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- Descrizione:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. The space in front of the garbhagriha (sanctum sanctorum) is the maha mandapa which is used as a congregation space and for conducting rituals. A pradakshina (circumambulation path) goes around the garbhagriha and the mahamadapa. Instead of the traditional shikhara, the temple was reconstructed with a dome by the Archaeology Department of the erstwhile Jaipur State in the 1940s.
- Parola chiave:
- Gurjara-Pratihara, Rajasthan, Shakhambari Chahamanas, Abhaneri, Temple, Architecture, and Harshatmata
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- A small shrine, possibly a newer construction, is placed off-centred to the right facing the garbhagriha. Further steps lead to the third level, on a projected platform. The subsidiary shrine has arched openings on the west, (seen here) east and north sides with a rectangular entrance inside an arched niche on the south side. A Shiva lingam made in black stone is installed inside with a Nandi figure next to it. An earthen pot is installed on a tripod which drips water over the Shiva lingam.
- Parola chiave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- A small shrine, possibly a newer construction, is placed off-centred to the right facing the garbhagriha. Further steps lead to the third level, on a projected platform. Pieces from the temple have been repurposed in this shrine. The stone is broken and has three vertical sections. The section on the left has a purna kalasha (overflowing pot of prosperity) motif on the upper half and a makara (hybrid sea creature) inside a circular medallion at the bottom half. The mid-section has an intricate carving of kalpa vrisksha (tree of life) motif with figures of birds and kinnaras (hybrid human-bird creatures) camouflaged within the foliage. The section on the right has a purna kalasha motif on the top half and an eight-petal lotus blooming inside a circular medallion at the bottom half.
- Parola chiave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Debris from the original temple was reassembled to form the adhisthana, the maha mandapa and the garbhagriha. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. The space in front of the garbhagriha (sanctum sanctorum) is the maha mandapa which is used as a congregation space and for conducting rituals. Instead of the traditional shikhara over the garbhagriha, the temple was reconstructed with concrete domes over the garbhagriha and the maha mandapa.
- Parola chiave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple or if they came from multiple structures. The assembled sections here consist of two blocks stacked on the jagati. The upper block has the kalpavrisksha (tree of life) motif running along a central band. The panels on either side are damaged but visible features include the kalpa lata (creeper) motif (bottom left), the purna ghata (overflowing pot of prosperity) motif (mid-sections), and the kirtimukha motif (bottom right). The block in the middle has the ardha padma (half lotus) motif.
- Parola chiave:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Couples invoking shringara rasa (associated with romance, love and attractiveness between lovers) are framed in panels with pillars and shikhara with gavaksha (horseshoe) motifs. They sport elaborate coiffure and wear jewellery, indicating they are royalty. The central male figure is seated in the rajalilasana pose (both legs raised on the seat, palm of the feet together) on a raised seat. The central female figure is seated on the left of the man, on a separate seat, in the malasana (squat) pose. Male and female attendants flank the central figure from the left and right respectively. All the figures are watching a performance (not in the frame) and looking in unison towards the left. The male figure is holding a flower in his right hand and the left hand pressing on his left knee. His feet are placed on a lotus throne. The right hand of the female figure is placed on her chin expressing wonder. The male attendant is playing a musical instrument.
- Parola chiave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. The architectural pattern used on the jagati or adhisthana of the temple with half floral motifs and step-like figures.
- Parola chiave:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- This panel depicts a warrior invoking raudram rasa (fury/rage) by aggressively wielding a drawn sword. The theme may be based on the medieval miniature painting of the Ragamala series. Ragini Lalita has a similar theme where the king departs for an expedition and the women of the palace convince him to stay. The central figure of a warrior-king is aggressively stepping forward wielding a naked sword in his right hand. A dagger is tucked into his kamarbandha (waist belt). The central female figure (seen on the left) may be a queen, who is trying to stop the man by pulling him behind. Another lady is standing in front of the man (seen on the right) and sporting long braided hair, but with her face and hands damaged. On the ground, between the feet of the man, a small figure (likely a servant) is grovelling for mercy.
- Parola chiave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Couples invoking shringara rasa (associated with romance, love, and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. Unlike in other parts of the temple, the faces are not damaged and they wear heavy jewellery, elaborate headgear, and garments, indicating they belong to royalty or a high social class. The central male figure is seated in the lalitasana pose on a raised circular seat. The central female figure is seated on his left thigh, looking towards the man. Both rest their right feet on blooming lotus flowers. The man is embracing the woman, placing his left hand over her left shoulder. The woman reciprocates his gesture by placing her right hand over his right shoulder. The man is caressing the woman’s right breast with his right hand. Chauri dharini (fly whisk bearers) flank the couple.
- Parola chiave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrizione:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. The base has an ardha padma (half lotus) surrounded by geometric patterns. The panel in the middle has an ornate bird, probably a mayura (peacock), bordered by a creeping vine motif. The next two levels are mouldings depicting floral and vine patterns.
- Parola chiave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Abhaneri
- Data caricata:
- 08-03-2024
- Data modificata:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image