The east-facing steps on the adhisthana have a chandrashila (moonstone) on the third step. The chandrashila (moonstone) is a hemispherical stone in the shape of the moon and is often placed at the entrance of Hindu temples and is designed to resemble a lotus flower.
Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. Seen here is a floriated makara with its neck stretched around the medallion and the rear part integrated with flowing creeper motifs. The rest of the plaque is decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Damaged fragments of amalaka, now kept along the south boundary wall with other broken fragments recovered from the debris of the original temple. The amalaka is a ribbed disk-shaped stone, symbolic of the lotus and placed on the highest point of the shikhara (spire). The amalaka is crowned by a kalasam (sacred pot). Several amalakas have been recovered at the site.
Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. For example, the plaque (on the left) has a depiction of simha (lion) vyala, integrated with creeper motifs that fill the rest of the medallion. The plaque, on the right, features the ashtadal kamal (lotus with eight petals). The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. The plaque here features the ashtadal kamal (lotus with eight petals). The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. In this medallion, a bird (likely a peacock) with its head bent downwards is integrated with a creeper motif. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Broken fragments and debris from the original temple assembled on the north face of the adhisthana. Most fragments assembled here were once part of the shikhara of the original temple, other subsidiary structures, and associated parts like the urushringa (subsidiary tower projecting from the sides of the main shikhara). The original shikhara did not survive and was replaced by a circular dome during the restoration.
Broken fragments and debris from the original temple assembled on the north face of the adhisthana. Most fragments assembled here were once part of the shikhara of the original temple, other subsidiary structures, and associated parts like the urushringa (subsidiary tower projecting from the sides of the main shikhara). The original shikhara did not survive and was replaced by a circular dome during the restoration.