Index Catalog // Jio Institute Repository

1. Depiction of the episode where Jinadatta Suri saved the life of an unwell child

Descrizione:: The fifth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode where Jinadatta Suri saved the life of an unwell child brought to him by two women. The episode takes place outside a haveli, probably near the place where the acharya (those who impart knowledge) is meditating. The acharya is shown blessing the child by placing his palm on the child’s head. The inscription reads, ‘Shri Jinadatta Suriji balak jivayo.’
Parola chiave:: Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Jain, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Temple
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 24-07-2024
Data modificata:: 24-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

2. Depiction of the meeting between Jain Acharya

Descrizione:: The first oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the depiction of the meeting between Jain acharya (those who impart knowledge) Shri Jinachadra Suri and the Mughal Emperor Akbar. He was invited to the Mughal court through Akbar’s court official Karamchand Bacchawat, who was from Bikaner. The painting has havelis (mansions) in the background, and the two leaders greet each other at the forefront. It is also said that Karamchand went to receive Jinachandra Suri on the outskirts of the city. The inscription reads, ‘Shri Jinadatta Suriji Akbar Badshah.’
Parola chiave:: Bada Bazaar, 16th century CE, Rao Lunkaran, Raos of Bikaner, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Shekhari Style of Temple Architecture
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 24-07-2024
Data modificata:: 24-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

3. Bhandasar Jain Temple_Floor Plan

Descrizione:: Ground plan of Seth Bhandasar Jain Temple, Bikaner district Rajasthan.
Parola chiave:: Jain, Rathore Dynasty, Rao Lunkaran, Archaeological Survey of India (ASI), Temple, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, Architecture, Tirthankara, Raos of Bikaner, Rajasthan, Bhanda Shah ka Jain Mandir, and 16th century CE
Creatore:: Temples of India Project Team
Collaboratore:: Ar Deepak Gahlowt and his team
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 22-07-2024
Data modificata:: 22-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

4. Bhandasar_Jain_Temple_Floor_Plan_BnW.png

Parola chiave:: Bada Bazaar, 16th century CE, Rao Lunkaran, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Archaeological Survey of India (ASI), Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Raos of Bikaner
Creatore:: Temples of India Project Team
Collaboratore:: Ar Deepak Gahlowt and his team
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 22-07-2024
Data modificata:: 22-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

5. Shikhara (superstructure) of the Adinatha Temple

Descrizione:: The Shikhara (superstructure) of the Adinatha Temple is built in the Nagara style, albeit an abbreviated one. The mulshringa of the shikhara has a pratyangas or prati shikharas emanating from it. These are complemented by miniature shikharas at the base of the main shikhara. The shikhara is painted in white and the ornamentation details are defined with gold paint. The base of the cardinal faces of the shikhara has deep empty niches, similar to the shikhara of the Bhandasar Temple.
Parola chiave:: Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 02-06-2024
Data modificata:: 02-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

6. Depiction of a sleeping couple with a snake near the leg of the man

Descrizione:: The ninth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is difficult to decipher. It appears to depict a sleeping couple, with a snake near the leg of the man. Outside the haveli (mansion) which houses this couple, there is an armed figure that looks like a soldier or guard in uniform.
Parola chiave:: Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 02-06-2024
Data modificata:: 02-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

7. Depiction of the story of Chandakaushika Nag and Mahavir

Descrizione:: The painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) likely depicts the story of Chandakaushika Nag and Mahavir. According to the tale, as Mahavir travelled through a forest, a snake named Chandak blocked his path. However, Mahavir instead of being scared of him stood at the place firmly. Chandak bit the Tirthankara, yet the latter remained calm, intending no harm to the snake. This story intends to teach everyone the importance of controlling anger and cultivating compassion. Mahavir has a divine halo behind his head, painted in golden colour. A temple dedicated to the snake is shown at the background of the painting. The inscription from this painting is not entirely legible, but it certainly includes the name of Mahavir Swami.
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, Architecture, and Jain
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

8. Another story about the miracle of Jinadatta Suri

Descrizione:: The fourteenth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is another story about the miracle of Jinadatta Suri. Once, somewhere in Gujarat, with the evil intent of troubling the Jains, some people placed a cow in front of the Jain Temple. Jinadatta Suri, using his powers, placed the cow in front of the Shiva Temple. Interestingly, the Hindu temple, with a Shiva linga inside, is shown with a domical spire, while the Jain Temple is shown with a Tirthankara enshrined in it, featuring a multi-spired roof. The painting includes two cows, one sitting in front of the Jain Temple, and the other standing in front of Jinadatta Suri. Jinadatta presumably also restored life to the cows. A disciple accompanies him. The inscription reads, ‘Shri Jinadatta Suri ji Gavu ji la hi.’
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, 16th century CE, and Jain
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

9. Episode depicting the Acharya’s miraculous powers in saving lives

Descrizione:: The sixth oval painting (in clockwise order) is in the lower/outer circle in the ceiling of the mandapa (pillared hall) of the Bhandasar Temple. Here is another episode depicting the acharya’s (those who impart knowledge) miraculous powers in saving lives. Two disciples are shown seeking help from the acharya, who is then depicted granting them the necessary assistance. The inscription reads, ‘Shri Jinadatta Suriji anas ro ji vayo.’
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Jain, 16th century CE, and Shekhari Style of Temple Architecture
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

10. Stringent fasting conditions of Mahavir Swami

Descrizione:: The story of the painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) revolves around Mahavir Swami&#39;s stringent fasting conditions, which required specific circumstances for accepting food. Chandanbala, formerly known as Princess Vasumati, fulfilled these conditions despite enduring hardships as a slave after being separated from her royal family. The haveli (mansion) in which the princess is depicted sitting reflects significant European architectural influence. Mistreated by a merchant’s wife, Chandanbala’s compassionate nature led her to offer lentils to Mahavir Swami, breaking his prolonged fast. This act of devotion resulted in her liberation from chains and being adorned with celestial riches. Recognized as Princess Vasumati, she was warmly received back into royalty by King Shaitanik and Queen Mrugavati, eventually receiving spiritual initiation from Mahavir Swami. The inscription reads, ‘Chandanbal Mahavir Shwami.’
Parola chiave:: Raos of Bikaner, Jain, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Bada Bazaar
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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1. Depiction of the episode where Jinadatta Suri saved the life of an unwell child

2. Depiction of the meeting between Jain Acharya

3. Bhandasar Jain Temple_Floor Plan

4. Bhandasar_Jain_Temple_Floor_Plan_BnW.png

5. Shikhara (superstructure) of the Adinatha Temple

6. Depiction of a sleeping couple with a snake near the leg of the man

7. Depiction of the story of Chandakaushika Nag and Mahavir

8. Another story about the miracle of Jinadatta Suri

9. Episode depicting the Acharya’s miraculous powers in saving lives

10. Stringent fasting conditions of Mahavir Swami

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1. Depiction of the episode where Jinadatta Suri saved the life of an unwell child

2. Depiction of the meeting between Jain Acharya

3. Bhandasar Jain Temple_Floor Plan

4. Bhandasar_Jain_Temple_Floor_Plan_BnW.png

5. Shikhara (superstructure) of the Adinatha Temple

6. Depiction of a sleeping couple with a snake near the leg of the man

7. Depiction of the story of Chandakaushika Nag and Mahavir

8. Another story about the miracle of Jinadatta Suri

9. Episode depicting the Acharya’s miraculous powers in saving lives

10. Stringent fasting conditions of Mahavir Swami

Affina la ricerca