Index Catalog // Jio Institute Repository

1. Depiction of the episode where Jinadatta Suri saved the life of an unwell child

Descripción:: The fifth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode where Jinadatta Suri saved the life of an unwell child brought to him by two women. The episode takes place outside a haveli, probably near the place where the acharya (those who impart knowledge) is meditating. The acharya is shown blessing the child by placing his palm on the child’s head. The inscription reads, ‘Shri Jinadatta Suriji balak jivayo.’
Palabra clave:: Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Jain, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Temple
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 24-07-2024
Fecha Modificada:: 24-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

2. Depiction of the meeting between Jain Acharya

Descripción:: The first oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the depiction of the meeting between Jain acharya (those who impart knowledge) Shri Jinachadra Suri and the Mughal Emperor Akbar. He was invited to the Mughal court through Akbar’s court official Karamchand Bacchawat, who was from Bikaner. The painting has havelis (mansions) in the background, and the two leaders greet each other at the forefront. It is also said that Karamchand went to receive Jinachandra Suri on the outskirts of the city. The inscription reads, ‘Shri Jinadatta Suriji Akbar Badshah.’
Palabra clave:: Bada Bazaar, 16th century CE, Rao Lunkaran, Raos of Bikaner, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Shekhari Style of Temple Architecture
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 24-07-2024
Fecha Modificada:: 24-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

3. Bhandasar Jain Temple_Floor Plan

Descripción:: Ground plan of Seth Bhandasar Jain Temple, Bikaner district Rajasthan.
Palabra clave:: Jain, Rathore Dynasty, Rao Lunkaran, Archaeological Survey of India (ASI), Temple, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, Architecture, Tirthankara, Raos of Bikaner, Rajasthan, Bhanda Shah ka Jain Mandir, and 16th century CE
Creador:: Temples of India Project Team
Contribuidor:: Ar Deepak Gahlowt and his team
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 22-07-2024
Fecha Modificada:: 22-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

4. Bhandasar_Jain_Temple_Floor_Plan_BnW.png

Palabra clave:: Bada Bazaar, 16th century CE, Rao Lunkaran, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Archaeological Survey of India (ASI), Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Raos of Bikaner
Creador:: Temples of India Project Team
Contribuidor:: Ar Deepak Gahlowt and his team
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 22-07-2024
Fecha Modificada:: 22-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

5. Shikhara (superstructure) of the Adinatha Temple

Descripción:: The Shikhara (superstructure) of the Adinatha Temple is built in the Nagara style, albeit an abbreviated one. The mulshringa of the shikhara has a pratyangas or prati shikharas emanating from it. These are complemented by miniature shikharas at the base of the main shikhara. The shikhara is painted in white and the ornamentation details are defined with gold paint. The base of the cardinal faces of the shikhara has deep empty niches, similar to the shikhara of the Bhandasar Temple.
Palabra clave:: Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 02-06-2024
Fecha Modificada:: 02-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

6. The Adinatha Temple in the Bhandasar Temple Complex

Descripción:: The Adinatha or Rishabnatha Temple in the Bhandasar Temple Complex. It is a subsidiary shrine situated to the south of the complex. It is relatively smaller in size than the Bhandasar Temple. The temple is not austere in treatment. It is a simple structure with planned walls and one entrance facing the east.
Palabra clave:: Bada Bazaar, 16th century CE, Bikaner, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Rao Lunkaran, and Raos of Bikaner
Creador:: Temples of India Project
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 02-06-2024
Fecha Modificada:: 02-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

7. Depiction of the Tirthankara Parshvanath standing on a multi-headed naga (serpant)

Descripción:: This painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) depicts the 23rd Jain Tirthankara, Parshvanath, standing on a multi-headed naga (serpant), with the hood crown positioned above the head of the lord. A naga couple in anthropomorphic form stands flanking the Tirthankara and bows down to him. Parshvanath wears a crown and is adorned with jewellery. There are two gandharvas (celestial beings) in the sky above him. The inscription reads, ‘Parasnath Shvami.’
Palabra clave:: Bada Bazaar, 16th century CE, Rao Lunkaran, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Raos of Bikaner
Creador:: Temples of India Project
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 02-06-2024
Fecha Modificada:: 02-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

8. Episode from Jinadatta Suri's life

Descripción:: The thirteenth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode from Jinadatta Suri's life that took place in Ajmer. Once, an ominous stroke of lightning in the evening threatened the fellow monks and followers of Dada Jin Dutt Suri while they were performing pratikraman with him. Dada Jin Dutt Suri captured the lightning under his alms bowl and instructed everyone to continue with the pratikraman without fear. Lightning is shown as yellow strokes in the sky that the acharya (those who impart knowledge) collected in the bowl. Jinadatta Suri is shown sitting on a mat. The inscription reads, ‘shri jinadatta suri ji Bijali dabi.’
Palabra clave:: Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Rathore Dynasty, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Tirthankara, and Jain
Creador:: Temples of India Project
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 02-06-2024
Fecha Modificada:: 02-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

9. Depiction of a sleeping couple with a snake near the leg of the man

Descripción:: The ninth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is difficult to decipher. It appears to depict a sleeping couple, with a snake near the leg of the man. Outside the haveli (mansion) which houses this couple, there is an armed figure that looks like a soldier or guard in uniform.
Palabra clave:: Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 02-06-2024
Fecha Modificada:: 02-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

10. Depiction of the story of Chandakaushika Nag and Mahavir

Descripción:: The painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) likely depicts the story of Chandakaushika Nag and Mahavir. According to the tale, as Mahavir travelled through a forest, a snake named Chandak blocked his path. However, Mahavir instead of being scared of him stood at the place firmly. Chandak bit the Tirthankara, yet the latter remained calm, intending no harm to the snake. This story intends to teach everyone the importance of controlling anger and cultivating compassion. Mahavir has a divine halo behind his head, painted in golden colour. A temple dedicated to the snake is shown at the background of the painting. The inscription from this painting is not entirely legible, but it certainly includes the name of Mahavir Swami.
Palabra clave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, Architecture, and Jain
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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1. Depiction of the episode where Jinadatta Suri saved the life of an unwell child

2. Depiction of the meeting between Jain Acharya

3. Bhandasar Jain Temple_Floor Plan

4. Bhandasar_Jain_Temple_Floor_Plan_BnW.png

5. Shikhara (superstructure) of the Adinatha Temple

6. The Adinatha Temple in the Bhandasar Temple Complex

7. Depiction of the Tirthankara Parshvanath standing on a multi-headed naga (serpant)

8. Episode from Jinadatta Suri's life

9. Depiction of a sleeping couple with a snake near the leg of the man

10. Depiction of the story of Chandakaushika Nag and Mahavir

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1. Depiction of the episode where Jinadatta Suri saved the life of an unwell child

2. Depiction of the meeting between Jain Acharya

3. Bhandasar Jain Temple_Floor Plan

4. Bhandasar_Jain_Temple_Floor_Plan_BnW.png

5. Shikhara (superstructure) of the Adinatha Temple

6. The Adinatha Temple in the Bhandasar Temple Complex

7. Depiction of the Tirthankara Parshvanath standing on a multi-headed naga (serpant)

8. Episode from Jinadatta Suri&#39;s life

9. Depiction of a sleeping couple with a snake near the leg of the man

10. Depiction of the story of Chandakaushika Nag and Mahavir

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8. Episode from Jinadatta Suri's life