Busca
Filtragem por:
Palavra-chave
Architecture
Remover Palavra-chave: Architecture
Palavra-chave
Shakhambari Chahamanas
Remover Palavra-chave: Shakhambari Chahamanas
Palavra-chave
Temple
Remover Palavra-chave: Temple
« ant |
1 - 10 de 111
|
próx »
Número de resultados para mostrar por página
Resultados da Busca
-
- Descrição:
- In the frieze of the drumming and dancing gods are Indra, seated on his elephant Airavata; a warrior holding a sword and shield, and an Apsara. Stella Kramrisch, in her work Hindu Temples (vol-2, plate LXVIII, p. 402-403) describes the spirit of the image in the following manner: 'the movement sways and surges to either side of a standing god who holds a long lance and seems to have ushered in before Indra the warrior so that he becomes one of the dancers. Indra, enthroned in a posture of ease, the right hand raised in Abhaya-mudra, grants fearlessness; his left-hand holds the Vajra. Small shapes surround him, Matali, his mahout, and companion spirits, Marut-like.' The elephant's trunk and the warrior's legs are interlaced; the warrior's is the largest movement; across the depth of the relief, he steps forward into the line of the celestials. Their dance vibrates, to the stamping of the feet, a suave tremor free from tension.” This image resonates with verse 7 of the Harsha stone inscription of Vigraharaja which mentions that the lord Harsha (Shiva) is worshipped on the hill by the joyous divine host, Indra.
- Palavra-chave:
- Sikar, Harshnath Temple, Temples of India, Archaeological Survey of India (ASI), Architecture, Shakhambari Chahamanas, Rajasthan, and Temple
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Sikar
- Data carregada:
- 10-05-2024
- Data modificada:
- 10-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Site plan of the Harshatmata Temple.
- Palavra-chave:
- Harshatmata, Gurjara-Pratihara, Architecture, Shakhambari Chahamanas, Temple, Rajasthan, and Abhaneri
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Ar Deepak Gahlowt and team
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Abhaneri
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- This is one of the many images of yoginis found at the site hinting towards a lost yogini temple compound. Contextualizing this image with several other relevant images suggests a maturity of Shakti and tantric traditions at the site. The placid expressions of this two-armed yogini seated in the lalitasana pose suggest her benevolent nature.
- Palavra-chave:
- Rajasthan, Temples of India, Temple, Shakhambari Chahamanas, Harshnath Temple, Archaeological Survey of India (ASI), Sikar, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Sikar
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- This important image of Vaikuntha Vishnu reveals the presence of the Pancharatra form of Vaishnavism at Harsha Hill. Pancharatra had spread to various regions of Rajasthan from the eighth century CE onwards, with its most visible manifestations in temples like the Harshatmata Temple of Abhaneri. This image reveals its spread, even if in a limited manner, to the region of Shekhavati. The niches on either side depict damsels and musicians. The four faces of Vaikuntha Vishnu represent its four emanations/vyuha- Vasudeva, Sankarshana, Pradyumna and Aniruddha. The side faces are that of boar and lion, typical of Vaikuntha iconography. He is seated in the lalitasana pose. Image courtesy: Government Museum, Sikar
- Palavra-chave:
- Sikar, Architecture, Temples of India, Shakhambari Chahamanas, Rajasthan, Temple, Archaeological Survey of India (ASI), and Harshnath Temple
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Sikar
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- This image of Durga-Mahisasuramardini in active worship is smeared with black paint and clothed, which obscures the details of the image. It is one of the many images, contemporaneous to the Harsha shrine, affixed in the enclosure of the Bhairon shrine.
- Palavra-chave:
- Rajasthan, Temples of India, Temple, Shakhambari Chahamanas, Harshnath Temple, Archaeological Survey of India (ASI), Sikar, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Sikar
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
6. Vinayaki
- Descrição:
- This is a rare image of Vinayaki, the feminine aspect (consort in some traditions) of Vinayaka or Ganesha. It is one of the several images, once contained in the lost temples of the hill, which were later affixed on the walls of the Bhairon shrine complex. Only a partial image is visible as the lower portion was subsumed by the stairways built next to it. Locals wrongly identify this image as Ardhanarishvara-Ganesha, which they believe to be a fusion of Shiva, Shakti and Ganesha. She is holding a cup in one of her hands, an attribute found in many of the Shaiva and Shakta images of the site and associated with tantric tradition. She is likely a tantric Shakti and suggests a syncretic fusion of the Ganapatya and Shakta traditions.
