Index Catalog // Jio Institute Repository

1271. Fragments and debris of the original temple

Descripción:: Broken fragments and debris from the original temple assembled on the north face of the adhisthana. The fragments assembled here were once part of the original temple, and other subsidiary structures of the Panchayatana plan.
Palabra clave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1272. A couple admiring each other in a moment of shringar rasa

Descripción:: Sculptural panel depicting a couple (likely royal, based on their size and posture) seated on a circular throne and surrounded by female attendants. The scene depicts the couple admiring each other, in a moment of shringar rasa (romantic love). The central figure of the man is seated in the lalitasana posture. He is caressing his partner’s chin with his left hand while holding a flower in his right hand, offering it to her. The lady is resting her right hand on the left thigh of the man and her head is tilted upwards, as he looks into her face. One of the female attendants is seated on the right thigh of the central male figure.
Palabra clave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1273. A human figure (acrobat/dancer) doing an acrobatic/dance pose

Descripción:: Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. In this plaque, a human figure (acrobat/dancer) is doing an acrobatic/dance pose that merges with a creeper motif. Ardha padma (half lotus) and kalpa lata (creeper) motifs are carved on the rest of the plaque surface. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Palabra clave:: Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1274. Plaque with two birds (probably swans) with their necks entwined

Descripción:: Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. This plaque features two birds, likely hamsas (swans), with their necks entwined. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Palabra clave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1275. A kinnari holding a purna ghata

Descripción:: Broken fragments and debris from the original temple assembled on the north face of the adhisthana. The carving features a kinnari holding a purna ghata (a symbol of abundance, prosperity, and fertility). The upper body of the kinnari is depicted with a female human figure and the lower body consists of a bird which forms a floral motif at the rear.
Palabra clave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1276. Panel depicting a couple seated on a circular throne and surrounded by female attendants

Descripción:: Sculptural panel depicting a couple (likely royal, based on their size and posture) seated on a circular throne and surrounded by female attendants. The scene depicts the couple admiring each other, in a moment of shringar rasa (romantic love). The central figure of the man is seated in the lalitasana posture. He is caressing his partner’s chin with his left hand while holding a flower in his right hand, offering it to her. The lady is resting her right hand on the left thigh of the man and her head is tilted upwards, as he looks into her face. One of the female attendants is seated on the right thigh of the central male figure.
Palabra clave:: Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1277. A chandrashila (moonstone) on the steps of the adhisthana

Descripción:: The east-facing steps on the adhisthana have a chandrashila (moonstone) on the third step. The chandrashila (moonstone) is a hemispherical stone in the shape of the moon and is often placed at the entrance of Hindu temples and is designed to resemble a lotus flower.
Palabra clave:: Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1278. A floriated makara with its neck stretched around the medallion

Descripción:: Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. Seen here is a floriated makara with its neck stretched around the medallion and the rear part integrated with flowing creeper motifs. The rest of the plaque is decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Palabra clave:: Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1279. Damaged fragments of an amalaka

Descripción:: Damaged fragments of amalaka, now kept along the south boundary wall with other broken fragments recovered from the debris of the original temple. The amalaka is a ribbed disk-shaped stone, symbolic of the lotus and placed on the highest point of the shikhara (spire). The amalaka is crowned by a kalasam (sacred pot). Several amalakas have been recovered at the site.
Palabra clave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

1280. Plaques depicting simha (lion) vyala and ashtadal kamal (lotus with eight petals)

Descripción:: Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. For example, the plaque (on the left) has a depiction of simha (lion) vyala, integrated with creeper motifs that fill the rest of the medallion. The plaque, on the right, features the ashtadal kamal (lotus with eight petals). The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Palabra clave:: Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
Creador:: Temples of India Project Team
Contribuidor:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Abhaneri
Fecha de Subida:: 05-03-2024
Fecha Modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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1271. Fragments and debris of the original temple

1272. A couple admiring each other in a moment of shringar rasa

1273. A human figure (acrobat/dancer) doing an acrobatic/dance pose

1274. Plaque with two birds (probably swans) with their necks entwined

1275. A kinnari holding a purna ghata

1276. Panel depicting a couple seated on a circular throne and surrounded by female attendants

1277. A chandrashila (moonstone) on the steps of the adhisthana

1278. A floriated makara with its neck stretched around the medallion

1279. Damaged fragments of an amalaka

1280. Plaques depicting simha (lion) vyala and ashtadal kamal (lotus with eight petals)

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1271. Fragments and debris of the original temple

1272. A couple admiring each other in a moment of shringar rasa

1273. A human figure (acrobat/dancer) doing an acrobatic/dance pose

1274. Plaque with two birds (probably swans) with their necks entwined

1275. A kinnari holding a purna ghata

1276. Panel depicting a couple seated on a circular throne and surrounded by female attendants

1277. A chandrashila (moonstone) on the steps of the adhisthana

1278. A floriated makara with its neck stretched around the medallion

1279. Damaged fragments of an amalaka

1280. Plaques depicting simha (lion) vyala and ashtadal kamal (lotus with eight petals)

Limite su búsqueda