Index Catalog // Jio Institute Repository

691. Inscription on the Entrance Gate

Beschreibung:: Close-up of the inscription on the entrance gate, above the lintel. The inscription states that in 1464/1514 CE (VS 1521/71) the Bhandaprasada was built during the reign of Rao Lunkaran. The date is not clear. The inscription is copied here from the inscription in the antarala (antechamber) of the temple.
Stichwort:: Raos of Bikaner, Shekhari Style of Temple Architecture, Bikaner, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Tirthankara, Seth Bhandasar Jain Temple, and Rao Lunkaran
Schöpfer:: Temples of India Project Team
Mitwirkender:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Bikaner
Datum hochgeladen:: 31-05-2024
Datum geändert:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

692. Entrance gateway of the Bhandasar Temple

Beschreibung:: The foliated archway with fluted pilaster column motifs on either side leads into the temple. Beyond the archway are two transepts puncturing the inner walls of the entrance gateway.
Stichwort:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
Schöpfer:: Temples of India Project Team
Mitwirkender:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Bikaner
Datum hochgeladen:: 31-05-2024
Datum geändert:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

693. Enclosure wall of the Bhandasar Temple Complex

Beschreibung:: The entrance gateway of the Bhandasar Temple on the inside, connects to the enclosure wall of the temple complex. The enclosure wall has merlons on its edge and diminishes in height from the gateway.
Stichwort:: Raos of Bikaner, Shekhari Style of Temple Architecture, Bikaner, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Tirthankara, Seth Bhandasar Jain Temple, and Rao Lunkaran
Schöpfer:: Temples of India Project Team
Mitwirkender:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Bikaner
Datum hochgeladen:: 31-05-2024
Datum geändert:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

694. Ruined Platform to the south of Bhandasar Temple

Beschreibung:: A ruined platform stands south of the main Bhandasar Temple, in front of the Adinatha Temple. The south-facing side of the platform has a staircase. The purpose of this platform is not known.
Stichwort:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Bada Bazaar
Schöpfer:: Temples of India Project Team
Mitwirkender:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Bikaner
Datum hochgeladen:: 31-05-2024
Datum geändert:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

695. Architecture of the Rangamandapa of the Ghateshwar Temple

Beschreibung:: The Ghateshwar Temple has a rangamandapa (open type of pillared hall used for ceremonial rituals) on the eastern end of the east-west axis, which is larger than the mukhamandapa (front porch). The rangamandapa also known as Shringara Chaori has low base mouldings on which large number of pillars stands, supporting the phamsana shikhara (pyramidal superstructure).
Stichwort:: Baroli, Vishnu, Ghateshwar Temple, Mahishasuramardini Temple, Sadashiva Temple, Pratihara, Chittorgarh, Archaeological Survey of India (ASI), Ganesha, Shiva, Nagara temple architecture, Rawatbhata, Rajasthan, Vamana Temple, Jodhpur Circle, Architecture, Temples of India, 10th - 11th Century CE, and Temple
Schöpfer:: Temples of India Project Team
Mitwirkender:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Chittorgarh
Datum hochgeladen:: 30-05-2024
Datum geändert:: 30-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

696. Shikhara (superstructure) of the Garbhagriha

Beschreibung:: The shikhara (superstructure) of the garbhagriha (sanctum sanctorum) is made in the latina (vertical mono-spire) style. The bhadra (central offset) and pratibhadra (offset flanking bhadra) of the shikhara are profusely carved with chaitya (dormer windows) arches and the karna (corner offset) is decorated with chaitya arches and amalakas (crowning member of the latina shikhara shaped like a myrobalan fruit).
Stichwort:: Ganesha, Rajasthan, Baroli, Temples of India, Rawatbhata, Mahishasuramardini Temple, Ghateshwar Temple, Pratihara, Shiva, Sadashiva Temple, Vishnu, Nagara temple architecture, Chittorgarh, Archaeological Survey of India (ASI), Jodhpur Circle, Vamana Temple, 10th - 11th Century CE, Temple, and Architecture
Schöpfer:: Temples of India Project Team
Mitwirkender:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Chittorgarh
Datum hochgeladen:: 30-05-2024
Datum geändert:: 30-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

697. Decorative motifs and depictions of Gods with their consorts

Beschreibung:: The ceiling of the mukhamandapa (front porch) is square in shape and intricately carved with floral motifs and figures of gods accompanied by their consorts. The corners of the ceiling are decorated with half-lotus medallions. The inner square repeats the same pattern and the innermost square depicts lobbed arched four-petal flowers at the centre and on each side. Notably, the corners of the innermost square feature depictions of Ganesha, Brahma, Vishnu, and another deity with their consorts, flanked by female attendants.
Stichwort:: Baroli, Jodhpur Circle, Ghateshwar Temple, Mahishasuramardini Temple, Sadashiva Temple, Architecture, Chittorgarh, Temples of India, Ganesha, Shiva, Nagara temple architecture, Rawatbhata, Rajasthan, Temple, Vishnu, Pratihara, Archaeological Survey of India (ASI), Vamana Temple, and 10th - 11th Century CE
Schöpfer:: Temples of India Project Team
Mitwirkender:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Chittorgarh
Datum hochgeladen:: 30-05-2024
Datum geändert:: 30-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

