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- Descrição:
- Harihara is depicted as a synthesis of Shiva and Vishnu. In this form, Shiva occupies the right half, adorned with a jatamukuta (crown of matted hair), while Vishnu occupies the left half, crowned with a kiritamukuta (a cylindrical crown associated with Vaishnava iconography). In his upper right hand, Harihara wields a trishula (trident), symbolizing Shiva’s power, while his lower left arm holds a shankha (conch), symbolizing Vishnu’s presence. Nandi, Shiva’s mount, is carved at the bottom right, and a kalasha (pitcher) adorned with vegetal motifs is depicted at the bottom left, symbolizing abundance.
- Palavra-chave:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Nagara Style of Architecture, Temple, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Narasimha is carved on the external wall of the mandapa (pillared hall), though time has weathered its intricate details. This depiction portrays the fourth incarnation of Vishnu, showcasing his formidable aspect with a lion’s visage atop a human form. Despite the erosion of many arms, Narasimha’s attributes are intact. In his upper hands, he holds a chakra (discus) and a shankha (conch shell), symbols of cosmic order and divine sound. His frontal hands are depicted in the act of subduing an asura (demon), although the figure is heavily damaged. He is adorned with jewels and a long garland. Additionally, a figure resembling Varaha is carved at the bottom left.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Bijolia Group of Temples, Hazareshwar Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Kartikeya is depicted on the external walls of the mandapa (pillared hall). Though most of his arms are fragmented, he holds a kamandalu (water pot) in his intact hand, symbolizing purity and divinity. He is identifiable by his vahana (mount), the mayura (peacock), depicted below him.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Bijolia Group of Temples, Mahakal Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Shiva is depicted in a dance posture. Standing in the urdhvajanu (upraised knee) pose, Shiva is depicted with multiple arms, each embodying cosmic significance. In his upper hands, he holds a multi-hooded sarpa (serpent) and a damru (drum), symbolizing creation and destruction in the cosmic dance of life. His right and left middle arms are damaged, but some are intact. His lower left hand forms the gajahasta (elephant trunk) gesture. In the lower right corner, a drummer is depicted, accompanying Shiva’s celestial dance with the beats of a drum. Meanwhile, at the opposite corner, Shiva’s mount, Nandi, is depicted in a seated posture.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
105. Depiction of Vayu
- Descrição:
- Vayu is depicted standing with a gentle smile. His four arms bear testament to his celestial nature. In his upper hands, he grasps a staff, symbolizing authority and guidance. His lower hands cradle a kamandalu (water pot) and extend in varadaksha (boon-giving gesture with a rosary). At the base, his vahana (mount), the antelope, is depicted in graceful motion, adding to the dynamic energy of the scene.
- Palavra-chave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Mahakal Temple, Rajasthan, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Yama, the God of justice and guardian of the south direction, is depicted holding a rooster and a kamandalu (water pot). One of his hands is in varada hasta (boon-giving gesture). He is adorned with jewels and wears a long garland. At the bottom left is a carving of a buffalo.
- Palavra-chave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Mahakal Temple, Temple, and Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Agni, the guardian of the southeast direction, is depicted holding a pointed spoon and a pushpa (flower) in his upper hands. His lower hands and the face of his vahana (mount) are broken. He wears a jatamukuta (crown of matted hair) and has a beard.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Nagara Style of Architecture, Mahakal Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- On the kakshasana (seat backs), the depiction of Vamana, an avatar of Vishnu, stands prominently. Vamana is portrayed with four arms, although two are damaged. In his upper right hand, he holds a pustaka (book). This attribute holds significant symbolism, as Vishnu in his Vamana avatar assumes the form of a Brahmin, embodying the essence of divine wisdom contained within the Vedas.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Nagara Style of Architecture, Mahakal Temple, and Bijolia Group of Temples
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Chamunda stands atop a human form, flanked by two attendants and an animal companion. Though many of her arms are fragmented, her divine attributes are evident. In her upper hands, she carries a sarpa (snake). Her intact right arms carry a damru (drum) and a trishula (trident), while her left hands cradle a khatvanga (staff with a human skull) and a bowl, with the finger of her left hand touching her lips. Chamunda’s portrayal emphasizes her skeletal form, with a cavity in her belly housing a scorpion, symbolizing transformative power. Her lower body is draped modestly with a loin cloth. Adjacent to her, a seated figure grasps a bowl from which he is drinking. It is speculated that one of the Goddess’s broken hands may have held a munda (severed human head). The presence of the seated figure suggests the consumption of the blood dripping from the severed head.
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Bijolia Group of Temples, Hazareshwar Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The four-armed Ishana is depicted with a bull, his sacred companion. In his upper right hand, he holds a trishula (trident), while his upper left-hand grasps a sarpa (serpent). His lower right-hand makes a varada hasta (boon-giving gesture) and holds an akshamala (rosary), while his lower left hand carries a kamandalu (water pot).
- Palavra-chave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Bijolia Group of Temples, Hazareshwar Temple, and Nagara Style of Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bhilwara
- Data carregada:
- 20-06-2024
- Data modificada:
- 20-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image