The main deity presides in the form of a linga in the garbhagriha (sanctum sanctorum) of the Hazareshwar Temple. The Shiva linga (aniconic representation of Shiva) is adorned with hazar or hundreds of miniature lingas. As a living temple, it reverberates with daily rituals of worship and offerings.
The southwest elevation view of the garbhagriha (sanctum sanctorum) of the Hazareshwar Temple offers a glimpse of the vertical axis, where every detail is meticulously crafted. As one observes this sacred space from behind, a sense of reverence envelops the observer, drawn to the harmonious alignment of architectural elements ascending skyward. Each component of the temple’s adornment, from the intricately carved walls to the tapering shikhara (superstructure), contributes to the overall beauty and structure of the temple.
From the entrance of the Bijolia temple complex, both the Mahakal Temple and the Hazareshwar Temple are visible. The Hazareshwar Temple, facing east, reveals its rear facade, while the Mahakal Temple, oriented westward, presents its entrance to those arriving in the complex.
The Hazareshwar Temple is a small structure, in contrast to the Mahakal and Undeshwar temples, with a mandapa (pillared hall), antarala (vestibule), and garbhagriha (sanctum sanctorum).
A closer examination of the front pillar of the mandapa (pillared hall) reveals a male deity adorning its surface. Poised upon a lotus, he stands with a serene countenance and is depicted with two arms. In his right hand, he holds a dagger, while his left-hand lifts a bowl to his lips. Adorned with serpents as jewellery, these creatures coil around his neck, waist, and ankles, adding a mystical allure to his presence.
The Hazareshwar Temple can be entered from the eastern side through the mandapa (pillared hall), which is a small, square, open hall resting on a low base.
The Hazareshwar Temple is constructed in the trabeate style, which is most evident in its ceiling design. The pillars and pilasters of the mandapa (pillared hall) support four lintels, forming a large square with concentric squares. Each square features a kirtimukha (face of glory) at its corners, and at the centre of the ceiling, there is a beautifully carved lotus bloom.
The pilasters at the back of the mandapa (pillared hall) are elegantly adorned with bell and chain motifs. At the centre of the mandapa, a stone sculpture of Nandi (Shiva’s bull) is placed, facing towards the garbhagriha (sanctum sanctorum).
Kubera, accompanied by his mount, the elephant, is depicted with four arms. In his upper arms, he holds a symbol of wealth and abundance —a money bag. Though his lower arms are damaged, it is evident that he once wielded a gada (mace) in his lower right hand and a kamandalu (water pot) in his lower left hand.