698. Shiva in the form of Andhakasurvadha

Beschreibung:: One of the most beautiful and eye-catching sculptures of this temple is situated on the southern wall of the garbhagriha (sanctum sanctorum) in the bhadra (central offset). It depicts Shiva in the form of Andhakasurvadha, holding various attributes in his multiple arms. He is carrying a broken weapon which could be a trishula (trident) and is depicted holding the head and skin of a gajasura (a demon in disguise of an elephant). There are three small figures at the bottom of the panel out of which one is Chamunda, on his left, shown drinking from the bowl.
Stichwort:: Baroli, Vishnu, Ghateshwar Temple, Mahishasuramardini Temple, Sadashiva Temple, Pratihara, Chittorgarh, Temples of India, Ganesha, Shiva, Nagara temple architecture, Rawatbhata, Rajasthan, Temple, Jodhpur Circle, Architecture, Archaeological Survey of India (ASI), Vamana Temple, and 10th - 11th Century CE
Schöpfer:: Temples of India Project Team
Mitwirkender:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Chittorgarh
Datum hochgeladen:: 30-05-2024
Datum geändert:: 30-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

699. Goddess Ganga and a Dvarapala on the Garbhagriha doorjamb

Beschreibung:: The bottom of the garbhagriha (sanctum sanctorum) door frame is decorated with the figures of the river Goddess and dvarapalas (door guardians). On the proper right side of the doorframe, the river Goddess Ganga is represented. The Goddess is shown standing on a pedestal with her vahana (mount), a makara (crocodile), depicted behind the pedestal. She is heavily bejewelled and has a canopy of inverted flowers. Next to her stands a four-armed dvarapala, with all arms broken. He has a beard and his jatas (matted hair) are neatly arranged in layers, and his two attendants are depicted alongside him. At the bottom, a niche is carved which is installed with the figure of Ganesha.
Stichwort:: Ganesha, Rajasthan, 10th - 11th Century CE, Temples of India, Rawatbhata, Mahishasuramardini Temple, Ghateshwar Temple, Pratihara, Shiva, Sadashiva Temple, Vishnu, Nagara temple architecture, Chittorgarh, Archaeological Survey of India (ASI), Jodhpur Circle, Vamana Temple, Baroli, Temple, and Architecture
Schöpfer:: Temples of India Project Team
Mitwirkender:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Chittorgarh
Datum hochgeladen:: 30-05-2024
Datum geändert:: 30-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

700. Depiction of a four-armed Goddess seated on a lotus seat

Beschreibung:: The sukanasa (antefix above the roof of the kapila) is placed above the antarala (vestibule or antechamber) which serves as the frontal pediment of the garbhagriha’s (sanctum sanctorum) shikhara (superstructure). The southern side of the sukanasa is carved with a distinct scene depicting a miniature balcony where three beautiful women are shown talking to each other. Above the balcony, an udgama (pediment of interconnected chaitya dormers) is placed, depicting a four-armed Goddess seated on a lotus seat, flanked by two attendants.
Stichwort:: Ganesha, Rajasthan, 10th - 11th Century CE, Temples of India, Temple, Mahishasuramardini Temple, Ghateshwar Temple, Pratihara, Architecture, Sadashiva Temple, Vishnu, Nagara temple architecture, Chittorgarh, Archaeological Survey of India (ASI), Jodhpur Circle, Vamana Temple, Baroli, Rawatbhata, and Shiva
Schöpfer:: Temples of India Project Team
Mitwirkender:: Dr Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Herausgeber:: Jio Institute
Ort:: Chittorgarh
Datum hochgeladen:: 30-05-2024
Datum geändert:: 30-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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691. Inscription on the Entrance Gate

692. Entrance gateway of the Bhandasar Temple

693. Enclosure wall of the Bhandasar Temple Complex

694. Ruined Platform to the south of Bhandasar Temple

695. Architecture of the Rangamandapa of the Ghateshwar Temple

696. Shikhara (superstructure) of the Garbhagriha

697. Decorative motifs and depictions of Gods with their consorts

698. Shiva in the form of Andhakasurvadha

699. Goddess Ganga and a Dvarapala on the Garbhagriha doorjamb

700. Depiction of a four-armed Goddess seated on a lotus seat

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691. Inscription on the Entrance Gate

692. Entrance gateway of the Bhandasar Temple

693. Enclosure wall of the Bhandasar Temple Complex

694. Ruined Platform to the south of Bhandasar Temple

695. Architecture of the Rangamandapa of the Ghateshwar Temple

696. Shikhara (superstructure) of the Garbhagriha

697. Decorative motifs and depictions of Gods with their consorts

698. Shiva in the form of Andhakasurvadha

699. Goddess Ganga and a Dvarapala on the Garbhagriha doorjamb

700. Depiction of a four-armed Goddess seated on a lotus seat

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