The closer view of the vedibandha (basal mouldings) of the Undeshwar Temple shows the gajathara moulding (elephants in the band). This moulding is commonly found in grand Bhumija temples. The kumbha (pot) moulding is adorned with miniature niches containing figures of deities. The kalasha (pitcher) molding is also intricately carved with a band featuring a diamond motif.
The Mandakini Kund is a square-shaped reservoir of sacred water with entrances on three sides. Flights of steps are provided on each side, facilitating access for people to descend into the holy water. On the fourth side of the reservoir, there is a visible flat-roofed structure supported by pillars. Moreover, there are two petite pavilions located at the corners of the reservoir.
The mandapa (pillared hall) of the Undeshwar Temple has a large circular ceiling, while the toranas (ornamental gateways/arches) atop the central four pillars support an additional smaller concentric cusped arch circular ceiling. This intricately adorned ceiling portrays flying gods and goddesses holding their distinctive attributes.
A depiction of the goddess Chamunda is there on the southern wall of the antarala (vestibule or antechamber) of the Hazareshwar Temple. Chamunda, portrayed with twelve arms, stands upon a human body. Skeletal depiction with desiccated breasts and a sunken belly containing a scorpion. She wears a triangular loin cloth to cover her lower body. She has a jatamukuta (crown of matted hair) adorned with a skull at the front. Large earrings dangle from her elongated earlobes, and a snake wraps around her neck and ankles. In her right hand, she holds a trishula (trident), damaru (double-sided drum), arrow, a broken weapon with a staff, and a bell (ghanta). In her left hand, she carries a snake and a broken weapon with a staff. Her left frontal hand holds a bowl, while her right frontal hand touches it. At the bottom left, a human figure is depicted seated, drinking blood dripping from a severed head into a bowl.
The mandapa (pillared hall) of the Hazareshwar Temple is a small square open hall which stands on a low base, supported by four pillars positioned at its corners. These pillars feature square bases adorned with depictions of deities. The shaft of the pillars is intricately carved with male deities, musicians, dancers, and surasundaris (celestial damsels). Transitioning into an octagonal shape, then into sixteen facets and circular, the shaft culminates with an abacus supporting bharavahaka (load bearers) brackets, which in turn uphold the lintel. The mandapa's ceiling, square in shape, is exquisitely carved. There is an idol of Nandi housed at the centre of the mandapa.
The Hazareshwar Temple, also known as the Swarnajaleshwar Temple, houses a Shiva linga in the garbhagriha (sanctum sanctorum). This linga is positioned on a square yonipatta (womb-shaped base) and intricately carved with numerous smaller lingas. It is this unique feature of the linga, adorned with hundreds and thousands of lingas, that lends the temple its name, the Hazareshwar Temple.
Situated within the Bijolia temple complex, right next to the Mandakini Kund and behind the Mahakal Temple, stands the remarkable Undeshwar Temple. It is one of the mature examples of the Bhumija variety of temples. It has a central projection on each of the four faces, the quadrants so formed filled with miniature spires in vertical and horizontal rows right up to the top. The name Undeshwar originates from the fact that the inner sanctum of this temple is located about 2.4 meters below the floor level of the assembly hall.
The garbhagriha (sanctum sanctorum) of the Hazareshwar Temple has an exquisitely crafted doorframe with lalatabimba (lintel) depicting Lakulisha. The representation of Lakulisha aligns with the Mandapa’s inscription that confirms the temple's affiliation with Pashupata Shaivism. Lakulisha is portrayed seated, holding a lakuta (staff) and a citron fruit. Additionally, the uttaranga (top) above the lalatabimba has depictions of male deities.
The eastern side offers a view of the backside of the Mahakal Temple and the front of the Hazareshwar Temple. On the rear side of the Mahakal Temple, the eastern or main garbhagriha (sanctum sanctorum) is visible.
At the opposite side of Kubera, Ishana is depicted, holding a trishula (trident) in his upper right hand, albeit now damaged. His upper left-hand grasps a sarpa (serpant), while his lower left-hand holds a kamandalu (water pot). Positioned in Varada hasta (hand gesture of conferring a boon), his lower right-hand carries a rosary. At the bottom, a bull was originally carved, though it's now broken.