Index Catalog // Jio Institute Repository

171. Mukhalinga on double chaitya arch on the exterior wall of garbhagriha

La description:: The side walls of the garbhagriha have windows which are topped by double chaitya arches. The lower chaitya arch depicts the bust of a deity flanked by two celestial beings. The upper chaitya arch shows a grassamukha.
Mot-clé:: Gupta Brahmi, Rajasthan, Charchoma Maliya, Shiva, Mahakal Temple, Archaeological Survey of India (ASI), Gupta period, Charchoma Shiva Temple, Early Medieval, and Kota
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

172. Yajnakund outside the main temple

La description:: Southeast view of the mulaprasada (main temple). Comprising a mandapa (hall), antarala (vestibule or antechamber), and a garbhagriha (sanctum sanctorum) on its plan, the temple has a simple elevation with minimal decoration. Outside the main temple, there is a yajnakund for performing yajna and havan (fire rituals).
Mot-clé:: Charchoma Shiva Temple, Kota, Mahakal Temple, Archaeological Survey of India (ASI), Early Medieval, Shiva, Gupta Brahmi, Rajasthan, Charchoma Maliya, and Gupta period
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

173. Jangha of the garbhagriha depicting a bhadra carved with the figure of deities

La description:: The jangha of the garbhagriha depicts a bhadra which is carved with the figure of deities. Apart from that the only decorative motif visible on the walls is a horizontal band of kirtimukha. Above the jangha, a varandika (shoulder) is carved which is made of mouldings including gaggarika and kapotapalika with a chaitya arch motif.
Mot-clé:: Kota, Early Medieval, Shiva, Archaeological Survey of India (ASI), Charchoma Maliya, Gupta Brahmi, Rajasthan, Gupta period, Charchoma Shiva Temple, and Mahakal Temple
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

174. Mithuna and maithuna figures on kumbha moulding

La description:: One of the mouldings on the vedibandha of the garbhagriha is the kumbha which is carved with figures of deities, apsaras, mithunas and maithunas. Here, both the mithuna and maithuna imagery can be seen. Mithuna represents a couple embracing each other where the male figure is softly pressing his partner’s breast. The maithuna, next to the couple, shows four figures engaged in amorous activities.
Mot-clé:: Gupta Period, Charchoma Maliya, Kota, Early Medieval, Shiva , Rajasthan, Charchoma Shiva Temple, Archaeological Survey of India (ASI), Gupta Brahmi, and Mahakal Temple
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

175. Jangha of the temple

La description:: The garbhagriha presently in its elevation consists of the original vedibandha and jangha. The vedibandha comprises various mouldings and the jangha has a bhadra (central offset) and karna (corner projections). The jangha on the right of the temple, as seen in the image, is devoid of any sculpture on the bhadra niche but the other two sides are carved with the figures of deities.
Mot-clé:: Kota, Early Medieval, Shiva, Archaeological Survey of India (ASI), Charchoma Maliya, Gupta Brahmi, Rajasthan, Gupta period, Charchoma Shiva Temple, and Mahakal Temple
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

176. Mandapa of the Mahakal Temple

La description:: The mandapa of the temple is open and has only base mouldings belonging to the old structure. It now has a smooth tile floor and there are two broad stairs at the end which lead to the main sanctum. A black stone figure of nandi facing the sanctum is placed on one of the stairs. The front wall of the main sanctum is also a new structure with a metal gate to enter the sanctum. The udumbar (threshold) of the sanctum has the original part of the temple which now is the only decorative element left of the entire façade.
Mot-clé:: Kota, Early Medieval, Shiva, Archaeological Survey of India (ASI), Gupta Brahmi, Rajasthan, Gupta period, Charchoma Maliya , Charchoma Shiva Temple, and Mahakal Temple
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

