Index Catalog // Jio Institute Repository

Skip to Content

About Us
- Vision
- Our Story
- Technology
- Focus Areas
- Our Team
Access
Collections
Contact Us

Jio Institute Digital Library
Repository

Repository

Search

Cambiare la lingua Italiano
- Cambiare la lingua
- Deutsch
- English
- Español
- Français
- Italiano
- Português do Brasil
- 中文
Accesso

Ricerca

Cancellare i filtri

Filtro per: Parola chiave Bhanda Shah ka Jain Mandir Cancella il filtro Parola chiave: Bhanda Shah ka Jain Mandir Collezione Seth Bhandasar Jain Temple Cancella il filtro Collezione: Seth Bhandasar Jain Temple

« Pagina precedente | 1 - 10 di 92 | Pagina successiva »

relevance
date uploaded ▼
date uploaded ▲
date modified ▼
date modified ▲

Risultati per pagina

10 per pagina
20 per pagina
50 per pagina
100 per pagina

Visualizza i risultati come:

Lista Galleria Lavoro in corso Slideshow

Risultati della ricerca

1. Depiction of the episode where Jinadatta Suri saved the life of an unwell child

Descrizione:

The fifth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode where Jinadatta Suri saved the life of an unwell child brought to him by two women. The episode takes place outside a haveli, probably near the place where the acharya (those who impart knowledge) is meditating. The acharya is shown blessing the child by placing his palm on the child’s head. The inscription reads, ‘Shri Jinadatta Suriji balak jivayo.’

Parola chiave:

Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Jain, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Temple

Creatore:

Temples of India Project Team

Collaboratore:

Swapna Joshi

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

24-07-2024

Data modificata:

24-07-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
2. Depiction of the meeting between Jain Acharya

Descrizione:

The first oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the depiction of the meeting between Jain acharya (those who impart knowledge) Shri Jinachadra Suri and the Mughal Emperor Akbar. He was invited to the Mughal court through Akbar’s court official Karamchand Bacchawat, who was from Bikaner. The painting has havelis (mansions) in the background, and the two leaders greet each other at the forefront. It is also said that Karamchand went to receive Jinachandra Suri on the outskirts of the city. The inscription reads, ‘Shri Jinadatta Suriji Akbar Badshah.’

Parola chiave:

Bada Bazaar, 16th century CE, Rao Lunkaran, Raos of Bikaner, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Shekhari Style of Temple Architecture

Creatore:

Temples of India Project Team

Collaboratore:

Swapna Joshi

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

24-07-2024

Data modificata:

24-07-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
3. Bhandasar Jain Temple_Floor Plan

Descrizione:

Ground plan of Seth Bhandasar Jain Temple, Bikaner district Rajasthan.

Parola chiave:

Jain, Rathore Dynasty, Rao Lunkaran, Archaeological Survey of India (ASI), Temple, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, Architecture, Tirthankara, Raos of Bikaner, Rajasthan, Bhanda Shah ka Jain Mandir, and 16th century CE

Creatore:

Temples of India Project Team

Collaboratore:

Ar Deepak Gahlowt and his team

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

22-07-2024

Data modificata:

22-07-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
4. Bhandasar_Jain_Temple_Floor_Plan_BnW.png

Parola chiave:

Bada Bazaar, 16th century CE, Rao Lunkaran, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Archaeological Survey of India (ASI), Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Raos of Bikaner

Creatore:

Temples of India Project Team

Collaboratore:

Ar Deepak Gahlowt and his team

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

22-07-2024

Data modificata:

22-07-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
5. Shikhara (superstructure) of the Adinatha Temple

Descrizione:

The Shikhara (superstructure) of the Adinatha Temple is built in the Nagara style, albeit an abbreviated one. The mulshringa of the shikhara has a pratyangas or prati shikharas emanating from it. These are complemented by miniature shikharas at the base of the main shikhara. The shikhara is painted in white and the ornamentation details are defined with gold paint. The base of the cardinal faces of the shikhara has deep empty niches, similar to the shikhara of the Bhandasar Temple.

