Vishnu is positioned at the far left end of the uttaranga (entablature) above the lintel of the garbhagriha (sanctum sanctorum). He is depicted holding a gada (mace), a shankha (conch shell), and a chakra (discus). One of his lower hands is gesturing the varadahasta (boon-giving gesture). He is adorned with a kiritamukuta (a cylindrical crown associated with Vaishnava iconography) and various pieces of jewellery.
In a niche on the southern wall, of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple, a male figure is depicted. Unfortunately, the figure is damaged, with the head entirely missing. Both upper arms are broken, while the figure holds a kamandalu (water carrier or pot) in the left hand and makes a varadahasta (boon-giving gesture) with the right hand. At the base of the niche, a broken ram-like animal with horns is visible. Based on the vahana (mount), attributes, and gestures, this figure can be recognized as Agni (one of the deities of cardinal directions). Adjacent to Agni, there is a male figure that stands out from the others. This figure features curly, raised hair and a beard, but unfortunately, the face has been eroded. The upper body is bare and adorned with jewellery, while the lower body is covered by a distinctive triangular loin cloth. An antaravastra (inner garment) is visible beneath the loin cloth. The figure is draped with a scarf wrapped around the arms, and although the broken object held in his two hands is now incomplete, the visible middle part resembles a stick. Notably, this figure is unique because of the distinctive dressing style and footwear, suggesting him to be a foreigner.
The middle section of the saptashakha (seven vertical bands or architraves) of the garbhagriha (sanctum sanctorum) has five different patterns. The first, third, and fifth branches are decorated with floral designs. The second branch features carvings of nagas (serpents) arranged vertically, while the fourth branch, known as the stambha shakha, is a hexagonal pillar that transitions into a faceted shape before becoming circular. The sixth branch is adorned with sinuous floral patterns, while the final branch is also carved with a floral band.
Above the lintel of the garbhagriha (sanctum sanctorum) there is an uttaranga (entablature) depicting divine figures. In the centre, there is a depiction of Nataraja with Brahma positioned on the far right and Vishnu on the far left. Between Shiva and Brahma, there is a depiction of Ganesha, and another (unidentifiable) deity is situated between Shiva and Vishnu. These figures are accompanied by female chauri (fly whisk) bearers on either side.
The jangha (wall) of the Kaner-ki-Putli Temple has central offsets flanked by projections and recesses. The niches of the central offsets on all three sides of the garbhagriha (sanctum sanctorum) are presently empty. These niches may have originally been adorned with depictions of deities. The remaining projected and recessed sections are intricately carved with depictions of minor deities, including dikapalas (deities of cardinal directions), Shaiva ascetics, and female figures.
On the left of the uttaranga (entablature) above the lintel of the garbhagriha (sanctum sanctorum), Brahma is depicted with three faces and four arms. His upper hands carry a shruka (a sacrificial spoon) and a pustaka (manuscript), while his lower hands hold a kamandalu (water carrier or pot) and display varadaksha (a hand held in the boon-giving gesture, with a rosary in it).
The pilaster on the left side of the antarala (vestibule or antechamber) of the Kaner-ki-Putli Temple depicts a standing ascetic with folded hands. He has thick, matted hair locks, a long beard, and a mustache. His upper body is bare, while his lower body is clad in a langot (loincloth).
The antarala (vestibule or antechamber) of the Kaner-ki-Putli Temple leads to its garbhagriha (sanctum sanctorum), which features an intricately decorated multi-shakha (vertical bands or architraves) doorframe. It is a saptashakha (seven vertical bands) doorframe. The lower section of the doorframe depicts figures, and the upper part is embellished with a variety of decorative patterns.
The west-facing Shiva temple now consists of a garbhagriha (sanctum sanctorum) and an antarala (vestibule or antechamber), with the mandapa (pillared hall) having fallen into disrepair. The upper part of the shikhara (superstructure) has been affected by damage. Stylistically, the temple dates back to the twelfth century CE.
The antarala (vestibule or antechamber) of the Kaner-ki-Putli Temple is a shallow space. Its floor is entirely adorned with a chandrashila (moonstone) carving outside the door of the garbhagriha (sanctum sanctorum). The side walls of the antarala lack niches or any other form of decoration. However, on the left side, one can observe an extended holder piece (probably for lighting diyas, or oil lamps) on the wall.