177. The floor, shade and entrance to the main sanctum

La description:: The complex in which the present temple is situated is tightly paved with bricks whereas the mandapa in front of the main sanctum is refloored with modern tiles. The temple is covered with a metal sheet roof for shade. A set of steps lead up to the mandapa. A closer look of the steps reveals remnants of the original temple placed as decorations to the stairs. There is a small steel gate which further leads to the mandapa of the temple.
Mot-clé:: Kota, Early Medieval, Shiva, Archaeological Survey of India (ASI), Charchoma Maliya, Gupta Brahmi, Rajasthan, Gupta period, Charchoma Shiva Temple, and Mahakal Temple
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

178. Plan of the temple comprising mandapa, antarala and a garbhagriha

La description:: The foundation of this temple or subsidiary shrine (II), within the temple complex, suggests that this temple consisted of a mandapa, shallow antarala and a garbhagriha on the plan. Only the base mouldings of the temple survive.
Mot-clé:: Charchoma Shiva Temple, Kota, Mahakal Temple, Archaeological Survey of India (ASI), Early Medieval, Shiva, Gupta Brahmi, Rajasthan, Charchoma Maliya, and Gupta period
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

179. Depiction of Hari-Hara Hiranyagarbha

La description:: The rear wall of the garbhagriha has a projection depicting a syncretic image. This image depicts Surya, Vishnu and Shiva coming together to form a deity called Hari-Hara Hiranyagarbha. The deity is depicted with three heads and six arms, standing alongside his attendants Dandaka and Pingala. Adorned with a beautiful crown and jewellery, the deity is wearing knee-length boots, which confirms that the frontal face and body represent Surya, who is shown holding flowers in both his hands. While in his upper hands, one can notice sarpa (snakes) which is an attribute of Shiva, and the lower arms grasp a shankha (conch shell) and chakra (discus), symbols associated with Vishnu.
Mot-clé:: Gupta Brahmi, Rajasthan, Charchoma Shiva Temple, Shiva, Mahakal Temple, Archaeological Survey of India (ASI), Kota, Charchoma Maliya, Gupta period, and Early Medieval
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

180. Depiction of Chamunda and a deity below the image of Chamunda

La description:: One can notice the Chamunda imagery, on the south wall of the garbhagriha, with an emaciated body, dried and saggy breasts and a sunken belly. She has a jatamukuta and is adorned with ornaments. It is worth noticing that she is wearing a snake as her waist belt and carrying different astras and a bowl. Beneath the bhadra, on the vedibandha, a deity is shown seated on a pedestal, covered in vermilion which shows that the deity is worshipped regularly.
Mot-clé:: Charchoma Shiva Temple, Kota, Mahakal Temple, Archaeological Survey of India (ASI), Early Medieval, Shiva, Gupta Brahmi, Rajasthan, Charchoma Maliya, and Gupta period
Créateur:: Temples of India Project Team
Donateur:: Nikita Rathore
Owner:: tushar1.ayyar@jioinstitute.edu.in
Éditeur:: Jio Institute
Emplacement:: Kota
Date de téléchargement:: 17-05-2024
Date modifiée:: 17-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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171. Mukhalinga on double chaitya arch on the exterior wall of garbhagriha

172. Yajnakund outside the main temple

173. Jangha of the garbhagriha depicting a bhadra carved with the figure of deities

174. Mithuna and maithuna figures on kumbha moulding

175. Jangha of the temple

176. Mandapa of the Mahakal Temple

177. The floor, shade and entrance to the main sanctum

178. Plan of the temple comprising mandapa, antarala and a garbhagriha

179. Depiction of Hari-Hara Hiranyagarbha

180. Depiction of Chamunda and a deity below the image of Chamunda

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171. Mukhalinga on double chaitya arch on the exterior wall of garbhagriha

172. Yajnakund outside the main temple

173. Jangha of the garbhagriha depicting a bhadra carved with the figure of deities

174. Mithuna and maithuna figures on kumbha moulding

175. Jangha of the temple

176. Mandapa of the Mahakal Temple

177. The floor, shade and entrance to the main sanctum

178. Plan of the temple comprising mandapa, antarala and a garbhagriha

179. Depiction of Hari-Hara Hiranyagarbha

180. Depiction of Chamunda and a deity below the image of Chamunda

Limiter votre recherche