Index Catalog // Jio Institute Repository

71. Front view of Harshat Mata Temple and Nandi shrine

Descrição:: Front view of Harshat Mata Temple and Nandi shrine (east). The original stone temple was built in the Mahameru style and was destroyed and replaced by a circular domed structure at a later period when the temple was reconstructed. The present temple has used broken fragments from the original temple in the foundation and pillars and a mix of modern materials in the dome and remaining parts.
Palavra-chave:: Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

72. Medallion depicts a bird (likely a peacock) with its head bent downwards

Descrição:: Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. In this medallion, a bird (likely a peacock) with its head bent downwards is integrated with a creeper motif. The rest of the plaque is covered with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Palavra-chave:: Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

73. A part of the shikhara of the original temple

Descrição:: Broken fragments and debris from the original temple assembled on the north face of the adhisthana. Most fragments assembled here were once part of the shikhara of the original temple, other subsidiary structures, and associated parts like the urushringa (subsidiary tower projecting from the sides of the main shikhara). The original shikhara was destroyed and replaced by a circular dome at a later period.
Palavra-chave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

74. U-shaped rounded stones assembled on the parapet

Descrição:: Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. U-shaped rounded stones are assembled on the parapet, but their position or purpose in the original temple is unknown. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Palavra-chave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

75. Split gavaksha motifs

Descrição:: Broken debris from the original temple assembled on the northeast face of the adhisthana. Seen in the carvings are the split gavaksha motifs.
Palavra-chave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

76. Fragments and debris of the original temple

Descrição:: Broken fragments and debris from the original temple assembled on the north face of the adhisthana. The fragments assembled here were once part of the original temple, and other subsidiary structures of the Panchayatana plan.
Palavra-chave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

77. A couple admiring each other in a moment of shringar rasa

Descrição:: Sculptural panel depicting a couple (likely royal, based on their size and posture) seated on a circular throne and surrounded by female attendants. The scene depicts the couple admiring each other, in a moment of shringar rasa (romantic love). The central figure of the man is seated in the lalitasana posture. He is caressing his partner’s chin with his left hand while holding a flower in his right hand, offering it to her. The lady is resting her right hand on the left thigh of the man and her head is tilted upwards, as he looks into her face. One of the female attendants is seated on the right thigh of the central male figure.
Palavra-chave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

78. A human figure (acrobat/dancer) doing an acrobatic/dance pose

Descrição:: Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. In this plaque, a human figure (acrobat/dancer) is doing an acrobatic/dance pose that merges with a creeper motif. Ardha padma (half lotus) and kalpa lata (creeper) motifs are carved on the rest of the plaque surface. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Palavra-chave:: Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

79. Plaque with two birds (probably swans) with their necks entwined

Descrição:: Tablet-like plaques are placed on the adhisthana (facing east). These plaques depict various types of flora and fauna as well as hybrid creatures like kinnara, vyala, and makara. The plaques are tightly arranged, richly detailed, and deeply carved, creating contrasting shadows that make the artwork look three-dimensional in sunlight. The central artwork of the plaque is in the form of a circular medallion surrounded by a foliage motif. This plaque features two birds, likely hamsas (swans), with their necks entwined. The plaques are separated by squat pillars which have a square base, an octagonal shaft, and a square capital. The pillars are decorated with ardha padma (half lotus) and kalpa lata (creeper) motifs.
Palavra-chave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 07-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

80. A kinnari holding a purna ghata

Descrição:: Broken fragments and debris from the original temple assembled on the north face of the adhisthana. The carving features a kinnari holding a purna ghata (a symbol of abundance, prosperity, and fertility). The upper body of the kinnari is depicted with a female human figure and the lower body consists of a bird which forms a floral motif at the rear.
Palavra-chave:: Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
O Criador:: Temples of India Project Team
Contribuinte:: Srija Sahay
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editor:: Jio Institute
Localização:: Abhaneri
Data carregada:: 05-03-2024
Data modificada:: 08-03-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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71. Front view of Harshat Mata Temple and Nandi shrine

72. Medallion depicts a bird (likely a peacock) with its head bent downwards

73. A part of the shikhara of the original temple

74. U-shaped rounded stones assembled on the parapet

75. Split gavaksha motifs

76. Fragments and debris of the original temple

77. A couple admiring each other in a moment of shringar rasa

78. A human figure (acrobat/dancer) doing an acrobatic/dance pose

79. Plaque with two birds (probably swans) with their necks entwined

80. A kinnari holding a purna ghata

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71. Front view of Harshat Mata Temple and Nandi shrine

72. Medallion depicts a bird (likely a peacock) with its head bent downwards

73. A part of the shikhara of the original temple

74. U-shaped rounded stones assembled on the parapet

75. Split gavaksha motifs

76. Fragments and debris of the original temple

77. A couple admiring each other in a moment of shringar rasa

78. A human figure (acrobat/dancer) doing an acrobatic/dance pose

79. Plaque with two birds (probably swans) with their necks entwined

80. A kinnari holding a purna ghata

Filtre sua busca