a saptashakha (seven vertical bands) doorframe. The lower section of the doorframe depicts figures, and the upper part is embellished with a variety of decorative patterns.
- Stichwort:
- Temples of India, 12th century CE, Bijolia, Archaeological Survey of India (ASI), Temple, Bhumija Temple Style, Kaner-ki-Putli Temple, Bhilwara, Architecture, Shiva, Rajasthan, Khadirpur, and Jaipur Circle, Archaeological Survey of India (ASI)
- Schöpfer:
- Temples of India Project Team
- Mitwirkender:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Herausgeber:
- Jio Institute
- Ort:
- Bhilwara
- Datum hochgeladen:
- 18-06-2024
- Datum geändert:
- 18-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image