Index Catalog // Jio Institute Repository

1. Killing of Kabandha - Dated between circa 1916 and circa 1924

Descripción:: Image courtesy: https://commons.wikimedia.org/wiki/File:Killing_of_Kabandha.jpg
Palabra clave:: Epic, Scripture, Hindu, Ramayana, and Kabandha
Creador:: Wiki commons
Contribuidor:: Vanishree Mahesh
Owner:: vanishree.mahesh@jioinstitute.edu.in
Fecha de Subida:: 05-07-2022
Fecha Modificada:: 05-07-2022
Rights Statement Tesim:: No Known Copyright

2. Rama and Sita in Panchavati - 074

Descripción:: Image courtesy : Saurabh Saxena - https://puratattva.in/
Palabra clave:: Aralaguppe, Hoysala, epics, Scriptures, and Ramayana
Creador:: Saurabh Saxena
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 17-03-2022
Fecha Modificada:: 20-06-2022
Rights Statement Tesim:: In Copyright

3. Rama, Sita, and Lakshmana in Panchavati

Descripción:: Raja Ravi Varma, Public domain, via Wikimedia Commons [ https://commons.wikimedia.org/wiki/File:Rama_and_Sita_in_Panchavati.jpg ]
Palabra clave:: Ramayana and scriptures
Creador:: Raja Ravi Varma
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 02-03-2022
Fecha Modificada:: 02-03-2022
Rights Statement Tesim:: No Known Copyright
Resource Type:: Image

4. Shurpanakha disfigured by Lakshmana

Descripción:: Ravi -Vaibhav press Ghatkopur, Public domain, via Wikimedia Commons [ https://commons.wikimedia.org/wiki/File:Bazaar_art_print_from_the_Ravi_Varma_Press,_1920%27s_-_Surphanaka_Nose_cut_off.jpg ]
Palabra clave:: Ramayana and scriptures
Creador:: Raja Ravi Varma
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 02-03-2022
Fecha Modificada:: 02-03-2022
Rights Statement Tesim:: No Known Copyright

5. Back to the beginning scene of the fight between Rama and the demon army

Descripción:: Drawn from the third book (“Aranya Kanda”) of the Ramayana, the elaborate narrative on this vessel depicts key scenes in the Dandaka forest. Created by the Bombay School of Art in an effort to preserve Indian craft, the object features many embellishing motifs drawn from the Buddhist murals of Ajanta. These features include the lotus and pearl band running around the shoulder and the monster faces (kirtimukha), set between the addorsed elephant heads, that spit out a garland of jewels. Although the vase is grounded in the Indian tradition, British neoclassical taste clearly underlies its shape and some of its geometric motifs. Given the scale and inscribed multiscene narrative, this vase may have been produced for the London Colonial and Indian Exhibition of 1886.
Palabra clave:: Scriptures and Ramayana
Creador:: MetMuseum
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 02-03-2022
Fecha Modificada:: 02-03-2022
Rights Statement Tesim:: No Copyright - United States
Resource Type:: Image

6. Translation of the inscribed text

Descripción:: Drawn from the third book (“Aranya Kanda”) of the Ramayana, the elaborate narrative on this vessel depicts key scenes in the Dandaka forest. Created by the Bombay School of Art in an effort to preserve Indian craft, the object features many embellishing motifs drawn from the Buddhist murals of Ajanta. These features include the lotus and pearl band running around the shoulder and the monster faces (kirtimukha), set between the addorsed elephant heads, that spit out a garland of jewels. Although the vase is grounded in the Indian tradition, British neoclassical taste clearly underlies its shape and some of its geometric motifs. Given the scale and inscribed multiscene narrative, this vase may have been produced for the London Colonial and Indian Exhibition of 1886.
Palabra clave:: Scriptures and Ramayana
Creador:: MetMuseum
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 02-03-2022
Fecha Modificada:: 02-03-2022
Rights Statement Tesim:: No Copyright - United States
Resource Type:: Image

7. Rama talking to Jatayu - another view - some of the elements in the painting are named by the artist

Descripción:: Drawn from the third book (“Aranya Kanda”) of the Ramayana, the elaborate narrative on this vessel depicts key scenes in the Dandaka forest. Created by the Bombay School of Art in an effort to preserve Indian craft, the object features many embellishing motifs drawn from the Buddhist murals of Ajanta. These features include the lotus and pearl band running around the shoulder and the monster faces (kirtimukha), set between the addorsed elephant heads, that spit out a garland of jewels. Although the vase is grounded in the Indian tradition, British neoclassical taste clearly underlies its shape and some of its geometric motifs. Given the scale and inscribed multiscene narrative, this vase may have been produced for the London Colonial and Indian Exhibition of 1886.
Palabra clave:: Scriptures and Ramayana
Creador:: MetMuseum
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 02-03-2022
Fecha Modificada:: 02-03-2022
Rights Statement Tesim:: No Copyright - United States
Resource Type:: Image

