Index Catalog // Jio Institute Repository

651. Entrance Porch of the Adinatha or Rishabhnatha Temple

Descrizione:: The entrance porch of the Adinatha or Rishabhnatha Temple, which is a subsidiary shrine in the Bhandasar Temple Complex. The porch has a small dome roof that rests on four pillars. Ornamented with niches, floral motifs and geometric designs, the porch is painted red. The merlons on the exterior wall of this temple are similar to the merlons on the enclosure wall of the temple complex. The building of this porch follows the Rajput style of architecture.
Parola chiave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

652. Details of the Garbhagriha's entrance of the Bhandasar Temple

Descrizione:: Details of the garbhagriha (sanctum sanctorum) entrance of the Bhandasar Temple. The beam, pilasters and brackets are covered with meenakari (enamel) gold work. The walls flanking the entrance opening have the same floral paintings found on the walls and ceiling of the temple.
Parola chiave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

653. Painting panel on the beams of the Mandapa

Descrizione:: This is a painting panel on the beams of the mandapa (pillared hall) of the Bhandasar Temple. It is a set of five paintings drawn with the purpose of telling people that what are the wrongdoings that should be avoided. In every painting, a demonic figure is shown punishing the person who has violated moral laws. The five paintings have inscriptions of the acts that Jainism condemns. These are, ‘Kamchesta ka phal, Manushya ko maarne ka phal, chor ko saahaj dene ka phal, Biswas ghat ka phal’ (punishments for indulging in wrong sexual activities, killing a human being, supporting a thief and betrayal).
Parola chiave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Rao Lunkaran
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

654. Wooden doors with paintings of Musicians

Descrizione:: The doorways/long windows punctuating the walls of the mandapa (pillared hall) in the Bhandasar Temple are seen here. The wooden doors have paintings of musicians. The arch above the doorway has paintings of Tirthankara Rishabnath’s life. A band above the arch depicts stories about forbidden things in Jain traditions.
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

655. Closer view of the elevation of the Garbhagriha

Descrizione:: Closer view of the elevation of the garbhagriha (sanctum sanctorum) of the Bhandasar Temple. The two projections visible in the picture, show few basal mouldings of the plinth are covered in the later added flooring. From the remaining portions, from bottom to top, the mouldings are kumbha (pot), kalasha (a pitcher) and kapotali (cyma recta) of the vedibandha (basal mouldings). This is followed by the jangha (wall) that further connects to the cornice of the temple.
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

656. Aisles of the Mandapa of the Bhandasar Temple

Descrizione:: The aisles of the mandapa (pillared hall) of the Bhandasar Temple have a curved arch ceiling with bands of floral motifs on the corner, and the rectangular portion is filled with blue cloud-like designs. In contrast to the multicoloured dome at the centre of the mandapa, this blue rectangular ceiling stands out.
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

657. Northern side of the Mandapa of the Bhandasar Temple

Descrizione:: The northern side of the mandapa (pillared hall) of the Bhandasar Temple has two lateral transepts instead of the doorways on the south side. One of these is used as the priest’s room. Another one has a miniature shrine added to it. Since the Bhandasar Temple has been renovated several times, the interior spaces have undergone significant changes. Upto the level of the antarala (antechamber), the temple portions are of the earlier period, however, the mandapa (pillared hall) has undergone timely reconstructions. The intermediate projection of the temple has icons of celestial damsels and the corner projections have ashtadikpalas (eight cardinal deities).
Parola chiave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Bada Bazaar
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

658. View of the exterior walls of the Bhandasar Temple

Descrizione:: The south side elevation of the exterior walls of the Bhandasar Temple and the side shrine from the temple complex. A high plinth supports the exterior walls of the temple. The plinth details of slender fluted pilasters on the corner are characteristic of Mughal period architecture.
Parola chiave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Bikaner, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Tirthankara, Seth Bhandasar Jain Temple, and Rao Lunkaran
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

659. Balcony atop the Entrance Gateway of the Bhandasar Temple

Descrizione:: Seen here is the balcony atop the entrance gateway of the Bhandasar Temple. This balcony is semi-open with slender pilasters and a Bengal arch roofing. The ornamental cartouches on the small walls of the balcony are a feature of Rajput architecture.
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

660. Details of the enclosure wall of the Bhandasar Temple Complex

Descrizione:: Details of the enclosure wall of the Bhandasar Temple Complex. The floral pattern merlons are only found on the east-facing enclosure wall. These are painted red to resemble brickwork probably.
Parola chiave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Rao Lunkaran
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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651. Entrance Porch of the Adinatha or Rishabhnatha Temple

652. Details of the Garbhagriha's entrance of the Bhandasar Temple

653. Painting panel on the beams of the Mandapa

654. Wooden doors with paintings of Musicians

655. Closer view of the elevation of the Garbhagriha

656. Aisles of the Mandapa of the Bhandasar Temple

657. Northern side of the Mandapa of the Bhandasar Temple

658. View of the exterior walls of the Bhandasar Temple

659. Balcony atop the Entrance Gateway of the Bhandasar Temple

660. Details of the enclosure wall of the Bhandasar Temple Complex

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651. Entrance Porch of the Adinatha or Rishabhnatha Temple

652. Details of the Garbhagriha&#39;s entrance of the Bhandasar Temple

653. Painting panel on the beams of the Mandapa

654. Wooden doors with paintings of Musicians

655. Closer view of the elevation of the Garbhagriha

656. Aisles of the Mandapa of the Bhandasar Temple

657. Northern side of the Mandapa of the Bhandasar Temple

658. View of the exterior walls of the Bhandasar Temple

659. Balcony atop the Entrance Gateway of the Bhandasar Temple

660. Details of the enclosure wall of the Bhandasar Temple Complex

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652. Details of the Garbhagriha's entrance of the Bhandasar Temple