The four-armed Agni is depicted with a shruka (sacrificial ladle) and a pustaka (book) in his upper hands. His lower right-hand makes a varada hasta (boon-giving gesture), while his lower left hand holds a kamandalu (water pot). He is adorned with a jatamukuta (crown of matted hair), a moustache, and a long, intricately knotted beard, He is bejewelled and accompanied by his mount, the ram.
Indra, the God of heaven, is depicted with four arms. In his upper right hand, he holds a vajra (thunderbolt), and in his upper left hand, an ankusha (goad). His lower right-hand makes a varada hasta (boon-giving gesture) and holds a rosary, while his lower left hand carries a kamandalu (water pot). Crowned, Indra is accompanied by his mount, the elephant.
The figure installed in the bhadra (central offset) niche of the lateral wall of the garbhagriha (sanctum sanctorum) is particularly noteworthy. This unidentified deity is depicted as if it is moving through the air, with one leg raised backward. Although many of the deity’s multiple arms are broken, the intact hands display a shankha (conch shell) and a chakra (discus) in the front right and left hands, an unidentified object in the middle left hand, and a pushpa (flower) in the upper right hand.
The bhadra (central offset) on the rear wall of the garbhagriha (sanctum sanctorum) is installed with the figure of Brahma. Despite significant damage, the deity is depicted seated on a pedestal, with three faces and four arms. While his upper arms are broken, he holds a kamandalu (water pot) in his lower left hand and makes a varada hasta (boon-giving gesture) with his lower right hand. He is adorned with a jatamukuta (crown of matted hair), a moustache, and a beard.
The bhadraratha (central projection) features a seated Vishnu, intricately carved with four arms. Crowned, Vishnu holds a gada (mace) and a chakra (discus) in his upper hands. His lower right-hand holds an akshamala (rosary) while also making a varada hasta (boon-giving gesture). Although his lower left hand is broken, Vishnu is adorned with large circular earrings, a broad beaded necklace, a breast band, a girdle, bangles, and anklets.
Vayu (one of the deities of the cardinal directions) is depicted with four arms, each holding his respective attributes. Crowned, Vayu is accompanied by his vahana (mount), the antelope, positioned at his feet. In his upper hands, he holds a dhvaja (flag), while his lower left-hand grasps a kamandalu (water pot). His lower right-hand holds a rosary and also makes a varada hasta (boon-giving gesture).
Kubera, the God of wealth, is depicted as four-armed, accompanied by his vahana (mount), the elephant. Crowned and bejewelled, Kubera holds a money bag in his upper hand, a gada (mace) in his lower right hand and a kamandalu (water pot) in his lower left hand.
The Mahakal Temple mandapa (pillared hall) has a depiction of dikapalas (deities for cardinal directions). Kuber is one of them who is portrayed with four arms. He holds a money bag in his upper hand, a kamandalu (water pot) in his lower left hand, and a gada (mace) in his lower right hand. At the base of the niche, Kubera’s Mount Airavat is carved.
The details of the vedibandha (basal mouldings) of the southern garbhagriha (sanctum sanctorum) of the Mahakal Temple show that it consists of khura (hoof), kapotapalika (cyma recta), kumbha (pot), and kalasha (pitcher) mouldings. The stambhas (buttresses) filling the space between bhadras (central offset) of the jangha (wall) is also ornamented.
The mandapa (pillared hall) leads to the antarala (vestibule or antechamber), a shallow passage distinguished by pillars along its sides. From there, one proceeds to the garbhagriha (sanctum sanctorum) of the Undeshwar Temple, featuring a meticulously carved doorframe. This doorframe exhibits a multi-shakha (vertical band or architrave) design, with each shakha adorned with various floral patterns, naga (serpant) figures and stambha (buttress). At the lower part of the doorframe, there are four female figures, two of whom hold kalashas (pitchers) while the other two hold chauris (fly whisks). Following them are four-armed dvarapalas (door guardians), each depicted with their respective attributes. Lastly, there is a figure of Kubera holding a money bag. Above the lalatabimba (lintels) on the doorframe's entablature, Nataraja is positioned at the center, flanked by seated goddesses, with Brahma and Vishnu depicted at the ends.