The temple complex has an ornate torana (ornamental gateway). While the arch of the torana is broken, the pillars are still well-preserved. Each pillar depicts three female figures and one male figure on the lower octagonal part of the shaft. The upper portion of the pillars is adorned with loops and chains of bells.
The lintels above the shakhas (vertical bands) of the Sadashiva Temple depict a dancing Shiva at the centre accompanied by a musician and a dancer. Goddesses are shown on the extreme ends. Shiva is portrayed as ten-armed, holding an akshamala (rosary), khatvanga (staff with a skull), damaru (drum), snake, kapala (skull), and trishula (trident), with his front two arms making dance a gesture. The goddesses are depicted as four-armed, wearing a jatamukuta (a crown of matted hair). They hold an akshamala and kamandalu (water pot), while their other hands hold their respective attributes.
The temple faces the east and has a mukhachatushki (four-faced entrance platform) on the east side and a garbhagriha (sanctum sanctorum) which is of the sarvatobhadra (open on all four cardinal directions) type, meaning the temple can be entered from all four directions.
The complex features a kund (water tank) adjacent to the Ganesha Temple. This tank, shaped like a cross, is equipped with steps to reach inside the tank.
Temple 9 is dedicated to Mahishasuramardini. Presently, the temple is in a dilapidated condition, with many parts of the temple scattered around due to collapses. The temple faces west and comprises a garbhagriha (sanctum sanctorum), antarala (vestibule), and a mukhamandapa (front porch). Unfortunately, the mandapa (pillared hall) and the antarala have collapsed.
The temple features a well-defined pitha (a small platform) and vedibandha (basal mouldings). Its walls are plain, adorned with pilasters topped by the grassamukha (face of glory) band. The shikhara (superstructure) is severely damaged.
In the garbhagriha (sanctum sanctorum) of the Mahishasuramardini Temple (Temple 9), a pedestal holds a sculpture of a Goddess. The Goddess is worshipped by the locals, as indicated by the vermilion on her face and the clothes that the sculpture is wrapped in.
The doorframe is divided into panchshakhas (five vertical bands). At the bottom, the river goddesses Ganga and Yamuna, are depicted along with a Shaiva dvarapala (door guardian). The shakhas (vertical bands) display flower bands and moving outward the shakhas are carved with single male figures, mithunas (amorous couples), putrajaya (leaf motif), and vyalas (mythical lion-like hybrid creatures).