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171. A figure of Nirutti
- 描述:
- A figure of Nirutti stands prominently with a noticeable phallus, symbolizing his association with fertility and vitality. In his hands, Nirutti holds a damru (drum), a khetaka (shield), and a musala (pestle). At the bottom left, a broken animal is depicted. Nirutti’s distinctive high-raised hairdo adds to his unique presence, while his adorned appearance with jewels and a long garland underscores his divine status.
- 关键词:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- 描述:
- Varuna is depicted alongside his vahana (mount), the makara (crocodile-like mythological sea creature). In his upper right hand, he holds a pasha (noose), symbolizing his control over the cosmic forces. In his upper left hand, he holds a pushpa (flower), representing his connection to the natural world. His lower left-hand holds a kamandalu (water pot), signifying purity and sustenance, while his lower right hand extends in varada hasta (boon-giving gesture).
- 关键词:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Nagara Style of Architecture, Rajasthan, and Undeshwar Temple
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- 描述:
- Harihara is depicted as a synthesis of Shiva and Vishnu. In this form, Shiva occupies the right half, adorned with a jatamukuta (crown of matted hair), while Vishnu occupies the left half, crowned with a kiritamukuta (a cylindrical crown associated with Vaishnava iconography). In his upper right hand, Harihara wields a trishula (trident), symbolizing Shiva’s power, while his lower left arm holds a shankha (conch), symbolizing Vishnu’s presence. Nandi, Shiva’s mount, is carved at the bottom right, and a kalasha (pitcher) adorned with vegetal motifs is depicted at the bottom left, symbolizing abundance.
- 关键词:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Nagara Style of Architecture, Temple, and Architecture
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- 描述:
- Narasimha is carved on the external wall of the mandapa (pillared hall), though time has weathered its intricate details. This depiction portrays the fourth incarnation of Vishnu, showcasing his formidable aspect with a lion’s visage atop a human form. Despite the erosion of many arms, Narasimha’s attributes are intact. In his upper hands, he holds a chakra (discus) and a shankha (conch shell), symbols of cosmic order and divine sound. His frontal hands are depicted in the act of subduing an asura (demon), although the figure is heavily damaged. He is adorned with jewels and a long garland. Additionally, a figure resembling Varaha is carved at the bottom left.
- 关键词:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Bijolia Group of Temples, Hazareshwar Temple, and Nagara Style of Architecture
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- 描述:
- Kartikeya is depicted on the external walls of the mandapa (pillared hall). Though most of his arms are fragmented, he holds a kamandalu (water pot) in his intact hand, symbolizing purity and divinity. He is identifiable by his vahana (mount), the mayura (peacock), depicted below him.
- 关键词:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Bijolia Group of Temples, Mahakal Temple, and Nagara Style of Architecture
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- 描述:
- Shiva is depicted in a dance posture. Standing in the urdhvajanu (upraised knee) pose, Shiva is depicted with multiple arms, each embodying cosmic significance. In his upper hands, he holds a multi-hooded sarpa (serpent) and a damru (drum), symbolizing creation and destruction in the cosmic dance of life. His right and left middle arms are damaged, but some are intact. His lower left hand forms the gajahasta (elephant trunk) gesture. In the lower right corner, a drummer is depicted, accompanying Shiva’s celestial dance with the beats of a drum. Meanwhile, at the opposite corner, Shiva’s mount, Nandi, is depicted in a seated posture.
- 关键词:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
177. Depiction of Vayu
- 描述:
- Vayu is depicted standing with a gentle smile. His four arms bear testament to his celestial nature. In his upper hands, he grasps a staff, symbolizing authority and guidance. His lower hands cradle a kamandalu (water pot) and extend in varadaksha (boon-giving gesture with a rosary). At the base, his vahana (mount), the antelope, is depicted in graceful motion, adding to the dynamic energy of the scene.
- 关键词:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Mahakal Temple, Rajasthan, and Architecture
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- 描述:
- Yama, the God of justice and guardian of the south direction, is depicted holding a rooster and a kamandalu (water pot). One of his hands is in varada hasta (boon-giving gesture). He is adorned with jewels and wears a long garland. At the bottom left is a carving of a buffalo.
- 关键词:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Mahakal Temple, Temple, and Architecture
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- 描述:
- Agni, the guardian of the southeast direction, is depicted holding a pointed spoon and a pushpa (flower) in his upper hands. His lower hands and the face of his vahana (mount) are broken. He wears a jatamukuta (crown of matted hair) and has a beard.
- 关键词:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Nagara Style of Architecture, Mahakal Temple, and Bijolia Group of Temples
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- 描述:
- On the kakshasana (seat backs), the depiction of Vamana, an avatar of Vishnu, stands prominently. Vamana is portrayed with four arms, although two are damaged. In his upper right hand, he holds a pustaka (book). This attribute holds significant symbolism, as Vishnu in his Vamana avatar assumes the form of a Brahmin, embodying the essence of divine wisdom contained within the Vedas.
- 关键词:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Nagara Style of Architecture, Mahakal Temple, and Bijolia Group of Temples
- 创造者:
- Temples of India Project Team
- 贡献者:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- 出版者:
- Jio Institute
- 位置:
- Bhilwara
- 日期上传:
- 20-06-2024
- 修改日期:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image