Index Catalog // Jio Institute Repository

161. Jali in the Summer Palace

Descrição:: A lattice window showing a flower vase. The room is colonnaded and spacious with cusped arches. The entry within the ‘palace’ can be made through two flights of stairs on both ends. The arcade is four-sided with pointed arches. It is also known as the Summer Palace. Small jalis are present on the windows.
Palavra-chave:: Rajasthan, Temple, Gurjara-Pratihara, Kachwahas, Shakhambari Chahamanas, Architecture, Harshatmata, Rajput-Mughal, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 09-04-2024
Data modificada:: 09-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

162. Architectural plan of Kunda at Chand Baori

Descrição:: Floor plan of the Kund at Chand Baori in Abhaneri. Picture Courtesy: American Institute of Indian Studies (AIIS), Gurugram
Palavra-chave:: Rajasthan, Temple, Gurjara-Pratihara, Shakhambari Chahamanas, Architecture, Harshatmata, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 09-04-2024
Data modificada:: 09-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

163. Summer Palace

Descrição:: The room is colonnaded and spacious with cusped arches. The entry within the ‘palace’ can be made through two flights of stairs on both ends. The arcade is four-sided with pointed arches. It is also known as the Summer Palace. Small jalis are present on the windows.
Palavra-chave:: Gurjara-Pratihara, Kachwahas, Architecture, Harshatmata, Shakhambari Chahamanas, Abhaneri, Rajasthan, Temple, and Rajput-Mughal
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 09-04-2024
Data modificada:: 09-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

164. Ganesha

Descrição:: Four-armed male deity seated in lalitasana on a cushion. It is stylistically similar to the multiple Ganesha images recovered from the Harshatmata Temple.
Palavra-chave:: Gurjara-Pratihara, Architecture, Harshatmata, Shakhambari Chahamanas, Abhaneri, Rajasthan, and Temple
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 09-04-2024
Data modificada:: 09-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

165. Durga Mahishasuramardini

Descrição:: Six-armed female deity holding a trident, sword in her right; shield, munda in her left hand, rest is not clear. The leg is pressing on his hump, pressing the demon down. The decapitated head is shown fallen down. The lion chomps at the bull/demon&#39;s hip. It is stylistically similar to the multiple Durga Mahishasuramardini images recovered from the Harshatmata temple.
Palavra-chave:: Rajasthan, Temple, Gurjara-Pratihara, Shakhambari Chahamanas, Architecture, Harshatmata, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 09-04-2024
Data modificada:: 16-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

166. Music and Dance Panel

Descrição:: Musicians, dancers, and harp players are present on the central section of the lintel. The right section has a depiction of Kubera with a female attendant serving wine; the left section has a seated Durga in a padmasana position on a lotus with eight hands holding a bow, kamandala (pitcher), sword, shield, and rosary. Other details are unclear. There are two addorsed lions present beneath the lotus. There are also two attendants present. Picture Courtesy: Hawa Mahal Museum
Palavra-chave:: Abhaneri, Architecture, Harshatmata, Rajasthan, Gurjara-Pratihara, Temple, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 29-03-2024
Data modificada:: 02-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

167. Saptamatrika Panel

Descrição:: The panel is divided into two sections, displaying the matrikas, each identifiable by their vahanas (mounts) in the following order: Maheshvari, Vaishnavi, Vinadhara Shiva, Varahi, and Kaumari. The section on the left features Aindri (or Indrani) and Chamunda. Shiva, positioned in the centre, holds a veena in his lower two hands and a trident and snake in his upper two hands. Picture Courtesy: Albert Hall Museum, Jaipur
Palavra-chave:: Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 29-03-2024
Data modificada:: 02-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

168. Hara-Gauri Lintel

Descrição:: It is a trishakha (three vertical bands or branches) lintel having a nagashakha (serpent branch), inner patravalli (foliage pattern), and a mithunashakha (amorous couple branch) at the top, with the central figure of Shiva-Parvati in alingana (embrace), interspersed by kirtimukhas (face of glory). Two standing mithuna (amorous couple) figures are present at the end of the lintel. Picture Courtesy: National Museum, New Delhi
Palavra-chave:: Abhaneri, Architecture, Harshatmata, Rajasthan, Gurjara-Pratihara, Temple, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 29-03-2024
Data modificada:: 02-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

169. Chamunda

Descrição:: An eight-armed Goddess stands on a lotus and naravahana (human corpse). Her form appears emaciated with sagging breasts and a sunken stomach. She has her mouth open and is pointing her little finger towards it with her left hand. She holds a trident in her right hand and a khappar (skull bowl) and naramunda (severed head) spear in the left hand. The remaining hands are broken. To her right, a lion-headed female (perhaps Narasimhi) and gana (attendant) is depicted, while on her left, a dog is seen licking the blood off the naramunda. A beaded halo is present behind her head. The gana and the naravahana exchange looks, with the gana holding his foot.
Palavra-chave:: Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 29-03-2024
Data modificada:: 02-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

170. Kshemankari

Descrição:: An eight-armed deity is depicted standing in samabhanga (upright posture) on a lotus beneath which are two addorsed lions. The deity holds a shield in the upper left hand; the remaining hands are broken. A halo is present behind her head. A female attendant stands on the right. Stylistically similar to those seen at Ambika Temple in Jagat (dated 10th century CE).
Palavra-chave:: Gurjara-Pratihara, Architecture, Temple, Harshatmata, Shakhambari Chahamanas, Rajasthan, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 29-03-2024
Data modificada:: 02-04-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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161. Jali in the Summer Palace

162. Architectural plan of Kunda at Chand Baori

163. Summer Palace

164. Ganesha

165. Durga Mahishasuramardini

166. Music and Dance Panel

167. Saptamatrika Panel

168. Hara-Gauri Lintel

169. Chamunda

170. Kshemankari

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161. Jali in the Summer Palace

162. Architectural plan of Kunda at Chand Baori

163. Summer Palace

164. Ganesha

165. Durga Mahishasuramardini

166. Music and Dance Panel

167. Saptamatrika Panel

168. Hara-Gauri Lintel

169. Chamunda

170. Kshemankari

Filtre sua busca