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Filtro per: Contributor Anchit Jain Cancella il filtro Contributor: Anchit Jain Parola chiave Archaeological Survey of India (ASI) Cancella il filtro Parola chiave: Archaeological Survey of India (ASI) Parola chiave Temples of India Cancella il filtro Parola chiave: Temples of India

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1. Fragment depicting a senior ascetic and musicians

Descrizione:

This interesting fragment depicts a senior ascetic, likely a Shaiva ascetic, positioned in the extreme right corner, delivering a sermon to a lady. To his left, there appears to be his disciple showing reverence to his guru. Following them, there is a series of garland bearers and musicians facing the venerable guru. Despite some damage to the fragment, it appears that the guru is not a simple human but a divine being with four arms. He seems to be holding a snake and trident in his upper two hands. It cannot be ascertained whether the figure is Shiva delivering a sermon to a lady, possibly Parvati, or if he is Lakulisha.

Parola chiave:

Rajasthan, Shakambhari Chahamanas , Temples of India, Harshnath Temple, Archaeological Survey of India (ASI), and Sikar

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

14-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
2. Surasundari holding a veena

Descrizione:

A surasundari holding a veena is depicted on the northeastern corner of the antarala of the Harshnath Temple.

Parola chiave:

Sikar, Archaeological Survey of India (ASI), Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Temples of India

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

14-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
3. Pillar depicting a four-armed Parvati holding a kamandalu and a mala

Descrizione:

The pillars in the mandapa of the Harshnath Temple lack homogeneity and may have been a later replacement. One of them is enriched with beautiful images of apsaras and female deities like Parvati, as seen in this image, within the niches of the pillar. Under these pillar niches are panels depicting musicians, dancers, celestial beings, deities such as Ganesha and ascetics. These Shaiva ascetics align with the overall Shaiva theme of the temple. The image also depicts an ascetic worshipping the shivalinga. A four-armed Parvati is depicted holding a kamaṇdalu and mala in her lower hands and likely flowers in the upper two hands. Flanking her on both sides are attendant dwarfs. Below this scene, an ascetic with long matted hairs is shown in deep adoration to Shiva.

Parola chiave:

Rajasthan, Shakambhari Chahamanas , Temples of India, Harshnath Temple, Archaeological Survey of India (ASI), and Sikar

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

14-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
4. Image of Shesashayi Vishnu

Descrizione:

Despite the predominantly Shaiva atmosphere of the Harshnath Temple Complex, there were once multiple Vaishnava temples on the hill. This particular image of Shesashayi Vishnu, or Vishnu reclining on the serpent. It was obtained from Harsha Hill and is now housed in the Government Museum, Sikar. Lord Shesa, likely served as the main cultic image inside a now lost Vaishnava shrine. Atop the image are representations of the nine planets, while Vishnu is attended to by Lakshmi at his feet. Three ayudhapurusa, personification of his weapons, are placed behind him. The reclining Vishnu adheres to standard iconography, wearing a kirita-mukuta, a malavanamala and four arms. In his upper left hand, he holds a chakra, while his upper right hand wields a mace, which also supports his head. His lower right-hand holds a flower, while the left lower hand is broken. Image courtesy: The Government Museum, Sikar

Parola chiave:

Sikar, Archaeological Survey of India (ASI), Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Temples of India

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

14-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
5. Ceiling beam in the sanctum, Harshnath Temple

Descrizione:

The ceiling beam in the sanctum depicts an array of warriors marching towards the right on its side, while the lower face of the beam is richly carved with vegetation foliage.

Parola chiave:

Sikar, Temples of India, Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Archaeological Survey of India (ASI)

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

14-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
6. Four-armed Vishnu

Descrizione:

A four-armed Vishnu is depicted seated in the lalitasana posture. He carries a mace and a chakra in his upper right and left hands, respectively, while the lower right and left hands hold a mala and possibly a citron, respectively.

Parola chiave:

Sikar, Temples of India, Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Archaeological Survey of India (ASI)

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

13-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
7. Ganesha, Surya and Chandra figures on a panel

Descrizione:

The trio of Ganesha, Surya, and Chandra is one of the several loose sculptures that were affixed on the later structures at the site. The three figures may have once been part of a larger panel depicting the nine heavenly bodies or the navagraha. While the dancing Ganesha is four-armed, the images of Surya and Chandra have only two arms, broken in both cases. The erect uplifted posture, or the samabhanga, of Surya contrasts with the dynamic posture of Ganesha and the tribhanga posture of Chandra. Both Surya and Chandra have broken heads but can be identified through the boots of the former image and the depiction of a crescent behind the neck of the latter.

Parola chiave:

Rajasthan, Shakambhari Chahamanas , Temples of India, Harshnath Temple, Archaeological Survey of India (ASI), and Sikar

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

14-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
8. Sanctum of the Bhairon shrine on Harsha Hill

Descrizione:

Close to the Harshnath Temple complex lies the Bhairon shrine featuring a semi-iconic rock revered locally as the Harsha Bhairon. He is believed to be a manifestation of the folk hero, Harsha, who decided to settle at the hill to worship Shiva. He is believed to have been blessed by Shiva to be worshipped as Bhairon on the hill. Several 10th-century CE sculptures are fixed on the walls of this complex. Today, the Bhairon shrine is the epicentre of pilgrimage to Harsha Hill and is considered as the family deity of several local communities.

Parola chiave:

Rajasthan, Shakambhari Chahamanas , Temples of India, Harshnath Temple, Archaeological Survey of India (ASI), and Sikar

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

14-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
9. Inscribed pillar

Descrizione:

Medieval epigraph at the porch on a pillarlet on the left side of the entrance.

Parola chiave:

Sikar, Archaeological Survey of India (ASI), Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Temples of India

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

14-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image
10. Image of Uma Maheshwar inside a niche

Descrizione:

A figure of Uma Maheshwar inside a niche. Shiva is seated in the lalitasana posture, while Parvati is comforted in his lap. It is affixed on a late structure.

Parola chiave:

Sikar, Archaeological Survey of India (ASI), Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Temples of India

Creatore:

Temples of India Project Team

Collaboratore:

Anchit Jain

Owner:

tushar1.ayyar@jioinstitute.edu.in

Editore:

Jio Institute

luogo:

Sikar

Data caricata:

13-05-2024

Data modificata:

13-05-2024

Rights Statement Tesim:

In Copyright

Resource Type:

Image

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