Ricerca
Filtro per:
luogo
Sikar
Cancella il filtro luogo: Sikar
Parola chiave
Archaeological Survey of India (ASI)
Cancella il filtro Parola chiave: Archaeological Survey of India (ASI)
Risultati per pagina
Visualizza i risultati come:
Risultati della ricerca
- Descrizione:
- Late medieval structure on Harsha Hill. Several 10th-century CE sculptures are placed inside the structure.
- Parola chiave:
- Sikar, Archaeological Survey of India (ASI), Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Temples of India
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 13-05-2024
- Data modificata:
- 13-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descrizione:
- Architectural fragments affixed on a late medieval structure on Harsha Hill. Loose fragments include remains of a superstructure, a panel depicting dancing figures, etc.
- Parola chiave:
- Sikar, Temples of India, Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Archaeological Survey of India (ASI)
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 13-05-2024
- Data modificata:
- 13-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descrizione:
- Kartikeya, with three visible faces, resting on his vahana, a peacock, placed on the devakostha (wall niches).
- Parola chiave:
- Rajasthan, Shakambhari Chahamanas , Temples of India, Harshnath Temple, Archaeological Survey of India (ASI), and Sikar
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 13-05-2024
- Data modificata:
- 13-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descrizione:
- This is a fascinating and rare image of Narasimha depicted in a dancing stance. He stands on one foot placed over what appears to be a prostrating figure, possibly a woman. With one hand raised in the air, he forms a lap above which the slain demon king is placed. He has eight arms and is accompanied by a dwarf warrior whose dynamic movement complements the dynamic posture of Narasimha. Such an iconographic depiction of Narasimha is rare and the identity of the dwarf warrior and the prostrating figure over which he stands remain enigmatic.
- Parola chiave:
- Sikar, Temples of India, Harshnath Temple, Shakambhari Chahamanas , Rajasthan, and Archaeological Survey of India (ASI)
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 13-05-2024
- Data modificata:
- 13-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descrizione:
- In the frieze of the drumming and dancing gods are Indra, seated on his elephant Airavata; a warrior holding a sword and shield, and an Apsara. Stella Kramrisch, in her work Hindu Temples (vol-2, plate LXVIII, p. 402-403) describes the spirit of the image in the following manner: 'the movement sways and surges to either side of a standing god who holds a long lance and seems to have ushered in before Indra the warrior so that he becomes one of the dancers. Indra, enthroned in a posture of ease, the right hand raised in Abhaya-mudra, grants fearlessness; his left-hand holds the Vajra. Small shapes surround him, Matali, his mahout, and companion spirits, Marut-like.' The elephant's trunk and the warrior's legs are interlaced; the warrior's is the largest movement; across the depth of the relief, he steps forward into the line of the celestials. Their dance vibrates, to the stamping of the feet, a suave tremor free from tension.” This image resonates with verse 7 of the Harsha stone inscription of Vigraharaja which mentions that the lord Harsha (Shiva) is worshipped on the hill by the joyous divine host, Indra.
- Parola chiave:
- Sikar, Harshnath Temple, Temples of India, Archaeological Survey of India (ASI), Architecture, Shakhambari Chahamanas, Rajasthan, and Temple
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 10-05-2024
- Data modificata:
- 10-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
96. Unknown yogini
- Descrizione:
- This is one of the many images of yoginis found at the site hinting towards a lost yogini temple compound. Contextualizing this image with several other relevant images suggests a maturity of Shakti and tantric traditions at the site. The placid expressions of this two-armed yogini seated in the lalitasana pose suggest her benevolent nature.
