View of the south-facing side of the shikhara (superstructure) central shrine in the Neelkanth Mahadev Temple. Since the central shrine has undergone renovations, the plinth, wall, and spire portions are in place. The temple is a variety of Latina nagara (mono-spired) shikhara and pancharatha (five vertical offset or projections on each side) in plan. At the plinth level, the kumbha (pot) moulding has been renovated. During this process, the deities on the faces of the kumbha might have been replastered.
Seen here are the details of the Latina nagara (mono-spired) shikhara (superstructure) of the central shrine in the Neelkanth Mahadev Temple. It is made up of five vertical projections. The central band or the madhyalata is flanked by pratilatas. These three bands are made up of a mesh of gavaksha (dormer window) motifs. The corner bands of the shikhara have aedicules which are known as bhumikhandas, again having gavaksha designs on their surfaces. These aedicules diminish in size and are separated by flat ribbed discs. Based on this shikhara, it can be speculated that the other two shrines of the temple must have had similar Latina nagara shikharas.
This is the ancillary shrine to the northeast of the main Neelkanth Mahadev Temple. It is a single-shrine temple in a very dilapidated state. Only a few mouldings of its plinth have survived. The temple was originally pancharatha (five vertical offset or projections on each side) in its plan, but the structure of the mandapa (pillared hall) has fallen.
This is a view of the extant plinth of the southern shrine as seen from the south-facing elevation of the Neelkanth Mahadev Temple. The pattern of the kumbha (pot) is similar to other wall projections. The central kumbha corresponding to the main bhadra (central projection) of the temple has a depiction of Ganesha.
View of the entrance to the northern shrine in the Neelkanth Mahadev Temple. Both the north and south shrines have identical dvarashakhas (door jambs) except for the deity couple above the lintel beam supported on the pillars of the shrine. The shrine has a depiction of Vishnu Lakshmi seated on Garuda. The lintel with the Vishnu Lakshmi sculpture has deep niches like the ones that are found on the exterior walls of temples.
This is the flat square ceiling in the aisles of the mandapa (pillared hall). The ceiling is made up of a large lotus medallion, surrounded by floral patterns. The beams below the flat ceiling have friezes with various human figures.
Seen here is the exterior of the southern shrine in the Neelkanth Mahadev triple-shrine temple. The walls of the shrine have fallen, leaving only the plinth up to the level of the kumbha (pot) molding in situ. Few traces of the kalasha (pitcher) moulding above the kumbha have survived. The faces of the kumbha molding have depictions of various deities. The central kumbha corresponding to the main bhadra (central projection) of the temple has Vishnu Lakshmi on Garuda.
A closer view of the south-facing jangha (wall) of the central shrine of the Neelkanth Mahadev Temple. The jangha is profusely carved with sculptures. The central bhadra (central projection) has a ferocious depiction of Shiva, and the intermediate and corner projections have ascetic, surasundaris (celestial damsels), and dikpalas (deities for cardinal directions). The recesses just flanking the central shrine have vyalas (composite mythical creatures).
This is the north-facing elevation of the central shrine in the Neelkanth Mahadev Temple. The central bhadra (central projection) has a depiction of Narasimha killing the demon Hiranyakashipu. The recesses have vyala (composite mythical creatures) and mithuna/maithuna (amorous couples) figures.
Inside the central garbhagriha (sanctum sanctorum) of the central shrine in the Neelkanth Mahadev Temple is a large Shiva linga (aniconic representation of Shiva). It is on a high pedestal. The temple is actively used for worship. The Shivalinga is made up of polished stone.