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Srija Sahay
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- Descripción:
- Couples invoking shringara rasa (associated with romance, love and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. The face of the female figure is missing and the face of the male figure is defaced. They are wearing heavy jewellery, elaborate headgear, and garments, indicating they are a royal couple. The central male figure and female figures are enjoying a musical concert in a grove. They are seated on raised circular seats, and the male is seated in the lalitasana pose. The female figure is leaning towards the male and playing a stringed musical instrument (likely a veena). They are surrounded by four smaller figures. A male soldier is holding a sword and shield (on the left). One musician is playing the flute (bottom), sitting between the seats. A small female attendant (top right) is whispering in the ear of the central female. Mangoes are hanging from the tree branches.
- Palabra clave:
- Gurjara-Pratihara, Rajasthan, Shakhambari Chahamanas, Abhaneri, Temple, Architecture, and Harshatmata
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple or if they came from multiple structures. Instead of the traditional shikhara, the temple was reconstructed with domes by the Archaeology Department of the erstwhile Jaipur State in the 1940s. The jagati has two projected niches on the south and north sides and a single projected niche on the west side. The dome pedestal and the domes on top of the mandapa (pillared hall) and the garbhagriha (sanctum) are made of concrete instead of stone, which is used in the rest of the temple structure. The open space surrounding the jagati is the pradakshina path (circumambulation path) on the adhisthana.
- Palabra clave:
- Gurjara-Pratihara, Rajasthan, Shakhambari Chahamanas, Abhaneri, Temple, Architecture, and Harshatmata
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- Couples invoking shringara rasa (associated with romance, love, and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. Unlike in other parts of the temple, the faces of the couples are not damaged and they are wearing heavy jewellery, elaborate headgear, and garments, indicating they belong to royalty. A couple in the lalitasana posture, sitting next to each other on separate raised circular seats. The central male figure is holding a flower in his right hand and his left hand is placed on his left leg. The central female figure is carrying a round fruit (or sweet) in her left hand and holding the man’s left hand with her right hand, showing affection. Two attendants are flanking the couple on either side. Flowering trees are drooping in the backdrop.
- Palabra clave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- Couples invoking shringara rasa (associated with romance, love and attractiveness between lovers) are framed in panels with pillars and shikhara with gavaksha (horseshoe) motifs. They sport elaborate coiffure and wear jewellery, indicating they are royalty. The panel is richly detailed, featuring nine figures. The central male figure is seated on a raised throne in the lalitasana pose with the central female figure seated in the padmasana pose. The man is facing the woman and caressing her chin with his left hand and holding a flower in his right hand. The female has her right hand placed over the man’s right shoulder, while her left-hand rests upon the head of a female attendant seated on the ground. The man is resting his right foot on a lotus next to a musician playing the flute (bottom left). Three more attendants appear on the left, with the largest one holding a fan. On the right side, a female attendant (top right) is holding a fly whisk while another, the larger figure, stands in the tribhanga pose, playing a musical instrument.
- Palabra clave:
- Gurjara-Pratihara, Rajasthan, Shakhambari Chahamanas, Abhaneri, Temple, Architecture, and Harshatmata
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- Couples invoking shringara rasa (associated with romance, love and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. The face of the female figure is missing and the face of the male figure is defaced. They are wearing heavy jewellery, elaborate headgear, and garments, indicating they are a royal couple. The central male figure and female figures are enjoying a musical concert in a grove. They are seated on raised circular seats, and the male is seated in the lalitasana pose. The female figure is leaning towards the male and playing a stringed musical instrument (likely a veena). They are surrounded by four smaller figures. A male soldier is holding a sword and shield (on the left). One musician is playing the flute (bottom), sitting between the seats. A small female attendant (top right) is whispering in the ear of the central female. Mangoes are hanging from the tree branches.
- Palabra clave:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- A small shrine, possibly a newer construction, is placed off-centred to the right facing the garbhagriha. Further steps lead to the third level, on a projected platform. The upper part made of concrete is a later addition. The structure has arched openings on the west, east, and north sides with a rectangular entrance inside an arched niche (seen here) on the south side. Instead of the traditional shikhara, the temple was reconstructed with a concrete dome by the Archaeology Department of the erstwhile Jaipur State in the 1940s.
- Palabra clave:
- Gurjara-Pratihara, Rajasthan, Shakhambari Chahamanas, Abhaneri, Temple, Architecture, and Harshatmata
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. The space in front of the garbhagriha (sanctum sanctorum) is the maha mandapa which is used as a congregation space and for conducting rituals. A pradakshina (circumambulation path) goes around the garbhagriha and the mahamadapa. Instead of the traditional shikhara, the temple was reconstructed with a dome by the Archaeology Department of the erstwhile Jaipur State in the 1940s.
- Palabra clave:
- Gurjara-Pratihara, Rajasthan, Shakhambari Chahamanas, Abhaneri, Temple, Architecture, and Harshatmata
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- A small shrine, possibly a newer construction, is placed off-centred to the right facing the garbhagriha. Further steps lead to the third level, on a projected platform. The subsidiary shrine has arched openings on the west, (seen here) east and north sides with a rectangular entrance inside an arched niche on the south side. A Shiva lingam made in black stone is installed inside with a Nandi figure next to it. An earthen pot is installed on a tripod which drips water over the Shiva lingam.
- Palabra clave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- A small shrine, possibly a newer construction, is placed off-centred to the right facing the garbhagriha. Further steps lead to the third level, on a projected platform. Pieces from the temple have been repurposed in this shrine. The stone is broken and has three vertical sections. The section on the left has a purna kalasha (overflowing pot of prosperity) motif on the upper half and a makara (hybrid sea creature) inside a circular medallion at the bottom half. The mid-section has an intricate carving of kalpa vrisksha (tree of life) motif with figures of birds and kinnaras (hybrid human-bird creatures) camouflaged within the foliage. The section on the right has a purna kalasha motif on the top half and an eight-petal lotus blooming inside a circular medallion at the bottom half.
- Palabra clave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- Debris from the original temple was reassembled to form the adhisthana, the maha mandapa and the garbhagriha. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. The space in front of the garbhagriha (sanctum sanctorum) is the maha mandapa which is used as a congregation space and for conducting rituals. Instead of the traditional shikhara over the garbhagriha, the temple was reconstructed with concrete domes over the garbhagriha and the maha mandapa.
- Palabra clave:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Creador:
- Temples of India Project Team
- Contribuidor:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Abhaneri
- Fecha de Subida:
- 08-03-2024
- Fecha Modificada:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image