Index Catalog // Jio Institute Repository

61. View of the Paintings in the Oval Cartouches in the Ceiling

Descripción:: A closer view of the paintings in the oval cartouches in the ceiling of the mandapa (pillared hall) of the Bhandasar Temple. Seen here are five such ovals. The lower set has two paintings, one is the story of Jinadatta Suri subduing the five pairs of the five waters and the other is the story of Jinachandra Suri who converted the no moon day to a full moon day. The upper set has stories from the life of Mahavir Swami, the Tirthankara. The oval shapes of the paintings are designed like mirror frames. This style is influenced by European paintings, especially the Company style paintings produced during the 18th-19th centuries CE.
Palabra clave:: Rathore Dynasty, Rao Lunkaran, Rajasthan, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, 16th century CE, Tirthankara, Raos of Bikaner, Temple, Bhanda Shah ka Jain Mandir, and Architecture
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

62. Bengal Arch kind of roof for the Antarala (antechamber)

Descripción:: The elongated rectangular Bengal arch kind of roof for the antarala (antechamber). The flat ceiling has a blue floral pattern similar to the cusps of the arches and the curved edges have multi-colour ornamentation. The circular motifs on the curved sides of the arch resemble mirrors which are usually found in colonial period architecture and paintings.
Palabra clave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

63. Painting depicting the story of the Jain monk Saalbhadra or Shalibhadra

Descripción:: This painting on the ceiling of the mandapa (pillared hall) of the Bhandasar Temple depicts the story of the Jain monk Saalbhadra or Shalibhadra, who was a wealthy merchant earlier but gave up all his material life and accepted the vows of being a monk, as per the Shvetambara Jain tradition. The haveli (mansion) in the painting has characteristics of Rajput architecture.
Palabra clave:: Rathore Dynasty, Rao Lunkaran, Temple, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Rajasthan, 16th century CE, and Architecture
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

64. Dome above the Mandapa of the Bhandasar Temple

Descripción:: The dome above the mandapa (pillared hall) of the Bhandasar Temple has two circles consisting of sixteen oval-shaped designs fashioned like mirrors. The outer or lower row has miraculous deeds from the life of Jain Acharyas, Dada guru Jinadatt Suri and Dada Guru Jinachandra Suri. The inner or upper row has stories from the lives of Rishabnatha Mahavir, Parshvanata and Neminath Tirthankaras.
Palabra clave:: Sumatinatha, Bada Bazaar, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Tirthankara, Bikaner, Architecture, Rao Lunkaran, 16th century CE, Seth Bhandasar Jain Temple, Shekhari Style of Temple Architecture, and Rathore Dynasty
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

65. View of the doorway along the Northern Wall of the Mandapa

Descripción:: Closer view of the doorway along the northern wall of the mandapa (pillared hall) of Bhandasar Temple. The rectangular frame that holds the door has paintings, however, the arch and the doorway are in a different style. The painting of the musician couple has been added to the wooden doorway in the last decade or so. The addition of stained glass type of glass mosaic to the semi-circular arch is a colonial period influence. The glass arch is added to the doorway only from the inside. The exterior side of the same arches is closed.
Palabra clave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

66. View of the west-facing elevation of the Bhandasar Temple

Descripción:: A closer view of the west-facing elevation of the Bhandasar Temple. The wall is marked by pillars at the two corner ends and the bays of the wall are separated by pilasters. The walls have long windows from the base level, which can also be called doorways. These open from the inside of the mandapa (pillared hall). The pillars and pilasters are identical in design. They have a wider base and slender and relatively plain surfaces but slight vertical offsets on the corners of the shaft. These are ornamented with floral capitals and brackets.
Palabra clave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

67. Ceiling of the Antarala of the Bhandasar Temple

Descripción:: Just above the beams of the antarala (antechamber), there is a strip or band that runs across the entire rectangular ceiling. This band has the depiction of twenty-four Tirthankara with their vahanas (rides). The Tirthankaras are drawn in their order, from viewers left to right all along the ceiling of the antechamber, starting with Rishabnath.
Palabra clave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

68. Paintings above the doorway in the exterior walls of the Bhandasar Temple

Descripción:: Paintings above the doorway in the exterior walls of the Bhandasar Temple. There are two sets of paintings, each consisting of a central rectangular block flanked by square blocks. The lower set has the painting of Murlidhara Krishna at the centre with two attendants in the flanking squares. Similarly, the upper set is a painting of Hanuman at the centre, carrying the mountain of Sanjeevani. Murlidhara Krishna is shown as blue-skinned wearing a pitambar (yellow lower garment).
Palabra clave:: Rathore Dynasty, Rao Lunkaran, Rajasthan, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, Architecture, Tirthankara, Raos of Bikaner, Temple, Bhanda Shah ka Jain Mandir, and 16th century CE
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

69. Carving and Ornamentation of the Pilaster Base

Descripción:: Details of the carving and ornamentation of the pilaster base, which is in the west, south and north-facing elevations of the temple. The pilasters are identical in design. They have a wider base, slender and are relatively plain. The pilaster base has an elongated vertical floral motif with a horizontal band of diamond-like motifs.
Palabra clave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Bada Bazaar
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

70. Painted Pillars in the Mandapa of the Bhandasar Temple

Descripción:: Closer view of the painted pillars in the mandapa (pillared hall) of the Bhandasar Temple. Between the two central pillars near the antarala (antechamber), there is a low pedestal where devotees perform their daily rituals.
Palabra clave:: Sumatinatha, Rathore Dynasty, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Tirthankara, Bikaner, Architecture, Rao Lunkaran, 16th century CE, Seth Bhandasar Jain Temple, Shekhari Style of Temple Architecture, and Bada Bazaar
Creador:: Temples of India Project Team
Contribuidor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Ubicación:: Bikaner
Fecha de Subida:: 31-05-2024
Fecha Modificada:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

Repository

Search

61. View of the Paintings in the Oval Cartouches in the Ceiling

62. Bengal Arch kind of roof for the Antarala (antechamber)

63. Painting depicting the story of the Jain monk Saalbhadra or Shalibhadra

64. Dome above the Mandapa of the Bhandasar Temple

65. View of the doorway along the Northern Wall of the Mandapa

66. View of the west-facing elevation of the Bhandasar Temple

67. Ceiling of the Antarala of the Bhandasar Temple

68. Paintings above the doorway in the exterior walls of the Bhandasar Temple

69. Carving and Ornamentation of the Pilaster Base

70. Painted Pillars in the Mandapa of the Bhandasar Temple

Limite su búsqueda

Type

Tipo de recurso

Creador

Contributor

Palabra clave

Ubicación

Editor

Colección

Repository

Search

Buscar

Resultados de la búsqueda

61. View of the Paintings in the Oval Cartouches in the Ceiling

62. Bengal Arch kind of roof for the Antarala (antechamber)

63. Painting depicting the story of the Jain monk Saalbhadra or Shalibhadra

64. Dome above the Mandapa of the Bhandasar Temple

65. View of the doorway along the Northern Wall of the Mandapa

66. View of the west-facing elevation of the Bhandasar Temple

67. Ceiling of the Antarala of the Bhandasar Temple

68. Paintings above the doorway in the exterior walls of the Bhandasar Temple

69. Carving and Ornamentation of the Pilaster Base

70. Painted Pillars in the Mandapa of the Bhandasar Temple

Limite su búsqueda