- Palavra-chave:
- Rajasthan, Temples of India, Temple, Shakhambari Chahamanas, Harshnath Temple, Archaeological Survey of India (ASI), Sikar, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
7. Yogini
- Descrição:
- This is one of the many images of yoginis found at the site hinting towards a lost yogini temple compound. Contextualizing this image with several other relevant images suggests a maturity of Shakti and tantric traditions at the site. She is holding a cup in her left hand, often associated in tantric traditions with the cup containing the symbolic nectar of spiritual bliss attained after the completion of tantric sadhana. The two-armed yogini is seated in the lalitasana pose. She holds a mala in her right hand and a cup in her left hand. Her head is lost. Image courtesy: Government Museum, Sikar
- Palavra-chave:
- Sikar, Architecture, Archaeological Survey of India (ASI), Shakhambari Chahamanas, Rajasthan, Temple, Temples of India, and Harshnath Temple
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
8. Surya
- Descrição:
- This majestic image of Surya must have once been placed inside the sanctum of a lost Surya shrine. Coupled with multiple other Surya images at the shrine (Surya, Chhaya, etc.), it suggests the maturity of Surya tradition at the hill, which was present at the hill at least from the eight century - much before the emergence of Harshadeva-Shiva as the royal shrine at the hill. He is holding two fully bloomed lotuses in each hand. He is flanked on either side by his companions, Danda and Pingala, immediately near his legs, and the pair of horse-faced Ashvin brothers, at the back. On the above register is an elegant pair of bow holders about to unleash an arrow. Surya is wearing a kirita-mukuta and the halo in the form of a fully bloomed lotus appropriately suits the radiant glow of the majestic Sun God. Image courtesy: Akbari Fort and Museum, Ajmer
- Palavra-chave:
- Rajasthan, Temples of India, Temple, Shakhambari Chahamanas, Harshnath Temple, Archaeological Survey of India (ASI), Sikar, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
9. Surya
- Descrição:
- This is arguably the oldest sculpture at the shrine, dated by Ambika Dhaka to the eighth century CE. The sculpture significantly precedes the Harshanth Temple, built in the second half of the 10th century. The Harshnath stone inscription records the devotion towards Lord Harsha of an early founding figure of the Chauhan line, Guvaka-I. He was a local chieftain and feudatory of the powerful imperial Pratihara dynasty, who lived roughly during the first quarter of the ninth century CE. The Shaiva association with the hill could have fairly preceded the time of Guvaka, but what can be said with full certainty was the much older Surya association of the hill. The figure carries standard iconographic features of the Sun God like the fully bloomed lotuses in two hands, long tunic, boots and retinue figures in pairs like his companions - Danda and Pingala, his wives and his sons, the Ashvins.
- Palavra-chave:
- Sikar, Architecture, Temples of India, Shakhambari Chahamanas, Rajasthan, Temple, Archaeological Survey of India (ASI), and Harshnath Temple
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Inside the sanctum of the temple are preserved beautiful sculptures of nayikas on the wall, while at the centre of the principal/back wall, there is a colossal image of Parvati in penance or the pancagni tapa. Interestingly, their names are scribed in the 10th-century Kutila script. The inscribed epithet calls her vikata, a possible explanation for this unusual name would be Gauri treading the vikata-marga by performing penance. Interestingly, the unusual epithet, Vikata, also appears in the Harsha stone inscription of VS 1030. Shiva, who occupies a central place in the sanctum in the form of a linga placed on yoni, is coupled with the representation of Shakti on the surrounding walls inside the sanctum. A four-armed Parvati is performing the penance of the pancagni tapa, also shown visually depicted with fires on either side. She stands erect on an iguana and hence has been labelled as Godhasana Gauri. On either side are two standing and two sitting female attendants.
- Palavra-chave:
- Rajasthan, Temples of India, Temple, Shakhambari Chahamanas, Harshnath Temple, Archaeological Survey of India (ASI), Sikar, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Sikar
- Data carregada:
- 09-05-2024
- Data modificada:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image