- Parola chiave:
- Rajasthan, Temples of India, Temple, Shakhambari Chahamanas, Harshnath Temple, Archaeological Survey of India (ASI), Sikar, and Architecture
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 09-05-2024
- Data modificata:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
97. Vaikuntha Vishnu
- Descrizione:
- This important image of Vaikuntha Vishnu reveals the presence of the Pancharatra form of Vaishnavism at Harsha Hill. Pancharatra had spread to various regions of Rajasthan from the eighth century CE onwards, with its most visible manifestations in temples like the Harshatmata Temple of Abhaneri. This image reveals its spread, even if in a limited manner, to the region of Shekhavati. The niches on either side depict damsels and musicians. The four faces of Vaikuntha Vishnu represent its four emanations/vyuha- Vasudeva, Sankarshana, Pradyumna and Aniruddha. The side faces are that of boar and lion, typical of Vaikuntha iconography. He is seated in the lalitasana pose. Image courtesy: Government Museum, Sikar
- Parola chiave:
- Sikar, Architecture, Temples of India, Shakhambari Chahamanas, Rajasthan, Temple, Archaeological Survey of India (ASI), and Harshnath Temple
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 09-05-2024
- Data modificata:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descrizione:
- This image of Durga-Mahisasuramardini in active worship is smeared with black paint and clothed, which obscures the details of the image. It is one of the many images, contemporaneous to the Harsha shrine, affixed in the enclosure of the Bhairon shrine.
- Parola chiave:
- Rajasthan, Temples of India, Temple, Shakhambari Chahamanas, Harshnath Temple, Archaeological Survey of India (ASI), Sikar, and Architecture
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 09-05-2024
- Data modificata:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descrizione:
- This is a depiction of Shiva in the form of lingodhbhav-murti. Stella Kramrisch described this particular image from Harṣha: ‘In the universal night the pillar there was nothing; fiery pillar appeared above the waters. Other than it had no beginning no end. Brahmā flew into the empyrean and failed to reach its top; Viṣnu dived into the depth of the sea and failed to find its bottom. The two great gods thereupon submit and become the acolytes of the Fiery Pillar. The Fiery Pillar is in its splendour. to its greatness and Śiva; he reveals himself. The stele is traversed in its middle by the Fiery Pillar. On the left Brahmā is seen soaring upwards; he is also seen standing, his self-appointed mission unfulfilled, an attendant divinity of the Fiery Pillar. To the right of the Pillar, Viṣnu, blowing his conch, hurls himself downward with the same result; he becomes an acolyte of the Pillar and his standing image swings in the same rhythm as the image of Brahmā. The top of the slab, the high region traversed by the pillar, is a palpitating mass of movement and its shapes are Hamsa-birds and celestial spirits. The vision of the flaming pillar has been given form in this image competently though not adequately; the form is sleek and slight but succeeds in translating the Fiery Pillar into the trunk of the Tree whose branches are Brahmā, Viṣnu and the celestial host.’ (Hindu Temples, vol 2, Plate LXVII, page 402). This is one of the most iconic and celebrated images of Lingodbhava Murti, reputed for the delicacy of the figures, sense of movement and visual impact. In the incorporative landscape of Harsha Hill, having shrines dedicated to various deities, this image marks the Shaiva domination and supremacy at the complex. Image courtesy: Akbari Fort and Museum, Ajmer
- Parola chiave:
- Sikar, Temples of India, Shakhambari Chahamanas, Rajasthan, Archaeological Survey of India (ASI), and Harshnath Temple
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 09-05-2024
- Data modificata:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- Descrizione:
- The pillars in the manḍapa of the Harsha Temple are enriched with beautiful images of apsaras and female deities like Parvati (as depicted in this image) in the niches of the pillars. These female figurines correspond to the plethora of female figurines (Parvati and damsels) depicted inside the sanctum on the walls. Beneath these pillar niches are panels depicting musicians, dancers, celestial beings, deities like Ganesha and ascetics. These Shaiva ascetics align with the overall Shaiva theme of the temple. The depicted image shows an ascetic worshipping the shivalinga. The four-armed Parvati is holding a kamandalu and mala in her lower hands and likely flowers in the upper two. On either side of her are attendant dwarfs. The ascetic shown in the panel below, with long matted hairs, is shown in deep adoration to Shiva.
- Parola chiave:
- Rajasthan, Temples of India, Shakhambari Chahamanas, Harshnath Temple, Archaeological Survey of India (ASI), and Sikar
- Creatore:
- Temples of India Project Team
- Collaboratore:
- Anchit Jain
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editore:
- Jio Institute
- luogo:
- Sikar
- Data caricata:
- 09-05-2024
- Data modificata:
- 09-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
- « Pagina precedente
- Pagina successiva »
- 1
- 2
- …
- 6
- 7
- 8
- 9
- 10
- 11
- 12