Index Catalog // Jio Institute Repository

71. Details of the south facing side of the Shikhara (superstructure)

La description:: Details of the south-facing side of the shikhara (superstructure). The cardinal bands of the shikhara have their simulations, known as the urah shringas (miniature shikharas) cascading the mulashrinaga or the main shikhara. The urah shringas have ribbed edges, similar to the mulashringas. Since they diminish in height and emanate out of each other they present a conical cascading effect.
Mot-clé:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

72. West facing elevation of the Bhandasar Temple

La description:: Seen here is the west-facing elevation of the Bhandasar Temple. The exterior walls of the temple are divided into five bays, of which the central bay is wider than the two bays flanking it on either side. The doorways of these walls when open, make the interiors of the temple semi-open and light up the interiors. The blind foliated arches of each bay have rectangular patterns that might have had paintings at some point but at present, only the outlines of these rectangles survive. At the centre of the plinth, there is a small chhatri (memorial) which was probably added to the temple later.
Mot-clé:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

73. Closer view of the small Chhatri

La description:: A closer view of the small chhatri which is attached to the plinth of the temple. This chhatri is probably a memorial which was built here at a later date. It is made of marble stone and the steps connected to its pedestal are painted in the same manner as the main temple plinth.
Mot-clé:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Bada Bazaar
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

74. Interior of the Bhandasar Temple

La description:: Seen here is the principal east-facing entrance to the garbhagriha (sanctum sanctorum) of the Bhandasar Temple. The original fabric of this entrance has been enveloped in golden embossing. The pilasters, doorway, and dvarashakha (architrave) are adorned with golden meenakari (enamel) work. Intricate details of the floral motifs cover the entire surface of the entrance. The wooden doorway has attendants painting on it.
Mot-clé:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

75. Mandapa (pillared hall) of the Adinatha Temple

La description:: This is the mandapa (pillared hall) of the Adinatha Temple, which has a quadrangle at the centre surrounded by rectangular archways on its northern and southern sides. To the west, the mandapa is connected to the garbhagriha (sanctum sanctorum) via an antarala (antechamber). The tripartite division of the arches is the same on all sides. The arches are supported by piers on the corners of the row. The base colour of the interiors of the mandapa is white, on which it has beautiful paintings done using multiple colours.
Mot-clé:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

76. Entrance Porch of the Adinatha or Rishabhnatha Temple

La description:: The entrance porch of the Adinatha or Rishabhnatha Temple, which is a subsidiary shrine in the Bhandasar Temple Complex. The porch has a small dome roof that rests on four pillars. Ornamented with niches, floral motifs and geometric designs, the porch is painted red. The merlons on the exterior wall of this temple are similar to the merlons on the enclosure wall of the temple complex. The building of this porch follows the Rajput style of architecture.
Mot-clé:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

77. Details of the Garbhagriha's entrance of the Bhandasar Temple

La description:: Details of the garbhagriha (sanctum sanctorum) entrance of the Bhandasar Temple. The beam, pilasters and brackets are covered with meenakari (enamel) gold work. The walls flanking the entrance opening have the same floral paintings found on the walls and ceiling of the temple.
Mot-clé:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Rao Lunkaran
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

78. Painting panel on the beams of the Mandapa

La description:: This is a painting panel on the beams of the mandapa (pillared hall) of the Bhandasar Temple. It is a set of five paintings drawn with the purpose of telling people that what are the wrongdoings that should be avoided. In every painting, a demonic figure is shown punishing the person who has violated moral laws. The five paintings have inscriptions of the acts that Jainism condemns. These are, ‘Kamchesta ka phal, Manushya ko maarne ka phal, chor ko saahaj dene ka phal, Biswas ghat ka phal’ (punishments for indulging in wrong sexual activities, killing a human being, supporting a thief and betrayal).
Mot-clé:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Rao Lunkaran
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

79. Wooden doors with paintings of Musicians

La description:: The doorways/long windows punctuating the walls of the mandapa (pillared hall) in the Bhandasar Temple are seen here. The wooden doors have paintings of musicians. The arch above the doorway has paintings of Tirthankara Rishabnath’s life. A band above the arch depicts stories about forbidden things in Jain traditions.
Mot-clé:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

80. Closer view of the elevation of the Garbhagriha

La description:: Closer view of the elevation of the garbhagriha (sanctum sanctorum) of the Bhandasar Temple. The two projections visible in the picture, show few basal mouldings of the plinth are covered in the later added flooring. From the remaining portions, from bottom to top, the mouldings are kumbha (pot), kalasha (a pitcher) and kapotali (cyma recta) of the vedibandha (basal mouldings). This is followed by the jangha (wall) that further connects to the cornice of the temple.
Mot-clé:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
Créateur:: Temples of India Project Team
Donateur:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Bikaner
Date de téléchargement:: 31-05-2024
Date modifiée:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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71. Details of the south facing side of the Shikhara (superstructure)

72. West facing elevation of the Bhandasar Temple

73. Closer view of the small Chhatri

74. Interior of the Bhandasar Temple

75. Mandapa (pillared hall) of the Adinatha Temple

76. Entrance Porch of the Adinatha or Rishabhnatha Temple

77. Details of the Garbhagriha's entrance of the Bhandasar Temple

78. Painting panel on the beams of the Mandapa

79. Wooden doors with paintings of Musicians

80. Closer view of the elevation of the Garbhagriha

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71. Details of the south facing side of the Shikhara (superstructure)

72. West facing elevation of the Bhandasar Temple

73. Closer view of the small Chhatri

74. Interior of the Bhandasar Temple

75. Mandapa (pillared hall) of the Adinatha Temple

76. Entrance Porch of the Adinatha or Rishabhnatha Temple

77. Details of the Garbhagriha&#39;s entrance of the Bhandasar Temple

78. Painting panel on the beams of the Mandapa

79. Wooden doors with paintings of Musicians

80. Closer view of the elevation of the Garbhagriha

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77. Details of the Garbhagriha's entrance of the Bhandasar Temple