Vayu (one of the deities of the cardinal directions) is depicted with four arms, each holding his respective attributes. Crowned, Vayu is accompanied by his vahana (mount), the antelope, positioned at his feet. In his upper hands, he holds a dhvaja (flag), while his lower left-hand grasps a kamandalu (water pot). His lower right-hand holds a rosary and also makes a varada hasta (boon-giving gesture).
Kubera, the God of wealth, is depicted as four-armed, accompanied by his vahana (mount), the elephant. Crowned and bejewelled, Kubera holds a money bag in his upper hand, a gada (mace) in his lower right hand and a kamandalu (water pot) in his lower left hand.
The ceiling of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple is square in shape and consists of concentric squares design. It is adorned with a fully bloomed flower in the centre.
On the right corner of the rear or eastern wall of the garbhagriha (sanctum sanctorum), there is another male deity identifiable as a dikapala (deity of the cardinal directions). The four-armed deity, like others, has been subject to damages, with his face entirely erased and three of his arms broken. The well-adorned dikapala is depicted holding a trishula (trident) in his upper right hand. Seated at the bottom is a bull, indicating that this figure may be Ishana, often portrayed holding a trishula with a bull as his vahana (mount).
The lower section of the doorframe of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple portrays the river goddesses Ganga and Yamuna. In this picture, on the right side, Ganga is represented, identifiable by the broken makara (crocodile-like mythical creature) at the base. The figures next to the river goddesses depict Shiva as a four-armed figure. He holds a khatvanga (staff with a skull) and a sarpa (snake) in his upper hands. His lower right hand, holding an akshmala (rosary), is in the varadahasta (boon-giving gesture). In his lower left hand, he holds a bowl. He wears a jatamukuta (a crown of matted hair) and is adorned with heavy jewellery. At the bottom left, there is a Nandi that is now damaged. The figure beside Shiva depicts female attendants, while the figure at the end represents Kubera, who is portrayed with two arms and a money bag.
The lalatabimba (lintel) of the garbhagriha (sanctum sanctorum) has an image of Lakulisa—a preceptor of the doctrine of the Pashupata tradition of Shaivism—seated in padmasana (lotus pedestal pose). He is shown with an erect phallus, holding a lakuta (staff) in his left hand and a beejapurak or phala (fruit) in his right hand.
A Shiva linga (aniconic representation of Shiva) is there at the centre of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple. Notably, the yonipatta (womb-shaped base) of the Shiva linga is square, deviating from the typical circular shape.
The Kaner-ki-Putli Temple is elevated on a tall vedibandha (basal mouldings). Some of the base mouldings are partially obscured by the ground due to the restoration carried out recently. These mouldings comprise kapotapalika (cyma recta), kalasha (a pitcher), grassapatta (a band of kirtimukha or face of glory), and patta (band), adorned with jala (checkered) carvings, from the bottom to the top. Positioned above these mouldings is a kumbha (pot), intricately carved with deities and a ratnapatta (diamond band). Beyond the kumbha, there are carvings of kalasha, antarapatta (recesses between mouldings), and kapotapalika.
On the southern wall of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple, there is a male figure (on the left) with an intricate hairstyle, a lengthy beard, and a moustache. He wears a short dhoti (a loose piece of clothing to cover the lower half of the body) and is adorned with various pieces of jewellery. The figure is playing a small drum fastened with a belt that can be seen on his shoulder. Adjacent to him stands a bejeweled deity whose face and arms are damaged. Additionally, a bull is depicted at the bottom.
There is a depiction of Nirutti (one of the deities of cardinal directions) with four arms in a niche on the southern wall of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple. The four-armed deity stands with a shield in his upper left hand and a human skull in his lower left hand. Unfortunately, his right arms and face are damaged. Nirutti is depicted nude with a damaged, erect phallus, and he sports a distinctive high-raised hairstyle. Notably, he is adorned with jewellery made from a snake. At the bottom of the niche, there is a figure (possibly a devotee) with their legs raised backward in the air and folded hands.