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Beschreibung:
The Chalukya monarchs, at the very least, created favourable conditions for temple construction at sites such as Badami, Mahakut, Aihole and Pattadakal.
Stichwort:
Temples of India Bhitargaon Lomas Rishi Early Chalukyas Sanchi Pattadakal Temple 17 at SanchiKanganhalli Deogarh M.S. Mate Temple Chaluykas of Badami Ramtek Badami Hoysala Michael W. Meister Architecture Dashavatara Temple Kanganhalli Aihole Nachna Imperial Guptas Parvati Temple Kondivate Vakatakas Mahakut Udayagiri Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
27-06-2024
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In Copyright Resource Type:
Image
Beschreibung:
Within a quarter century, the Dashavatara Temple at Deogarh (c. 525 CE) expanded upon the concept of the unmanifest becoming manifest, featuring an elaborate symbolic program celebrating the multiple manifestations of the deity, in this case Vishnu. Image courtesy: Wikimedia Commons
Stichwort:
Temples of India Bhitargaon Lomas Rishi Early Chalukyas Sanchi Pattadakal Nachna Parvati Temple M.S. Mate Temple Chaluykas of Badami Ramtek Badami Mahakut Michael W. Meister Architecture Dashavatara Temple Kanganhalli Aihole Temple 17 at SanchiKanganhalli Imperial Guptas Deogarh Kondivate Vakatakas Hoysala Udayagiri Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
27-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image
Beschreibung:
The amalgamation of ideas and the combination of the architectural vocabulary of latina and kutina (the two common morphological types of temple architecture, also sometimes erroneously called North Indian and South Indian respectively) temples are seen at the site of Mahakut. Image courtesy: Dineshkannambadi (Wikimedia Commons)
Stichwort:
Temples of India Michael W. Meister Lomas Rishi Hoysala Ramtek Parvati Temple Badami Temple Deogarh Sanchi Bhitargaon Udayagiri Architecture Temple 17 at SanchiKanganhalli Kondivate Pattadakal Mahakut Aihole Imperial Guptas Kanganhalli M.S. Mate Dashavatara Temple Early Chalukyas Nachna Vakatakas Chaluykas of Badami Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
27-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image
Beschreibung:
An open-air ambulatory was provided for each tier, hidden in the recession of the next storey by the parapet enclosure of the kutas and the shalas. Image courtesy: Wikimedia Commons
Stichwort:
Temples of India Bhitargaon Lomas Rishi Early Chalukyas Sanchi Pattadakal Temple 17 at SanchiKanganhalli Parvati Temple M.S. Mate Temple Chaluykas of Badami Ramtek Badami Hoysala Michael W. Meister Architecture Dashavatara Temple Kanganhalli Aihole Nachna Imperial Guptas Deogarh Kondivate Vakatakas Mahakut Udayagiri Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
27-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image
Beschreibung:
The Parvati Temple at Nachna (c. 465 CE) employs stone as a direct allegory of mountains. Image courtesy: Wikimedia Commons
Stichwort:
Temples of India Bhitargaon Lomas Rishi Early Chalukyas Sanchi Pattadakal Nachna Parvati Temple M.S. Mate Temple Kondivate Ramtek Vakatakas Hoysala Michael W. Meister Udayagiri Dashavatara Temple Kanganhalli Aihole Temple 17 at SanchiKanganhalli Imperial Guptas Deogarh Chaluykas of Badami Badami Mahakut Architecture Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
27-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image
Beschreibung:
Relief sculpture at Kanganhalli from the 2nd century BCE.
Stichwort:
Aihole Bhitargaon Lomas Rishi Early Chalukyas Sanchi Pattadakal Nachna Parvati Temple M.S. Mate Temple Chaluykas of Badami Ramtek Vakatakas Mahakut Michael W. Meister Architecture Dashavatara Temple Kanganhalli Temples of India Temple 17 at SanchiKanganhalli Imperial Guptas Deogarh Kondivate Badami Hoysala Udayagiri Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
27-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image
Beschreibung:
Cave 3 at Badami dated 578 CE.
Stichwort:
Aihole Bhitargaon Lomas Rishi Early Chalukyas Sanchi Pattadakal Nachna Deogarh M.S. Mate Temple Kondivate Ramtek Vakatakas Hoysala Michael W. Meister Udayagiri Dashavatara Temple Kanganhalli Temples of India Temple 17 at SanchiKanganhalli Imperial Guptas Parvati Temple Chaluykas of Badami Badami Mahakut Architecture Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
27-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image
Beschreibung:
As early as the third century BC, caves like the Lomas Rishi and Sudama were excavated, modeled after the simple dwellings of ascetics.
Stichwort:
Aihole Bhitargaon Lomas Rishi Early Chalukyas Sanchi Pattadakal Nachna Imperial Guptas M.S. Mate Temple Chaluykas of Badami Ramtek Badami Mahakut Michael W. Meister Architecture Dashavatara Temple Kanganhalli Temples of India Temple 17 at SanchiKanganhalli Deogarh Parvati Temple Kondivate Vakatakas Hoysala Udayagiri Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
26-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image
Beschreibung:
This transition is vividly illustrated in Cave 1 at Udayagiri, where the sanctum is excavated from living rock, while the porch in front is constructed with dressed masonry.
Stichwort:
Temples of India Bhitargaon Lomas Rishi Early Chalukyas Sanchi Pattadakal Temple 17 at SanchiKanganhalli Parvati Temple M.S. Mate Temple Chaluykas of Badami Ramtek Vakatakas Mahakut Michael W. Meister Architecture Dashavatara Temple Kanganhalli Aihole Nachna Imperial Guptas Deogarh Kondivate Badami Hoysala Udayagiri Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
26-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image
Beschreibung:
Cave 5, in particular, features a complex iconographic program aimed at legitimizing the royal patron as the conduit between humanity and the divine, represented by Vishnu in his boar form, while the cosmic waters threatening the human world fill the ground. Image courtesy: Wikimedia Commons
Stichwort:
Temples of India Michael W. Meister Lomas Rishi Hoysala Imperial Guptas Kanganhalli Badami Temple Deogarh Sanchi Bhitargaon Udayagiri Architecture Temple 17 at SanchiKanganhalli Kondivate Chaluykas of Badami Mahakut Aihole Ramtek Parvati Temple M.S. Mate Dashavatara Temple Early Chalukyas Nachna Vakatakas Pattadakal Schöpfer:
Temples of India Project Team Mitwirkender:
Dr Pushkar Sohoni Owner:
tushar1.ayyar@jioinstitute.edu.in Herausgeber:
Jio Institute Ort:
India Datum hochgeladen:
26-06-2024
Datum geändert:
27-06-2024
Rights Statement Tesim:
In Copyright Resource Type:
Image