A four-armed female deity holding a mace, conch, flower, and chakra is seen standing in the samabhanga pose. She is venerated in the sanctum for daily worship.
The male deity, depicted with a lion's face, is four-armed. He holds a disk in his upper left hand and makes an abhaya mudra (hand gesture of assurance and protection) with his upper right hand. The lower hands are engaged in tearing apart the demon on the deity's flexed knee.
The adhisthana has depictions of various Hindu gods and goddesses framed within elaborately carved panels. This panel depicts lord Vishnu seated on his mount Garuda. Lord Vishnu is depicted as chaturbahu (with four hands). In his rear right hand, he is carrying the gada (mace), named Kaumodaki, and in his rear left hand, the chakra (discus) named Sudarshana, while the front two hands are broken. A pair of vidhyadharas (knowledge bearers) are seen flying on the top corners, showering floral garlands. Two male attendants (seated) and two female attendants (standing) flank Vishnu on either side. The faces, feet, and hands of the figures are broken and their attributes are not clear.
Broken image of a two-armed male deity with three heads and faces. The central principal head wears a kakapaksha (hairstyle with two side locks with a clearly visible middle section), while the others have small mukutas. He is adorned in a vanamala. Vahana peacock is shown near the right leg. The halo is of lotus petals surrounded by pearls.
A female attendant stands with her legs crossed. Her left hand is on her waist, while her right holds a fly-whisk. She has an elaborate hairstyle. The girdle that surrounds her waist has a hanging detail. It is linked through with a fine chain, with a leaf-like ornament dangling from it. This ornament, known as the lalantika, is recognized as an iconographic feature at the Harshatmata Temple. The girdle that surrounds her waist has a hanging detail. It is linked through with a fine chain, with a leaf-like ornament dangling from it. This ornament called the lalantika, is recognized as an iconographic feature at the Harshatmata Temple.
The adhisthana has depictions of various Hindu gods and goddesses framed within elaborately carved panels. This panel has an apsara (celestial nymph) or surasundari (young girl as a symbol of graceful beauty) framed between two pillars decorated with yalis and other mythical creatures. The female figure may be an apsara (celestial nymph) or surasundari (young girl as a symbol of graceful beauty) standing in the tribhanga pose (triple-bend). She holds a darpana (mirror) in her left hand and the free end of a dupatta-like garment wrapped around her arms, back, and shoulder in her right hand. While the face is badly damaged, the headgear and hoop earrings are still discernible. Among the various ornaments she is wearing, is a pendant hanging till the navel and two leaf-shaped pendants hanging from chains attached to the katibandha (decorative belt) around her waist.