Parola chiave:

Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain

Creatore:

Temples of India Project Team

Collaboratore:

Swapna Joshi

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

02-06-2024

Data modificata:

02-06-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
6. The Adinatha Temple in the Bhandasar Temple Complex

Descrizione:

The Adinatha or Rishabnatha Temple in the Bhandasar Temple Complex. It is a subsidiary shrine situated to the south of the complex. It is relatively smaller in size than the Bhandasar Temple. The temple is not austere in treatment. It is a simple structure with planned walls and one entrance facing the east.

Parola chiave:

Bada Bazaar, 16th century CE, Bikaner, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Rao Lunkaran, and Raos of Bikaner

Creatore:

Temples of India Project

Collaboratore:

Swapna Joshi

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

02-06-2024

Data modificata:

02-06-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
7. Depiction of the Tirthankara Parshvanath standing on a multi-headed naga (serpant)

Descrizione:

This painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) depicts the 23rd Jain Tirthankara, Parshvanath, standing on a multi-headed naga (serpant), with the hood crown positioned above the head of the lord. A naga couple in anthropomorphic form stands flanking the Tirthankara and bows down to him. Parshvanath wears a crown and is adorned with jewellery. There are two gandharvas (celestial beings) in the sky above him. The inscription reads, ‘Parasnath Shvami.’

Parola chiave:

Bada Bazaar, 16th century CE, Rao Lunkaran, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Raos of Bikaner

Creatore:

Temples of India Project

Collaboratore:

Swapna Joshi

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

02-06-2024

Data modificata:

02-06-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
8. Episode from Jinadatta Suri's life

Descrizione:

The thirteenth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode from Jinadatta Suri's life that took place in Ajmer. Once, an ominous stroke of lightning in the evening threatened the fellow monks and followers of Dada Jin Dutt Suri while they were performing pratikraman with him. Dada Jin Dutt Suri captured the lightning under his alms bowl and instructed everyone to continue with the pratikraman without fear. Lightning is shown as yellow strokes in the sky that the acharya (those who impart knowledge) collected in the bowl. Jinadatta Suri is shown sitting on a mat. The inscription reads, ‘shri jinadatta suri ji Bijali dabi.’

Parola chiave:

Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Rathore Dynasty, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Tirthankara, and Jain

Creatore:

Temples of India Project

Collaboratore:

Swapna Joshi

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

02-06-2024

Data modificata:

02-06-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
9. Depiction of a sleeping couple with a snake near the leg of the man

Descrizione:

The ninth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is difficult to decipher. It appears to depict a sleeping couple, with a snake near the leg of the man. Outside the haveli (mansion) which houses this couple, there is an armed figure that looks like a soldier or guard in uniform.

Parola chiave:

Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain

Creatore:

Temples of India Project Team

Collaboratore:

Swapna Joshi

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

02-06-2024

Data modificata:

02-06-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
10. Depiction of the story of Chandakaushika Nag and Mahavir

Descrizione:

The painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) likely depicts the story of Chandakaushika Nag and Mahavir. According to the tale, as Mahavir travelled through a forest, a snake named Chandak blocked his path. However, Mahavir instead of being scared of him stood at the place firmly. Chandak bit the Tirthankara, yet the latter remained calm, intending no harm to the snake. This story intends to teach everyone the importance of controlling anger and cultivating compassion. Mahavir has a divine halo behind his head, painted in golden colour. A temple dedicated to the snake is shown at the background of the painting. The inscription from this painting is not entirely legible, but it certainly includes the name of Mahavir Swami.

Parola chiave:

Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, Architecture, and Jain

Creatore:

Temples of India Project Team

Collaboratore:

Swapna Joshi

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Bikaner

Data caricata:

31-05-2024

Data modificata:

31-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image

« Pagina precedente
Pagina successiva »
1
2
3
4
5
…
9
10

Affina la ricerca

Type

Image92

Tipo di risorsa

Image92

Creatore

Temples of India Project Team89
Temples of India Project3

Contributor

Swapna Joshi90
Ar Deepak Gahlowt and his team2

Parola chiave

16th century CE92
Architecture92
Bada Bazaar92
Bhanda Shah ka Jain Mandir[remove]92
Bikaner92
altri Parola chiaves »

luogo

Bikaner92

Editore

Jio Institute92

Collezione

Seth Bhandasar Jain Temple[remove]92

Contact
Covid-19 Advisory
Policies

About Us

Academic

Research

Campus Life

Contact

T&C

Privacy Policy