Seen here is the eastern elevation of the Nilkantha Mahadev Temple. The central shrine is the best preserved of all shrines in the tri-kuta (triple-shrine) temple. The Latina nagara (mono-spired) variety of shikhara atop the central shrine of the Neelkanth Mahadev temple has been renovated.
This is the east-facing elevation of the central shrine in the Neelkanth Mahadev Temple. The bhadra (central projection) image on the exterior wall facing east, contains a unique composite image called the Harihararka (or Hariharapitamaharka), which is a depiction wherein Shiva, Vishnu, and Surya (and plausibly Brahma) have been incorporated into one sculpture. The three-faced figure is shown sitting on a chariot of seven horses, holding the attributes of all its representative deities.
A closer view of the lalatabimba (key stone of the lintel) of the dvarashakha (doorjamb) of the central shrine of the Neelkanth Mahadev Temple. This lintel has five rathikas (small niches) with depictions of Shiva at the centre, flanked by Ganesha on the right and a goddess on the left. The extreme corner rathikas are not easily accessible. Since the central rathika of the lintel has a Shiva image, the lalatabimba has an image of Nandi.
Closer view of the pillar in the central chatuski of the mandapa (pillared hall) of the Neelkanth Mahadev Temple. This pillar typology is similar to the pillars of the mukhamandapa (front porch). Octagonal shafts with foliage ornamentation, maladharas sculptures on all sides of the shafts are characteristics of the pillar.
Sculpture of Ganesha on the kumbha moulding corresponding to the bhadra (central projection) of the north lateral shrine in the Neelkanth Mahadev Temple complex.
Seen here is the view from the north of the Naugaza Shantinatha Temple. All that remains of the temple is its plinth and the colossal Jina image enshrined in the temple, which can be seen from far away. The Naugaza Temple has a garbhagriha (sanctum sanctorum), mandapa (pillared hall) and mukhamandapa (front porch) in plan. The remains of the superstructure have not survived. The plinths with elephant and human figure friezes demarcate the original plan of the temple.
This is a closer view of the Naugaza Shantinatha Temple along with the ancillary structures. From the plinth remains, it appears that it was a temple with a pancharatha (five projections on each side) plan, minimal sculptural depictions but intricate geometric patterns. There are remains of smaller temples to the north and east of the temple. Several architectural elements from the temples are scattered in the vicinity of the Naugaza Temple.
The tall, nude statue of Jina Shantinatha stands in meditation posture with a parasol above it, placed at the back of the temple's inner sanctum. The statue has a calm face with a slight smile and curly hair, although some parts like the hands, feet, and chest are slightly damaged. Two female attendant figures near its feet are also damaged, making it hard to identify them. The sculpture is carved out of sandstone.