Seen here is the jangha (wall) of the Suswani Mata Temple facing South. On the bhadra (central offset) is an in situ sculpture of Ganesha, framed in deep decorative niches. This image is flanked by two attendants on the intermediary projections and dikapalas (gods of the cardinal directions) on the corner projections of the wall. The devakosthas (niches) on the central and corner projections have small vyala (mythical composite figures) on the brackets.
The two pillars seen here belong to the original construction of the Suswani Mata Temple. The pillars have fluted shafts, at the centre are ghatapallava (vase with foliage) shaped components and the pillar capitals are shaped like a pot. The paint layers on the surface of the pillars make it difficult to understand the original form.
A side shrine of the Bhomiya Maharaja on the premises of the Suswani Mata Temple next to the sacred Kera tree. The Kera tree is believed to be the spot where Suswani Ma manifested herself and eventually stayed at the location of the present-day temple.
Ganesha sculpture in the devakoshtha (niche) on the bhadra (principal or central projection) of the south-facing wall of Suswani Mata Temple. Framed in a niche composed of two pilaster motifs surmounted by a pediment of gavasksha (dormer window) designs, the main Ganesha image is supported by another small Ganesha in a small frame right above its head. It is a seated, eight-handed image of Ganesha. Some of the visible attributes of the image are pasha (noose), ankush (bullhook), sarpa (serpent), bijapuraka (citron, symbolized as ‘seed of universe’).
A row of hero stones (memorial stones) is installed near the Shiva Temple in the Morkhana village. This temple is a little away, to the north of the Suswani Mata Temple. The hero stones have depictions of male figures mounted on horses, sometimes along with a standing male figure in namaskar mudra (gesture of offering and devotion). Some of these are inscribed with dates from the 16th century CE.
Seen here is the main entrance of the Suswani Mata Temple which was made from the donation given by Shri Punamchandaji Surana, son of Dhanpatsinha. This mandapa (pillared hall) has been restored several times, the latest one being carried out in the last decade. A plaque providing information of the doner is visible above the main entrance.
Main shrine image of Suswani Ma inside the garbhagriha (sanctum sanctorum) of the Suswani Mata Temple. The image, covered in drapery, is shown sitting on a rectangular pedestal.
Seen here is the jangha (wall) of the Suswani Mata Temple on the west and north-facing sides. Each of these walls has five divisions in which the Bhadra (central offset) is the most protruding projection and subsidiary projections are offset to each other. This makes it a pancharatha (five ratha or projections on each side) variety of temple plans.
Image in the principal niche on the south-facing wall of the Suswani Mata Temple wall is covered in drapery but based on the visible portions. It appears to be Mahishasurmardini mounted on a lion. Left upper hands of the deity are holding a shield and sword. Near the left leg is the mount Lion of the goddess.
The dvarashakha or main architrave of the garbhagriha (sanctum sanctorum) of the Suswani Mata Temple. This profusely carved architrave is made up of two shakhas (divisions on its vertical sides). The main shakha has a row of female figures on vahanas (mounts). Four on each side of the architrave, these female figures are Saptamartrikas (seven mother goddesses namely Brahmani, Maheswari, Kaumari, Vaishnavi, Varahi, Indrani and Chamunda).