The details of the garbhagriha (sanctum sanctorum) are seen here at the bottom of the entrance of the Vishnu Temple. Flanking the chandrashila (moonstone) at the garbhagriha entrance is a band that shows vyalas (composite mythical creatures) pouncing upon and biting elephants from behind and tearing them apart with their claws.
Kubera is depicted at the bottommost external shakha (vertical band) of the garbhagriha (sanctum sanctorum) entrance of the Vishnu Temple. He is depicted with two arms, standing, holding a bag of money, and there is a pot of nidhi (wealth) placed at the bottom. Kubera is also wearing a crown and jewellery.
Surasundari (celestial damsel) on the west wall of the garbhagriha (sanctum sanctorum) of Shiva Temple 1 is carved next to the main central niche. The surasundari stands with grace, her body exuding vitality as she grasps a flower stem in one hand and the edge of a scarf in the other.
The exterior walls of the garbhagriha (sanctum sanctorum) of the Kalika Devi Temple are plain and devoid of decoration or sculptures. The entrance of the antarala (vestibule or antechamber) of the temple has carved pillars, and a few loose sculptures are placed at the entrance.
The front view (east) of the Shiva Temple (Shiva Temple 2 in the Chandrabhaga temple complex), behind the Sitaleshwar Temple, shows the temple standing on a platform. The temple has depictions of the figures and deities that are associated with Shaivism. The temple has a square and plain garbhagriha (sanctum sanctorum), presently housing a Shiva linga.
The pillars in the antarala (vestibule or antechamber) are adorned with kirtimukhas (face of glory) motifs that emit festoons. Placed above these kirtimukhas are half medallions which are skillfully carved, depicting geese, kinnaras (composite half-bird, half-woman creatures) and fully bloomed flowers. The representation of the goose is also notable here.
The front view (east) of the Vishnu Temple behind the Sitaleshwar Temple shows the temple standing on a platform. The doorframe of the garbhagriha (sanctum sanctorum) is panchashakha (five vertical bands). At the threshold, figures of river goddesses, dvarapalas (door guardians) and Kubera are depicted. The upper portions of the shakhas (vertical bands) are intricately carved with a variety of motifs and designs.
The west view of the Vishnu Temple behind the Sitaleshwar Temple exhibits lateral walls of the garbhagriha (sanctum sanctorum), which are severely damaged. Only two sculptures of the dikapalas (gods of the cardinal directions) are left intact.
There is a small mandapa (pillared hall) at the north entrance of the Chandrabhaga temple complex that houses Ganesha. The mandapa is a four-pillared open structure with a flat roof. It is standing on a stone platform and has a low plinth base.
The walls of the Sitaleshwar Temple have undergone renovation, resulting in the loss of much artistic work on the external wall. However, the surviving section reveals the early artistic and aesthetic traditions. The ornamentation on the jangha (wall) resembles the pillars of the antarala (vestibule or antechamber), depicting purnaghata kalasha (an auspicious motif that symbolizes abundance, growth, and prosperity) emitting long foliage and curvaceous, undulating creepers crowned with grassamukha (kirtimukha or face of glory).