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- Descrição:
- Seen here is the principal east-facing entrance to the garbhagriha (sanctum sanctorum) of the Bhandasar Temple. The original fabric of this entrance has been enveloped in golden embossing. The pilasters, doorway, and dvarashakha (architrave) are adorned with golden meenakari (enamel) work. Intricate details of the floral motifs cover the entire surface of the entrance. The wooden doorway has attendants painting on it.
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- This is the mandapa (pillared hall) of the Adinatha Temple, which has a quadrangle at the centre surrounded by rectangular archways on its northern and southern sides. To the west, the mandapa is connected to the garbhagriha (sanctum sanctorum) via an antarala (antechamber). The tripartite division of the arches is the same on all sides. The arches are supported by piers on the corners of the row. The base colour of the interiors of the mandapa is white, on which it has beautiful paintings done using multiple colours.
- Palavra-chave:
- Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The entrance porch of the Adinatha or Rishabhnatha Temple, which is a subsidiary shrine in the Bhandasar Temple Complex. The porch has a small dome roof that rests on four pillars. Ornamented with niches, floral motifs and geometric designs, the porch is painted red. The merlons on the exterior wall of this temple are similar to the merlons on the enclosure wall of the temple complex. The building of this porch follows the Rajput style of architecture.
- Palavra-chave:
- Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Details of the garbhagriha (sanctum sanctorum) entrance of the Bhandasar Temple. The beam, pilasters and brackets are covered with meenakari (enamel) gold work. The walls flanking the entrance opening have the same floral paintings found on the walls and ceiling of the temple.
- Palavra-chave:
- Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- This is a painting panel on the beams of the mandapa (pillared hall) of the Bhandasar Temple. It is a set of five paintings drawn with the purpose of telling people that what are the wrongdoings that should be avoided. In every painting, a demonic figure is shown punishing the person who has violated moral laws. The five paintings have inscriptions of the acts that Jainism condemns. These are, ‘Kamchesta ka phal, Manushya ko maarne ka phal, chor ko saahaj dene ka phal, Biswas ghat ka phal’ (punishments for indulging in wrong sexual activities, killing a human being, supporting a thief and betrayal).
- Palavra-chave:
- Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Rao Lunkaran
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The doorways/long windows punctuating the walls of the mandapa (pillared hall) in the Bhandasar Temple are seen here. The wooden doors have paintings of musicians. The arch above the doorway has paintings of Tirthankara Rishabnath’s life. A band above the arch depicts stories about forbidden things in Jain traditions.
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Closer view of the elevation of the garbhagriha (sanctum sanctorum) of the Bhandasar Temple. The two projections visible in the picture, show few basal mouldings of the plinth are covered in the later added flooring. From the remaining portions, from bottom to top, the mouldings are kumbha (pot), kalasha (a pitcher) and kapotali (cyma recta) of the vedibandha (basal mouldings). This is followed by the jangha (wall) that further connects to the cornice of the temple.
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The aisles of the mandapa (pillared hall) of the Bhandasar Temple have a curved arch ceiling with bands of floral motifs on the corner, and the rectangular portion is filled with blue cloud-like designs. In contrast to the multicoloured dome at the centre of the mandapa, this blue rectangular ceiling stands out.
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The northern side of the mandapa (pillared hall) of the Bhandasar Temple has two lateral transepts instead of the doorways on the south side. One of these is used as the priest’s room. Another one has a miniature shrine added to it. Since the Bhandasar Temple has been renovated several times, the interior spaces have undergone significant changes. Upto the level of the antarala (antechamber), the temple portions are of the earlier period, however, the mandapa (pillared hall) has undergone timely reconstructions. The intermediate projection of the temple has icons of celestial damsels and the corner projections have ashtadikpalas (eight cardinal deities).
- Palavra-chave:
- Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Bada Bazaar
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The south side elevation of the exterior walls of the Bhandasar Temple and the side shrine from the temple complex. A high plinth supports the exterior walls of the temple. The plinth details of slender fluted pilasters on the corner are characteristic of Mughal period architecture.
- Palavra-chave:
- Raos of Bikaner, Shekhari Style of Temple Architecture, Bikaner, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Tirthankara, Seth Bhandasar Jain Temple, and Rao Lunkaran
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image