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- Descrição:
- The fourth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is an episode about Jinachandra Suri’s life. The inscription on the viewer’s left side of the painting is lost, hence the exact episode is unknown. The painting depicts a Mughal official with his attendants bowing down to Jinachandra Suri, accompanied by his disciples, during a religious gathering. The acharya (those who impart knowledge) is seen pointing towards the sky, where lightning strikes. The episode is happening in front of a haveli. In the foreground of the painting, two Mughal officials, possibly sitting on horses, are depicted. A similar episode is found in the life of Jinadatta Suri, where he saves his followers from drowning in another part of the world, showcasing his knowledge and power. The remnant inscription reads, ‘Shri Jinachandra Suri ji.’
- Palavra-chave:
- Raos of Bikaner, Jain, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Rao Lunkaran
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) has Mount Meru, the sacred mountain, depicted in the cosmic universe. There are five stages, from bottom to top, that symbolizes the centre of the world, which is surrounded by Jambudvipa, the earthly world. After every Tirthankara is born, he meets with God by ascending all these stages. Mount Meru painting illustrated the journey of the Tirthankara; hence, the centre of every stage has a Tirthankara sitting in a padmasana (lotus pedestal) pose. The inscription reads, ‘Meru Parbat.’
- Palavra-chave:
- Raos of Bikaner, Jain, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Bada Bazaar
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The story in the sixteenth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) revolves around Jinadatta Suri, probably depicting how he saved a drowning ship. The acharya (those who impart knowledge) is sitting on the banks of the water body, accompanied by three disciples. The ship in the water has an elephant head, and a person in Rajasthani attire is seated on the ship. The water contains aquatic flora and fauna, such as fish and lotus flowers. The inscription reads, ‘Shri Jinadatta Suri ji ne nevai dari.’ The most interesting aspect of this painting is the name of the artist, M. Altaf, inscribed at the bottom of the oval border of the painting.
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Jain, Architecture, and Shekhari Style of Temple Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- As per the inscription on the fifteenth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall), it depicts Jinadatta Suri reviving a Mughal prince. The story, commonly told in Jain traditions, recounts that once a Mughal prince fell from a horse and died. Jinadatta Suri commanded Vyantar Dev (forest celestial beings) to enter the dead prince’s body and bring him back to life. The Mughal prince is shown sleeping on a charpahi (four-legged bed) in the courtyard of the haveli (mansion). In the background, several buildings are depicted, suggesting a city settlement. Some of these buildings exhibit European architectural designs. The inscription reads, ‘Shri Jinadatta Suri Ji mugal putar ji la yo.’
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Jain, 16th century CE, and Shekhari Style of Temple Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The dome above the mandapa (pillared hall) of the Bhandasar Temple features two circles consisting of sixteen oval-shaped designs resembling mirrors. The outer or lower row depicts miraculous deeds from the lives of Jain Acharyas, Dada Guru Jinadatta Suri and Dada Guru Jinachandra Suri. The inner or upper row has stories from the lives of Rishabhnatha, Mahavir, Parshvanath and Neminatha Tirthankaras. This row also includes auspicious symbols and preachings of the Jain traditions. The oval paintings are placed on a background of floral ornamentation. All the paintings have inscriptions detailing the stories they represent.
- Palavra-chave:
- Raos of Bikaner, Jain, Shekhari Style of Temple Architecture, Bikaner, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Tirthankara, Bhanda Shah ka Jain Mandir, and Bada Bazaar
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The third oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) depicts an episode from Jinachandra Suri's life. Once, a disciple of Jinachandra Suri mistakenly told a Muslim religious leader it was a no-moon day when it was a new moon day. The Muslim leader spread the misinformation across the city, questioning the disciple’s knowledge of the day. To rectify the situation, Jinachandra Suri threw a gold plate into the sky, covering the moon and thus converting the day into a no-moon day. This miracle is supposed to have taken place in front of Emperor Akbar. The inscription reads, ‘Shri Jinachandra Suri ji na Purnima kari.’
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Jain, 16th century CE, and Shekhari Style of Temple Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The second oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode of Panch Pir coming to greet Jinadatta Suri. The story is closely associated with Jinachandra Suri, who subdued five pirs (spiritual guides) who stood at the confluence of five rivers upon the request of Emperor Akbar. The painting depicts five human figures in five streams of water, approaching to pay their respects to the acharya (those who impart knowledge). On the banks, devotees are shown sitting with offerings. The inscription reads, ‘panch pir shri Jina datta suri ji.’
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Jain, 16th century CE, and Shekhari Style of Temple Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The twelfth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode of Jinadatta Suri when he procured texts which were hidden in the pillar by a Jain ascetic several years ago. No one knew the location of the sacred scriptures, but the acharya (those who impart knowledge) could discern it using his magical powers. The pillar containing the sacred scriptures is depicted as a fluted column. This painting bears the name of the painter, M. Altaf Usta. The word ‘Usta’ used as a suffix here comes from the word ustad, meaning expert.
- Palavra-chave:
- Raos of Bikaner, Jain, Shekhari Style of Temple Architecture, Bikaner, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Tirthankara, Bhanda Shah ka Jain Mandir, and Bada Bazaar
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- The interiors of the Seth Bhandasar Jain Temple are highly ornate. All wall surfaces, pillars, and ceilings have beautiful paintings, and the mandapa (pillared hall) of the temple is noteworthy. The paintings are from various themes, including depictions of twenty Tirthankaras, the lives and works of Jain monks, important pilgrimage sites, and teachings of the Jain traditions, among others.
- Palavra-chave:
- Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Jain, 16th century CE, and Shekhari Style of Temple Architecture
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descrição:
- Jinadatta Suri is depicted here with his disciple, who is curing a person of his ailment. The acharya (those who impart knowledge) is renowned for such miraculous deeds. This seventh oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the last of four paintings dedicated to the miracles of Jinadatta Suri, through which the acharya saved several lives. The inscription reads, ‘Shri Jinadatta Suriji sapata spa dene ji vayo.’
- Palavra-chave:
- Raos of Bikaner, Jain, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Bhanda Shah ka Jain Mandir, and Bada Bazaar
- O Criador:
- Temples of India Project Team
- Contribuinte:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Localização:
- Bikaner
- Data carregada:
- 31-05-2024
- Data modificada:
- 31-05-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image