8. Top frame of the painting - Rama following maya mriga - the magical deer - closeup

Descripción:: Drawn from the third book (“Aranya Kanda”) of the Ramayana, the elaborate narrative on this vessel depicts key scenes in the Dandaka forest. Created by the Bombay School of Art in an effort to preserve Indian craft, the object features many embellishing motifs drawn from the Buddhist murals of Ajanta. These features include the lotus and pearl band running around the shoulder and the monster faces (kirtimukha), set between the addorsed elephant heads, that spit out a garland of jewels. Although the vase is grounded in the Indian tradition, British neoclassical taste clearly underlies its shape and some of its geometric motifs. Given the scale and inscribed multiscene narrative, this vase may have been produced for the London Colonial and Indian Exhibition of 1886.
Palabra clave:: Scriptures and Ramayana
Creador:: MetMuseum
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 02-03-2022
Fecha Modificada:: 02-03-2022
Rights Statement Tesim:: No Copyright - United States
Resource Type:: Image

9. Top frame of the painting - Rama following maya mriga - the magical deer

Descripción:: Drawn from the third book (“Aranya Kanda”) of the Ramayana, the elaborate narrative on this vessel depicts key scenes in the Dandaka forest. Created by the Bombay School of Art in an effort to preserve Indian craft, the object features many embellishing motifs drawn from the Buddhist murals of Ajanta. These features include the lotus and pearl band running around the shoulder and the monster faces (kirtimukha), set between the addorsed elephant heads, that spit out a garland of jewels. Although the vase is grounded in the Indian tradition, British neoclassical taste clearly underlies its shape and some of its geometric motifs. Given the scale and inscribed multiscene narrative, this vase may have been produced for the London Colonial and Indian Exhibition of 1886.
Palabra clave:: Scriptures and Ramayana
Creador:: MetMuseum
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 02-03-2022
Fecha Modificada:: 02-03-2022
Rights Statement Tesim:: No Copyright - United States
Resource Type:: Image

10. Sita giving alms to Ravana disguised as a mendicant

Descripción:: Drawn from the third book (“Aranya Kanda”) of the Ramayana, the elaborate narrative on this vessel depicts key scenes in the Dandaka forest. Created by the Bombay School of Art in an effort to preserve Indian craft, the object features many embellishing motifs drawn from the Buddhist murals of Ajanta. These features include the lotus and pearl band running around the shoulder and the monster faces (kirtimukha), set between the addorsed elephant heads, that spit out a garland of jewels. Although the vase is grounded in the Indian tradition, British neoclassical taste clearly underlies its shape and some of its geometric motifs. Given the scale and inscribed multiscene narrative, this vase may have been produced for the London Colonial and Indian Exhibition of 1886.
Palabra clave:: Scriptures and Ramayana
Creador:: MetMuseum
Contribuidor:: Vanishree Mahesh
Owner:: support@notch8.com
Fecha de Subida:: 02-03-2022
Fecha Modificada:: 02-03-2022
Rights Statement Tesim:: No Copyright - United States
Resource Type:: Image

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1. Killing of Kabandha - Dated between circa 1916 and circa 1924

2. Rama and Sita in Panchavati - 074

3. Rama, Sita, and Lakshmana in Panchavati

4. Shurpanakha disfigured by Lakshmana

5. Back to the beginning scene of the fight between Rama and the demon army

6. Translation of the inscribed text

7. Rama talking to Jatayu - another view - some of the elements in the painting are named by the artist

8. Top frame of the painting - Rama following maya mriga - the magical deer - closeup

9. Top frame of the painting - Rama following maya mriga - the magical deer

10. Sita giving alms to Ravana disguised as a mendicant

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1. Killing of Kabandha - Dated between circa 1916 and circa 1924

2. Rama and Sita in Panchavati - 074

3. Rama, Sita, and Lakshmana in Panchavati

4. Shurpanakha disfigured by Lakshmana

5. Back to the beginning scene of the fight between Rama and the demon army

6. Translation of the inscribed text

7. Rama talking to Jatayu - another view - some of the elements in the painting are named by the artist

8. Top frame of the painting - Rama following maya mriga - the magical deer - closeup

9. Top frame of the painting - Rama following maya mriga - the magical deer

10. Sita giving alms to Ravana disguised as a mendicant

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