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  • 1. Krishna Rukmini Vivaha - banner - part10

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Krishna, Scriptures, and Bhagavata
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 2. Krishna Rukmini Vivaha - banner - part 11

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Krishna, Scriptures, and Bhagavata
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 3. Krishna-RukminiVivaha-banner-part01

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Bhagavata, Krishna, and Scriptures
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 4. Krishna-RukminiVivaha-banner-part03

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Bhagavata, Krishna, and Scriptures
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 5. Krishna-RukminiVivaha-banner-part02

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Bhagavata, Krishna, and Scriptures
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 6. Krishna-RukminiVivaha-banner-part05

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Bhagavata, Krishna, and Scriptures
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 7. Krishna-RukminiVivaha-banner-part04

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Bhagavata, Krishna, and Scriptures
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 8. Krishna-RukminiVivaha-banner-part07

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Bhagavata, Krishna, and Scriptures
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 9. Krishna-RukminiVivaha-banner-part06

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Date: ca. 1800 According to the MET museum website, this banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Bhagavata, Krishna, and Scriptures
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image

  • 10. Krishna-RukminiVivaha-banner-part09

    Descrizione:
    Image Courtesy:  https://www.metmuseum.org/ Below description from :  https://www.metmuseum.org/ This banner was likely used in an annual festival commemorating Krishna’s marriage to his first wife, Rukmini, that is still celebrated today in parts of the Himalayan foothills. As the work was shown only periodically, the colors remain vivid. The brilliant hues were produced from vegetable dyes: red derived from cochineal and lac insects, blue and green from indigo plants, and orange from safflower. In contrast, the silk threads, which were bleached white or etched with mordant to enable black coloring to bond to the fibers, have disintegrated, making it possible to see the underdrawing. Painted in henna with details created in carbon black, the preparatory sketch served as the guide for the final embroidery. This technique is similar to that used to make preliminary sketches for paintings, which are also produced in red and black.
    Parola chiave:
    Bhagavata, Krishna, and Scriptures
    Creatore:
    MetMuseum
    Collaboratore:
    Vanishree Mahesh
    Owner:
    support@notch8.com
    Data caricata:
    16-02-2022
    Data modificata:
    16-02-2022
    Rights Statement Tesim:
    No Known Copyright
    Resource Type:
    Image