The bhadraratha (central projection) features a seated Vishnu, intricately carved with four arms. Crowned, Vishnu holds a gada (mace) and a chakra (discus) in his upper hands. His lower right-hand holds an akshamala (rosary) while also making a varada hasta (boon-giving gesture). Although his lower left hand is broken, Vishnu is adorned with large circular earrings, a broad beaded necklace, a breast band, a girdle, bangles, and anklets.
Vayu (one of the deities of the cardinal directions) is depicted with four arms, each holding his respective attributes. Crowned, Vayu is accompanied by his vahana (mount), the antelope, positioned at his feet. In his upper hands, he holds a dhvaja (flag), while his lower left-hand grasps a kamandalu (water pot). His lower right-hand holds a rosary and also makes a varada hasta (boon-giving gesture).
Kubera, the God of wealth, is depicted as four-armed, accompanied by his vahana (mount), the elephant. Crowned and bejewelled, Kubera holds a money bag in his upper hand, a gada (mace) in his lower right hand and a kamandalu (water pot) in his lower left hand.
The Mahakal Temple mandapa (pillared hall) has a depiction of dikapalas (deities for cardinal directions). Kuber is one of them who is portrayed with four arms. He holds a money bag in his upper hand, a kamandalu (water pot) in his lower left hand, and a gada (mace) in his lower right hand. At the base of the niche, Kubera’s Mount Airavat is carved.
The details of the vedibandha (basal mouldings) of the southern garbhagriha (sanctum sanctorum) of the Mahakal Temple show that it consists of khura (hoof), kapotapalika (cyma recta), kumbha (pot), and kalasha (pitcher) mouldings. The stambhas (buttresses) filling the space between bhadras (central offset) of the jangha (wall) is also ornamented.
The mandapa (pillared hall) leads to the antarala (vestibule or antechamber), a shallow passage distinguished by pillars along its sides. From there, one proceeds to the garbhagriha (sanctum sanctorum) of the Undeshwar Temple, featuring a meticulously carved doorframe. This doorframe exhibits a multi-shakha (vertical band or architrave) design, with each shakha adorned with various floral patterns, naga (serpant) figures and stambha (buttress). At the lower part of the doorframe, there are four female figures, two of whom hold kalashas (pitchers) while the other two hold chauris (fly whisks). Following them are four-armed dvarapalas (door guardians), each depicted with their respective attributes. Lastly, there is a figure of Kubera holding a money bag. Above the lalatabimba (lintels) on the doorframe's entablature, Nataraja is positioned at the center, flanked by seated goddesses, with Brahma and Vishnu depicted at the ends.
To the east, there is the main garbhagriha (sanctum sanctorum) accessible via the antarala (vestibule or antechamber). The dvarashakha (doorframe) of this sanctum is crafted by featuring multiple sections and adorned with sculptures of davarapalas (door guardians) and women holding kalashas (pitchers). Although the lalatabimba (lintel) of the doorframe displays a seated figure, its condition is not well preserved. Positioned above the lintel, the entablature showcases Natesha at the center.